Don’t miss the brand new twisty thriller from Sarah Pinborough – INSOMNIA – available to buy now!
Don’t Trust This Book Don’t Trust These People Don’t Trust Yourself And whatever you do, DON’T give away that ending… ***Now a major new Netflix series***Louise
Since her husband walked out, Louise has made her son her world, supporting them both with her part-time job. But all that changes when she meets…
David
Young, successful and charming – Louise cannot believe a man like him would look at her twice let alone be attracted to her. But that all comes to a grinding halt when she meets his wife…
Adele
Beautiful, elegant and sweet – Louise's new friend seems perfect in every way. As she becomes obsessed by this flawless couple, entangled in the intricate web of their marriage, they each, in turn, reach out to her.
But only when she gets to know them both does she begin to see the cracks… Is David really the man she thought she knew and is Adele as vulnerable as she appears?
Just what terrible secrets are they both hiding and how far will they go to keep them?'Bloody brilliant' Stephen King
‘Piledriver domestic thriller with pull-the-rug-out ending’ Ian Rankin (on Twitter)
‘A dark, electrifying page-turner with a corker of an ending’ Harlan Coben
‘This year’s must-read thriller’ Evening Standard
‘The most unsettling thriller of the year… Read it now before someone spoils the ending for you’ John Connolly
‘Everyone will be talking about this book’ Stylist
‘Masterful writing that crackles with tension, before detonating that ending’ Angela Clarke
‘One of the best endings to a book’ Prima
‘Just when you think you’ve nailed it, Pinborough pulls the rug out from underneath you’ Sam Baker
‘The ending's a shocker that makes you want to read the novel all over again’ Woman and Home
- ISBN13 9780008131999
- Publish Date 7 September 2017 (first published 26 January 2017)
- Publish Status Active
- Publish Country GB
- Publisher HarperCollins Publishers Inc
- Imprint HarperCollins
- Format Paperback
- Pages 384
- Language English
- URL http://harpercollins.co.uk
Reviews
Kim Deister
Reading this book was an experience. It was weirdly addicting and totally consuming. It’s also a book that is difficult to review for fear of spoilers.
The story is complex, with multiple storylines that are told in shifting timelines and from multiple points of view. There are times when the individual storylines seem disconnected, but then they are brought together in a completely unexpected way. It’s a love triangle but one created to be anything but typical.
It’s a book that somewhat defies the single-box genre assignment. It’s a thriller, to be sure. But is it psychological? In part. Is there a whodunit element? Yes, there is. But in truth, there’s very little actual mystery throughout the book. Yet this doesn’t keep the book from being utterly compelling.
Behind Her Eyes is a twisted tale of love and obsession, but told in a very unique way. It’s complex and dark, all things perfect in a thriller!
pamela
Behind Her Eyes was very much a book that didn't know quite what it wanted to be. It markets itself as a crime/domestic thriller and glosses over its strong paranormal/horror elements. Because it tries to straddle that line, the book manages to be a poor example of both and really suffers for it.
The thing that draws most people in with Behind Her Eyes is the promise of an amazing, unguessable twist ending. There are, in fact, two twists in the book. The first is obvious if you've been paying attention. The second twist is exactly the same as the first twist, but FUCKING STUPID! Imagine if you were reading Little Red Riding Hood, and instead of the ending it has, it just ended with the words, "and Grandma was an alien," you'll have a good impression of what it was like to get to the end of this book. The twist was unguessable because the narrative had in no way developed toward it along the way. It was lazy sensationalism, and I was absolutely not here for it.
There were certainly moments when Behind Her Eyes gripped me, but on the whole, it was a rather pedestrian story about moronic protagonists with whom I felt no connection. The pace was plodding, and I found myself skipping ahead in a few sections as it got boring. The character motivations were barely explored at all, and because of that, everything just seemed a bit contrived and silly. There are about a million ways that these situations would have played out differently if normal people had been in them without the desperate need to create plot drama.
