From Fountain to Moleskine: The Work of Art in the Age of its Technological Producibility (Brill Research Perspectives)

by Maurizio Ferraris

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Photography was invented in the mid-nineteenth century, and ever since that moment painters have been asking what they are there for. Everyone has their own strategy. Some say they do not paint what is there, but their impressions. Others paint things that are not seen in the world, and therefore cannot be photographed, because they are abstractions. Others yet exhibit urinals in art galleries. This may look like the end of art but, instead, it is the dawn of a new day, not only for painting but - this is the novelty - for every form of art, as well as for the social world in general and for industry, where repetitive tasks are left to machines and humans are required to behave like artists.
  • ISBN10 9004407561
  • ISBN13 9789004407565
  • Publish Date 16 May 2019 (first published 13 May 2019)
  • Publish Status Active
  • Publish Country NL
  • Imprint Brill