Misery (Ldp Litt.Fantas)

by S King

Misery, c'est le nom de l'héroïne populaire qui a rapporté des millions de dollars au romancier Paul Sheldon. Après quoi il en a eu assez : il a fait mourir Misery pour écrire enfin le « vrai » roman dont il rêvait.
Et puis il a suffi de quelques verres de trop et d'une route enneigée, dans un coin perdu... Lorsqu'il reprend conscience, il est allongé sur un lit, les jambes broyées dans l'accident. Sauvé par une femme, Annie. Une admiratrice fervente. Qui ne lui pardonne pas d'avoir tué Misery. Et le supplice va commencer.
Sans monstres ni fantômes, un Stephen King au sommet de sa puissance nous enferme ici dans le plus terrifiant huis clos qu'on puisse imaginer.

Source: http://www.livredepoche.com/misery-stephen-king-9782253151371

• ISBN10: 2253151378
• ISBN13: 9782253151371
• Publish Date: 1 September 2002
• Publish Status: Active
• Imprint: Livre de Poche
• Format: Paperback (US Trade)
• Language: French

Reviews

[Amber (The Literary Phoenix)]

Reading Misery was a rollercoaster of cringing and discomfort. It is an amazingly well-written book. The pace is slow, but that only adds to the tension. The writing is deliberate and careful. The blurb on the cover says this is King at his best, and I'm inclined to agree. There's no unnecessary detail and idle chatter - every object in this story, every word spoken is agonizingly deliberate. Everything adds to the possibilities. Everything adds to the tension. It's fantastic.

Paul Sheldon is kidnapped by his Number One Fan, Annie Wilkes, who both nurses him back to health and breaks him more. She forces him to resurrect her favorite book character and write her a sequel. The story is Paul's only escape and he walks a tightrope of trying to please her so she won't hurt him, and trying to plot an escape. Because of his imagination, Paul is a slightly unreliable narrator. He makes you doubt the horrifying realities and keep flipping pages, hoping that the unspeakable hadn't really happened.

This was a book I couldn't put down. I didn't enjoy it in usual sense - but I did enjoy it for the way it wrapped me up. It's an incredible psychological thriller, and should be read by any fan of King's work or the genre.

[celinenyx]

What I love about Stephen King is that although all of his books are written in his voice, you never truly know what you're going to get. Some of his books are epic (It, The Stand), some are extremely personal (Lisey's Story) and some are nostalgic and subtle (Joyland). He is a very versatile writer, and Misery is yet another proof of that.

Paul Sheldon has written a series of bestselling novels, that he thinks of as his non serious novels. After finishing one of his serious novels, he gets in a car crash that shatters his legs. He wakes up in the house of Annie Wilkes, his number one fan. But Annie is not satisfied with the ending of his bestselling Misery series, and she demands a new one.

The premise is very simple. There are only two characters, Paul and Annie. From the first page Paul is in Annie's house. I was a bit hesitant about this situation - although the book isn't very long, I was afraid this setting wouldn't hold my attention for long. I shouldn't have worried at all. After a page or thirty I couldn't tear my eyes from the page, and I read all of it in about a day and a half.

Like all of his books, Misery builds to a huge crescendo where you'll be reading as fast as possible, trying to find out who will die and who will survive (since that's what it usually boils down to). Misery starts at creepy, then descends to downright gruesome and disturbing. Where some of King's books use a supernatural evil (It, The Shining), Misery builds upon what would happen if a truly crazy woman would find her favourite author in a stroke of coincidence. It's this realism what makes the book so scary. Where supernatural forces are something of a nightmare, something that belongs in stories, we all know crazy people. We see their pictures in the newspapers, or sometimes, even worse, we don't.

Annie could have just been a caricature, an evil piece of cardboard that tortures Paul because she's evil. Instead, she also has her moments where she is sweet, where she sits with Paul and watches some TV with him. She sings while she cleans. It's these things that makes her human, and which makes her "bad moods" even scarier.

Although it's an uncomfortable read (some scenes were so graphic that they're burned into my brain), Misery joins the ranks of my favourite King books. Maybe it's exactly this discomfort that makes his books so amazing.