I started watching the Netflix dramatisation of Behind Her Eyes, which is what made me pick up the book. The show does a much better job of making the characters likeable and creating a sense of drama than the book does, which is really saying something. If you like this style of domestic drama, then it might be worth giving it a go, but overall I feel Pinborough would have been better served deciding on the type of book she wanted to write and commit to the genre. This weird mishmash just didn't work. While other writers have managed to toe that line to great effect (Phil Rickman and John Connolly are perfect examples of this), Pinborough simply didn't do enough worldbuilding or character development to make her plot palatable.
mrs_mander_reads
The characters and story is so complex, but not so much that I had trouble remembering details. I love that it moves between timelines and perspectives.
The ending, y'all. I have no words.
Renee
Having read about this paranormal activity before, I was actually not surprised about how the events turned out. When Adele was talking at the beginning of the book about her stuff, referring to the notebook of her and Rob, I felt really confused when there was no real connection between Adele and the notebook. From that point on, I was hesitant if it was indeed Adele in her body. However, I do believe that if I had not read about 'going out of your own body and into the body of someone else before', I would not have been able to guess that ending.
I was more surprised about the ending with 'Adele' and Louise. I had not expected 'Adele' to take Louise her body, especially because she was so judgemental about it. I thought she would frame Louise for trying to destroy her and make Louise the reason for her almost suicide. When it happened I wasn't shocked, but I had not expected it.
It's a nice book. Nothing special, nothing bad. It's a fast, fun read, just don't expect a story like Gone Girl.
maggiefan
laurie
As for that big giant twist, well, I enjoyed this book more when it was called 'Stranger with my Face', so I predicted most of it almost immediately and it was a random very early thought where I hoped it wasn't going to be something stupid like it being ... and of course it was.
The problem with all of these books trying to be Gone Girl is that they lack the original author's skill at characterization and plot. And so they spend so much time hiding the twist that they forget that we're here for the journey not the ending.
See this review and others on my blog.
Leah
Before you get to the ending, though, there’s still over 375 other pages to read and to really get the full effect of that ending, you really do need to read them. Because they are amazing. I devoured over 200 of them in two hours, and I literally had to force myself to stop so I could go to work, but I would have happily finished this in one sitting, had I had the opportunity. It was just intoxicating. It didn’t feel like you were reading the book, because the pages just flew by and the pace was at full throttle throughout. For once, a rarity in a thriller, we have two narrators who actually seemed quite competent. Louise liked a drink (in fact, she liked a drink so much, I thought it was going to become an issue) and Adele had her moments, but all in all, I actually trusted them both (#whatafool). I never felt they were leading me up the garden path (#whatanevenbiggerfool) and I liked them both as narrators.
The story itself is fairly simple – girl meets man, man is married, girl works for man, they become involved, girl then makes friends with his wife. Basically Louise is the middle of a very bizarre game of piggy in the middle and Louise doesn’t tell David or Adele that she knows the other. While that may sound unreal, it’s actually super compelling, because it makes for a great narrative, because it’s just all happening. Louise is trying to be a good friend to Adele, but she feels something for David, and then there’s all this subtext about what mind have happened the night Adele’s parents died and what the hell went on with Adele’s friend Rob? And it’s just so compelling. I actually think I preferred Adele to Louise (what the hell does that say about me eh? Eh? Eh?) if only because I knew there was something up, and she hints to things she’s controlling, but I liked that about her. Louise actually got on my nerves, like an insistent fly.
Really what makes Behind Her Eyes is how it all comes together. It’s so masterful, so intense, so incredibly unbelievable that you have to keep reading because surely that isn’t how it’s going to go?!! Not that I saw for a second how it was going to go. BUT IT WAS AMAZING AND INCREDIBLE. I only get excited about books I really love and I’ve struggled recently with thrillers, feeling like they’re all the same, but this is brand new, compelling and just plain nuts. It genuinely amazes me how authors come up with such compelling stories and even more incredible plot twists. Sarah Pinborough has read the thriller of 2017, I dare any story to even try to come close to how absolutely astounding Behind Her Eyes was. I will never, ever forget this story. And even if I did forget the story, that ending will stay with me forever, I swear.