Vintage International
2 total works
Alistair MacLeod musters all of the skill and grace that have won him an international following to give us No Great Mischief, the story of a fiercely loyal family and the tradition that drives it.Generations after their forebears went into exile, the MacDonalds still face seemingly unmitigated hardships and cruelties of life. Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. His older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through their lovingly recounted stories -- wildly comic or heartbreakingly tragic -- we discover the hope against hope upon which every family must sometimes rely.
Until the recent publication of Alistair MacLeod's first novel, No Great Mischief, his reputation as one of Canada's most important writers rested entirely on the stories collected in this book, and on this basis he was included in the Modern Library's 200 greatest writers in English since 1950.
These stories are about death, family ties, and the pull of traditions transplanted from Scotland to a harsh New World. Reviewing MacLeod in the New York Times, Louise Erdrich wrote, "the young eventually realize that though they speak English, the old language [Gaelic] is internalized, that the sound and meaning of it rise to haunt them in the same way that the ancient mythologies and superstitions, spun through generations, exert an ineluctable hold."
Joyce Carol Oates gives us a precise image of the experience of reading these stories: "that sudden feeling of insecurity that comes to a traveler in unmapped country; a sense of immediacy, cinematic in its vividness."
These stories are about death, family ties, and the pull of traditions transplanted from Scotland to a harsh New World. Reviewing MacLeod in the New York Times, Louise Erdrich wrote, "the young eventually realize that though they speak English, the old language [Gaelic] is internalized, that the sound and meaning of it rise to haunt them in the same way that the ancient mythologies and superstitions, spun through generations, exert an ineluctable hold."
Joyce Carol Oates gives us a precise image of the experience of reading these stories: "that sudden feeling of insecurity that comes to a traveler in unmapped country; a sense of immediacy, cinematic in its vividness."