A Brush With Death

by Ali Carter

Agatha Christie meets Downton Abbey in this delightful new series introducing pet portraitist and amateur super-sleuth, Susie Mahl

In the village of Spire, murder is afoot. Rich landowner Alexander, 9th Earl of Greengrass is caught with his trousers down in the village graveyard before meeting a gruesome end.

Luckily Susie Mahl happens to be on hand. With her artist's eye for detail and her curious nature she is soon on the scent of the murderer...

• ISBN10: 1444839918
• ISBN13: 9781444839913
• Publish Date: 1 February 2019 (first published 7 June 2018)
• Publish Status: Active
• Publish Country: GB
• Publisher: F A Thorpe (Publishers)
• Imprint: Ulverscroft Ltd
• Edition: Large type / large print edition
• Format: Hardcover
• Pages: 330
• Language: English

Reviews

[MurderByDeath]

Didn't really like this book, though it wasn't the stuff of DNF.  I think a number of factors were involved, including what might be a cultural divide in terms of narrative style.   Susie Mahl is a fine artist who supplements her income by doing high-end pet portraits, something that also allows her to move amongst those that occupy the rarefied air of wealth.  While working on a commission that came about through a recommendation by Lady Greengrass to a neighbor, Lord Greengrass is murdered.  Susie is close enough to the family that Lady Greengrass calls on her to stay until the funeral, a request Susie uses as an opportunity to solve the mystery.   I'll start with the plotting; it was lacking.  There was never any question for me as to who the murderer was.  In fact:   the reader enters the scene seconds after the murder has occurred, as the murderer has just finished and so is still right there (sitting atop the victim if I remember correctly). (hide spoiler) The whole thing was truly transparent and the author never came close to convincing me that there were any other viable suspects.   Susie Mahl, as a character, was problematic for me.  She is strong, independent and opinionated.  Things I generally like in my MCs.  But she also had an ego that often ventured into "I'm better than everyone else" territory, and I didn't care for that.  This arrogance spanned across several subjects, but the most distasteful, to me, were the multiple times she expressed her belief that she alone could solve the mystery, and the inspectors would never figure it out.  How I'd have loved to see one of those inspectors tell her they could do portraits better than she could.   Finally, the overall writing style just didn't do it for me; it felt choppy and the dialog simplistic and unnatural.  Some of this might be a cultural style, as I mentioned above, and some of it could be first-book-learning-curve, but added to my other issues, the result is a lack of desire to continue the series.