gmcgregor
Written on Mar 30, 2017
Jane keeps a very close eye on Jonny's access to the internet, and it's this that kicks off the action: one night when she's out, he sneaks into her hotel room to read about himself. And it's there that he finds a message from a man claiming to be his long-lost father. As his tour continues, Jonny tries to figure out if the commenter is really his father (and what to do if he is), watches his mother struggle personally and professionally, has his own professional struggles, negotiates a fake date with a fellow preteen star, and breaks out of his cloistered bubble a little when a 20something rock band becomes his new opening act.
This sounds like a lot of plot, especially when you're talking about a 300 page book, but Wayne handles it well. Part of the reason he's successful is the way he structures his book: with sections for each day of each stop on the tour, it keeps a constant sense of propulsive motion forward, building naturally towards the climax, the final show. A bigger part of the reason the book works is the voice he creates for Jonny. Simultaneously hopelessly naive in the way that 11 year-olds should be, and cynically jaded about his career and the industry in which he works, there's a tricky balance Wayne pulls off, making Jonny neither a complete sap nor completely bitter.
Some of the themes are handled in a way that's a little too on-the-nose: Jonny's coming-of-age is symbolized by his attempts to figure out how to successfully jack off, and his tutor assigns him a unit on slavery in a clear attempt to draw the parallels with Jonny's situation to both the singer himself and, of course, the reader. And while the story is about Jonny, from his own perspective, I actually found Jane the most interesting character and wish I'd gotten more about her. But having too many interesting and well-rounded characters is a good problem for a book to have. I really enjoyed this book and would definitely recommend it!