This survey of past and present controversies about Shakespearian drama asks about the question: Do the plays hold a mirror up to nature? If so, what is the nature of the "nature" reflected in plays as different as Hamlet and As You Like It?K Is the poet on the side of the angels or, in fact, "of the devil's party" in a play like Richard III? Are Hamlet and Cleopatra more to be morally censured than pitied or admired? How seriously should we take the comedies? Rather
than attempting to answer these questions, the author here explains why it...Read more
This survey of past and present controversies about Shakespearian drama asks about the question: Do the plays hold a mirror up to nature? If so, what is the nature of the "nature" reflected in plays as different as Hamlet and As You Like It?K Is the poet on the side of the angels or, in fact, "of the devil's party" in a play like Richard III? Are Hamlet and Cleopatra more to be morally censured than pitied or admired? How seriously should we take the comedies? Rather
than attempting to answer these questions, the author here explains why it is that the plays remain open to critical debate. She concludes that Shakespearian drama provides us with the most artistic challenges to any one-sided account of the ways of the wold it reflects and for this reason, for
students and teachers, and for actors and audiences alike, its impact is ultimately liberating.
than attempting to answer these questions, the author here explains why it is that the plays remain open to critical debate. She concludes that Shakespearian drama provides us with the most artistic challenges to any one-sided account of the ways of the wold it reflects and for this reason, for
students and teachers, and for actors and audiences alike, its impact is ultimately liberating.
- ISBN10 0198128142
- ISBN13 9780198128144
- Publish Date 20 June 1985
- Publish Status Active
- Publish Country GB
- Imprint Oxford University Press
- Format Hardcover
- Pages 208
- Language English