The field of Native American art history, and our idea of whatcomprises Indian art itself, were molded largely by the policies of themuseums and institutions that established their ethnologicalcollections in the second half of the nineteenth century.
Objects housed in the great natural history museums -- collected andseen first as natural history specimens and later as 'primitiveart' -- have long been considered to be normative Native Americanart, rather than as representative of a long and changing history.Collectors' biases against Euro-American influenced work, touristitems, and contemporary art have further distorted our understanding ofthe field. Such attitudes and practices have led to accusations that animperialistic Native American art history not only developed, but alsomaintains, the fictions of a colonizer/colonized relationship.
This collection of essays deals with the development of NativeAmerican art history as a discipline rather than with particular artworks or artists. It focuses on the early anthropologists, museumcurators, dealers, and collectors, and on the multiple levels ofunderstanding and misunderstanding, appropriation and reappropriationwhich characterized their transactions. The essays examine majorfigures, art forms, institutions, and events of the early years whenNative American artworks were first collected, studied, anddisplayed.
- ISBN10 0774804335
- ISBN13 9780774804332
- Publish Date 1 January 1992
- Publish Status Active
- Publish Country CA
- Imprint University of British Columbia Press
- Format Hardcover
- Pages 256
- Language English