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By personalizing the experiences of American slaves, Harriet Beecher Stowe’s Uncle Tom’s Cabin had a profound effect on public attitudes toward slavery on the eve of the Civil War, but Stowe’s narrative was not the whole story. Jo-Ann Morgan now reveals how prints and paintings of Uncle Tom and other characters in the novel also shaped public perceptions and how this visual culture had its own impact on history.Through illustrations in various editions of the book, advertisements for stage produ...

This volume collects Wind's published articles and his extensive unpublished writings on Michelangelo. His interpretation of the Sistine Ceiling as a typological programme, its Old Testament scenes adumbrating New Testament events, stands as a demonstration of the complex relationships possible between art and ideas. The volume opens with an introduction to Wind's art-historical work by Elizabeth Sears and a survey of accomplishments in the field of Renaissance theology by John W. O'Malley.

An examination of program that attempted to help art students (re)establish a relationship with “material” on both a personal and a societal level.Materialisation in Art & Design (MAD), the temporary master's program at the Sandberg Instituut, investigated the conventional hierarchy in art and design education in which concept often takes precedence over material or the making of the work. In an effort to (re)establish a relationship with “material” on both a personal and a societal level, the p...

The Space that Separates: A Realist Theory of Art radically challenges our assumptions about what art is, what art does, who is doing it, and why it matters. Rejecting the modernist and market-driven misconception that art is only what artists do, Wilson instead presents a realist case for living artfully. Art is defined as the skilled practice of giving shareable form to our experiences of being-in-relation with the real; that is to say, the causally generative domain of the world that extends...

Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This wor...

Reflecting on fieldwork for the twenty-first century, anthropologist and artist Susan Ossman invites readers on a journey across North Africa, Europe, the Middle East, and North America. She reveals that fieldwork today is not only about being immersed in a place or culture; instead, it is an active way of focusing attention and engendering encounters and experiences. She conceives a new kind of autoethnography, making art and ethnography equal partners to follow three "waves" of her research on...

Though one of the most popular artists of the twentieth century, Salvador Dalí is typically seen as peripheral to the dominant practices of modernist painting. Roger Rothman’s Tiny Surrealism argues that this marginal position is itself a coherent response to modernism. It demonstrates how Dalí’s practice was organized around the logic of the inconsequential by focusing on Dalí’s identification with things that are literally tiny (ants, sewing needles, breadcrumbs, blackheads, etc.) as well as t...

Showcasing 26 internationally acclaimed artists and art collectives from the Gulf region and the world, and directly referencing John Berger's seminal 1972 eponymous text on visual culture, this publication invites the viewer to actively engage with the artwork, and to explore the ways by which artists assign forms and concepts that seem familiar with renewed appearances and meanings.

Cross-Cultural Issues in Art provides an engaging introduction to aesthetic concepts, expanding the discussion beyond the usual Western theorists and Western examples. Steven Leuthold discusses both contemporary and historical issues and examples, incorporating a range of detailed case studies from African, Asian, European, Latin American, Middle Eastern and Native American art. Individual chapters address broad intercultural issues in art, including Art and Culture, Primitivism and Otherness,...

In their concern with the perennial controversy between the two great areas in which men seek knowledge, three eminent literary scholars and a distinguished journalist in these essays address themselves to the question, "Do the humanities provide a form of understanding of reality that the sciences do not?" Monroe C. Beardsley maintains that the humanities considered as contributors to knowledge must deal with the same subject matter as the sciences, but literature and the arts can enlarge our p...

Title first published in 2003. What happened to art in Britain when the balance began to shift from public to private subsidy following the IMF crisis in 1976? In this polemical book, Neil Mulholland charts the political and cultural shifts in art in Britain from the mid-1970's to the end of the twentieth century. His account covers the key trends and artists of this extraordinarily diverse period, including critical postmodernism, feminism, neoconservatism, object sculpture, the new image, Brit...