This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou.
Originally published in 1981.
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- ISBN10 1322009988
- ISBN13 9781322009988
- Publish Date 1 January 2014 (first published 24 September 1973)
- Publish Status Active
- Out of Print 3 June 2015
- Publish Country US
- Imprint Princeton University Press
- Format eBook
- Pages 188
- Language English