Adult Fairy Tale Romance
7 primary works • 8 total works Complete
Book 0.5
Prequel of the spin-off series from the bestselling book, Vampire King, featuring fan favourite, Martha.
Book 1
It’ll take more than a wish to help this fairy godmother find her own happy ever after.
When Martha, tired of working as a fairy of pleasure, uses illegal magic to bring two lovers together, she’s caught by a fae inquisitor and dragged before the Seelie court. She’s sure to be stripped of her magic if she’s convicted.
Lucky for her, she’s got some time before she goes to trial—she has forty days to save herself from the court’s judgment.
Only true love can protect her from losing her magic forever. But the man she loved, the Fae King, died years ago.
So what’s a fairy to do? Wave her wand and make a wish? That’s far too dangerous—not to mention illegal.
But all magic comes at a price. She just has to decide if it’s one she’s willing to pay.
The Fae King stars reader favorite, Martha, and is set in the magical world of The Vampire King. Readers, who enjoy magical fairy tale retellings, will love this steamy take of a fairy godmother’s search for more than a happy ever after.
Book 1
Book 2
The Unseelie and Seelie Courts are at War, and the pawn that could topple them both is her, a fairy godmother.
After finding two dead fae on her way back from Farrington, Martha, a lady of leisure, seeks out the help of witches to aid her. But in the Kingdom, all magic is illegal.
Through a twist of fate, caught in the act, Martha is dragged before the Court to receive punishment for breaking fae law. But the choice is not one she’d ever imagined: to lose her magic forever or to become a spy for the Unseelie Court.
The court of her beloved Fae King.
Book 2
Book 3
His escape requires her seduction. Her magic requires his heart.
With Martha's memories taken away, she finds herself as a pawn for the power-hungry fae. Although she's told the Unseelie fae on her side, Sylius, is her beloved fiancé, she can't help the nagging feeling that something is off, wrong even. She's a prisoner in a gilded tower, and doesn't know it.
Darragh, removed from the throne, can't sit idly by for his stolen kingdom or fated love to return to him. His only hope is to escape with Martha, the fairy godmother he's always loved. He cops a plan to rescue them both, even if it causes the Unseelie Court to crumble.
In this desperate quest to right past wrongs, both Martha and Darragh must heal the past, join forces in this fight for survival. Nothing will stand in their way of capturing their happily-ever-after, not even a fae Queen.
Book 4
Martha and Darragh’s moment of peace becomes short-lived when the perennial threat to their thrones and existence, Sylius, returns, this time with the most powerful witches in his army, a dangerous gift from the underworld and his father, Polius, reincarnated. Constant attacks within both Fae and human realms sends all the leaders into action as they work towards an alliance that could get rid of their common enemy.
Meanwhile, Aria fights a personal battle of what it means to be born into a family set for evil and tremendous losses sets both the Seelie and Unseelie courts back more steps than they could ever imagine.
The gripping and exhilarating fourth installment of the Fae’s Love series makes for a well-woven tapestry of political tension and power tussle and the lengths that a person is willing to go to get a throne that is not rightfully theirs.
Book 5
Final book in Adult Fairy Tale Romance Series
The corridors of the Seelie court had become so familiar to me that they now felt like home. I knew all of their features and peculiarities like those of the Unseelie court. I knew the walls and what hung on them; I knew the colours they were painted and I could picture each corridor before I turned the corner. I especially loved the one I was standing in and its right wall that I was facing with Darragh by my side. It had the most beautiful paintings of all of the Seelie court’s past kings. Of them all, a particular one caught my attention. Not because the king had such a beautiful thick mane or because the painting of his silk robe was done to such fine detail that it almost seemed lifelike but the features of his face were so familiar to me that it felt eerie.