Corpse at the Crystal Palace: A Daisy Dalrymple Mystery (Daisy Dalrymple Mystery, #23)

by Carola Dunn

"A casual outing to the Crystal Palace in London takes a mysterious and murderous turn in the latest mystery in Carola Dunn's beloved Daisy Dalrymple series. April 1928: Daisy Dalrymple Fletcher is visited in London by her young cousins. On the list of must-see sites is the Crystal Palace. Discovering that her children's nanny, Nanny Gilpin, has never seen the Palace, Daisy decides to make a day of it--bringing her cousins, her 3-year-old twins, her step-daughter Belinda, the nurserymaid, and Nanny Gilpin. Yet this ordinary outing goes wrong when Mrs. Gilpin goes off to the ladies' room and fails to return. When Daisy goes to look for her, she doesn't find her nanny but instead the body of another woman dressed in a nanny's uniform. Meanwhile, Belinda and the cousins spot Mrs. Gilpin chasing after yet another nanny. Intrigued, they trail the two through the vast Crystal Palace and into the park. After briefly losing sight of their quarry, they stumble across Mrs. Gilpin lying unconscious in a small lake inhabited by huge concrete dinosaurs. When she comes to, Mrs. Gilpin can't remember what happened after leaving the twins in the nurserymaid's care. Daisy's husband, Detective Chief Inspector Alec Fletcher of Scotland Yard, finds himself embroiled in the investigation of the murdered nanny. Worried about her children's own injured nanny, Daisy is determined to help. First she has to discover the identity of the third nanny, the presumed murderer, and to do so, Daisy must uncover why the amnesic Mrs. Gilpin deserted her charges to follow the missing third nanny"--

• ISBN10: 1250209048
• ISBN13: 9781250209047
• Publish Date: 27 August 2019 (first published 3 July 2018)
• Publish Status: Active
• Imprint: Minotaur Books
• Format: Paperback (US Trade)
• Pages: 288
• Language: English

Reviews

[MurderByDeath]

This is one of those series that's a reliable old friend for me.  Definitely cozy, a little bit frothy, and terribly innocent but never twee or precious, Dunn writes an historically accurate mystery that aims to offer a bit of harmless escapism.  She generally succeeds.     Daisy and her step-daughter Bel are entertaining some young cousins for a week at their home in London, and on the agenda is a day at the Crystal Palace. When Daisy finds out that neither the nanny nor the nurse have been there, she ends up with a large group outing on her hands.  Everyone splits off to explore the huge building and grounds, and when it's time to meet back up, Bel and her cousins spy Nanny Gilpin running out of the "Ladies conveniences" in pursuit of another nanny.  They cannot resist following her, playing spy, to see what's up, and it's all great fun until they find Mrs. Gilpin unconscious in one of the ponds.   Meanwhile, Daisy arrives at the rendezvous point to find the nurse and her twins, but no nanny.  After an appropriate amount of time has passed, Daisy goes off to the Ladies conveniences to find out what's holding up nanny's return.  Only instead she finds another nanny, dead.  When Mrs. Gilpin regains consciousness (the children having dragged her out of the pond), she can't, of course, remember anything.   And so begins another amateur investigator by Daisy, who is determined to find out why her heretofore grave, humourless but ultra responsible nanny would hare off and leave the twins, even if it was in care of the nurse.   Dunn has fun playing up the meddling Daisy does, lightly pitting her in a race against her husband, DCI Alex Fletcher.  Daisy has a knack for purposely putting herself in the right place at the right time, but rather than press the point and interrogate, she merely observes and listens, picking up information as she goes, so it really isn't meddling.  This along with her connections to the peers of the realm (she's an Honourable), gives her access to information faster than the police and makes her contributions valuable, though  it pains her husband to admit it.     The plotting of the mystery was so-so.  I should say, it was technically well done, but the motivation behind a couple of pivotal moments felt weak.  They worked, but only just.  This would probably be a crucial point in book 1, or any of the early entries, but by book 23 most readers are invested in the characters and will probably forgive a less than riveting plot for the chance to catch up with Daisy and her friends and family.  I did, anyway.