This book is not another critical biography, but an interpretive essay investigating what we feel is the cultural and historical importance of Zappa and Beefheart in the context of a wide-ranging network of references that run from Michelangelo and Arcimboldo to William Burroughs and Vaclav Havel. Readers who are only vaguely familiar with their music will be introduced to a projected pantheon of maximalist artists and "moments" which will in turn give rise to poetic-associational readings designed to encourage them to explore the processes of art production, consumption and rejection in their expanding totality and to consider the body as the fluctuating constant against which all composition (addition and subtraction of parts) is attempted. In many ways, this book is also intended as a maximalist alternative to the cultural studies take on the study of popular music, which generally neglects aesthetics in favor of the merely semiotic and sociological and is reluctant to investigate the relationships and coincidences of mass, underground and "elitist" culture. In what follows, we will propose an (anti-)method, a conspiracy theory of the mind that seeks to foster a promotional application of "paranoid" criticism risking its very credibility (and sanity) to abandon itself to the energizing virtues of connectivitis and coordinology.
- ISBN10 1280950242
- ISBN13 9781280950247
- Publish Date 1 January 2005
- Publish Status Active
- Out of Print 26 February 2014
- Publish Country US
- Imprint Salt Publishing
- Format eBook
- Pages 204
- Language English