pamela
Written on May 24, 2013
A year down the line, and I finally read a copy of 'Raven Girl', and all I can tell you is how wrong I was. A postman rescues a fledgeling raven, looks after her, then promptly falls in love with her. They conceive a child, the titular Raven Girl, who is born with human features but the soul of a Raven. She seeks to look on the outside as she feels on the inside and finds a doctor who can give her the wings she so desperately desires.
Niffenegger has the style and language just right, but where she really fails is the pacing. The book cries out for a detailed plot, indeed I felt she had one in mind, but the format of the fairytale meant that the whole thing felt rushed and lacking in detail. We end up with a character who is introduced, disappears suddenly, only to be replaced by another character who is not introduced until the very last paragraph of the story. These were the questions I left the Royal Opera House asking, and the question I asked once again after reading I book I so badly hoped would answer thise questions; who are these characters, where did they come from, why were they not mentioned earlier?
That isn't to say that the book is all bad. The illustraions, rendered by Niffenegger herself, are beautiful. Minimalist and dark, they are a perfect addition to the mood of the tale. The illustrations were instrumental in creating the set for the ballet, which was superb (the set, not the ballet), and greatly complemented what should have been stylistic perfection. The cover design is superb, and the quality of the paper and the design can not be faulted. It is a shame then that such a beautiful book should be so let down by the words contained within.
Despite it's beauty however I can not recommend either the book or the ballet. Both had amazing potential, but ultimately left me feeling not only cold, but disappointed.