New Shakespeare
2 total works
The Signet Classics edition of William Shakespeare's comedic play about two enduring human illusions—the dream of a simple life and the ideal of romantic love.
Banished from her uncle's court, young princess Rosalind disguises herself as a farmer and encounters a memorable cast of characters—including her love Orlando—in the Forest of Arden in this witty, subversive comedy.
This revised Signet Classics edition includes unique features such as:
• An overview of Shakespeare's life, world, and theater
• A special introduction to the play by the editor, Albert Gilman
• Selections from Thomas Lodge's Rosalynd, the source from which Shakespeare derived As You Like It
• Dramatic criticism from Arthur Colby Sprague, Helen Gardener, and others
• A comprehensive stage and screen history of notable actors, directors, and productions
• Text, notes, and commentaries printed in the clearest, most readable text
• And more...
Banished from her uncle's court, young princess Rosalind disguises herself as a farmer and encounters a memorable cast of characters—including her love Orlando—in the Forest of Arden in this witty, subversive comedy.
This revised Signet Classics edition includes unique features such as:
• An overview of Shakespeare's life, world, and theater
• A special introduction to the play by the editor, Albert Gilman
• Selections from Thomas Lodge's Rosalynd, the source from which Shakespeare derived As You Like It
• Dramatic criticism from Arthur Colby Sprague, Helen Gardener, and others
• A comprehensive stage and screen history of notable actors, directors, and productions
• Text, notes, and commentaries printed in the clearest, most readable text
• And more...
John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.