Paul Buck has been writing and publishing since the late Sixties; key titles include Violations, Lust, Walking into Myself… His work is characterized by its sabotaging of the various forms in order to explore their overlaps and differences. Through the Seventies he also edited the seminal magazine Curtains, with its focus on threading French writing from Bataille, Blanchot, Jabès, Faye, Noël, Ronat, Collobert and a score of others into a weave with English and American writers and artists.
While editing and translating are still a daily activity – in partnership with Catherine Petit, the Vauxhall&Company series of books at Cabinet Gallery is their responsibility – he also continues to cover new ground: Spread Wide, a fiction generated from his letters with Kathy Acker; Performance, a biography of the Cammell/Roeg film; Lisbon, a cultural view of a city; A Public Intimacy, strip-searching scrapbooks to expose autobiography; Disappearing Curtains, an exhibition catalogue that collides with a ‘journal’; Library, a suitable case for treatment, a collection of essays. In recent times he helped Laure Prouvost to write her film Deep See Blue Surrounding You, around which her Venice Biennale pavilion, representing France, was based.
Further ventures through textual issues around transgression, perversity, and intimacy to appear include: Indiscretions (& Nakedness), a set of prose narratives; Street of Dreams, further essays, and Without You, a fiction that voyages through film essay.
