The Blue Fairy Book

by Andrew Lang

Published 16 October 1978
The Blue Fairy Book was the first volume in the series and so it contains some of the best known tales, taken from a variety of sources: not only from Grimm, but exciting adventures by Charles Perrault and Madame D'Aulnoy, the Arabian Nights, and other stories from popular traditions. Here in one attractive paperbound volume - with enlarged print - are Sleeping Beauty, Rumpelstiltzkin, Beauty and the Beast, Hansel and Gretel, Puss in Boots, Trusty John, Jack and the Giantkiller, Goldilocks, and many other favorites that have become an indispensable part of our culture heritage. All in all, this collection contains 37 stories, all arranged in the clear, lively prose for which Lang was famous. Not only are Lang's generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His postion as one of England's foremost folklorists as well as his firt-rate literary abilities makes his collection unfathomable in the English language.

The Red Fairy Book

by Andrew Lang

Published 16 October 1978
Fairy tales from the folklore of France, Germany, Russia and Scandinavia.

The Olive Fairy Book

by Andrew Lang

Published 1 June 1940
Andrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of "Psychical Research," and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).

The Yellow Fairy Book

by Andrew Lang

Published 8 September 1980
A collection of more than 40 fairy tales from the folklore of Hungary, Russia, Poland, Iceland, Germany, France, England, and the American Indians.

The Green Fairy Book

by Andrew Lang

Published 1 June 1965
Fairy tales gathered from the folklore of Russia, Germany, Italy, France, China, Scotland, and England.

The Orange Fairy Book

by Andrew Lang

Published 12 December 1983
The Orange Fairy Book is one of collection which written by Andrew Lang also known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors - are a series of twelve collections of fairy tales, published between 1889 and 1910. In all, 437 tales from a broad range of cultures and countries are presented.

The Grey Fairy Book

by Andrew Lang

Published 28 March 2003
The tales in the Grey Fairy Book are derived from many countries- -Lithuania, various parts of Africa, Germany, France, Greece, and other regions of the world. They have been translated and adapted by Mrs. Dent, Mrs. Lang, Miss Eleanor Sellar, Miss Blackley, and Miss hang. 'The Three Sons of Hali' is from the last century 'Cabinet des Fees,' a very large collection. The French author may have had some Oriental original before him in parts; at all events he copied the Eastern method of putting tale within tale, like the Eastern balls of carved ivory.

The Pink Fairy Book

by Andrew Lang

Published 28 June 1982
A collection of more than thirty fairy tales gathered from all over the world.

The Lilac Fairy Book

by Andrew Lang

Published 1 January 1990
From the book:What cases are you engaged in at present?' 'Are you stopping many teeth just now?' 'What people have you converted lately?' Do ladies put these questions to the men - lawyers, dentists, clergymen, and so forth - who happen to sit next them at dinner parties? I do not know whether ladies thus indicate their interest in the occupations of their casual neighbours at the hospitable board. But if they do not know me, or do not know me well, they generally ask 'Are you writing anything now?' (as if they should ask a painter 'Are you painting anything now?' or a lawyer 'Have you any cases at present?'). Sometimes they are more definite and inquire 'What are you writing now?' as if I must be writing something - which, indeed, is the case, though I dislike being reminded of it. It is an awkward question, because the fair being does not care a bawbee what I am writing; nor would she be much enlightened if I replied 'Madam, I am engaged on a treatise intended to prove that Normal is prior to Conceptional Totemism' - though that answer would be as true in fact as obscure in significance. The best plan seems to be to answer that I have entirely abandoned mere literature, and am contemplating a book on 'The Causes of Early Blight in the Potato,' a melancholy circumstance which threatens to deprive us of our chief esculent root.