The Good Immigrant (Pol003000, HACHETTE A)

by Nikesh Shukla and Chimene Suleyman

Nikesh Shukla (Editor)

How does it feel to be constantly regarded as a potential threat, strip-searched at every airport?

Or to be told that, as an actress, the part you’re most fitted to play is ‘wife of a terrorist’? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go ‘home’ to India when your home is really London? What is it like to feel you always have to be an ambassador for your race? How does it feel to always tick ‘Other’?

Bringing together 21 exciting black, Asian and minority ethnic voices emerging in Britain today, The Good Immigrant explores why immigrants come to the UK, why they stay and what it means to be ‘other’ in a country that doesn’t seem to want you, doesn’t truly accept you—however many generations you’ve been here—but still needs you for its diversity monitoring forms.

Inspired by discussion around why society appears to deem people of colour as bad immigrants—job stealers, benefit scroungers, undeserving refugees—until, by winning Olympic races, or baking good cakes, or being conscientious doctors, they cross over and become good immigrants, editor Nikesh Shukla has compiled a collection of essays that are poignant, challenging, angry, humorous, heartbreaking, polemic, weary and—most importantly—real.

• ISBN10: 178352295X
• ISBN13: 9781783522958
• Publish Date: 22 September 2016
• Publish Status: Active
• Out of Print: 15 June 2021
• Publish Country: GB
• Publisher: Unbound
• Imprint: Unbound Digital
• Format: Hardcover
• Pages: 272
• Language: English

Reviews

[Joséphine]

Initial thoughts: Teetering between 4.5 and 5 stars. This is an excellent book containing a lot of insight into the lives of immigrants originating from many different countries. The reason I'm not entirely bent on 5 stars is that the essayists are by and large working in the media and/or entertainment industry. Nikesh Shukla does admit in his preface that the contributors generally know each other. With a general title referring to the immigrant, I expected a more cohesive narrative representing voices from more varied samples of British immigrants. Then again, 21 is a small sample size, so I might have expected too much in terms of representation. That being said, I thought the essays were all thought-provoking and most importantly, honest.