The Art of the Novella
2 total works
Volumes disappear and reappear on the shelves, but the ghosts of literature aren’t the only mysterious visitors in Roger Mifflin’s haunted bookshop.
Mifflin, who hawked books out of the back of his van in Christopher Morley’s beloved Parnassus on Wheels, has finally settled down with his own secondhand bookstore in Brooklyn. There, he and his wife, Helen, are content to live and work together, prescribing literature to those who hardly know how much they need it. When Aubrey Gilbert, a young advertising man, visits the shop, he quickly falls under the spell of Mifflin’s young assistant, Titania. But something is amiss in the bookshop, something Mifflin is too distracted to notice, and Gilbert has no choice but to take the young woman’s safety into his own hands. Her life—and the Mifflins’—may depend on it.
With a deep respect for the art of bookselling, and as much flair for drama as romance, Christopher Morley has crafted a lively, humorous tale for book lovers everywhere.
Mifflin, who hawked books out of the back of his van in Christopher Morley’s beloved Parnassus on Wheels, has finally settled down with his own secondhand bookstore in Brooklyn. There, he and his wife, Helen, are content to live and work together, prescribing literature to those who hardly know how much they need it. When Aubrey Gilbert, a young advertising man, visits the shop, he quickly falls under the spell of Mifflin’s young assistant, Titania. But something is amiss in the bookshop, something Mifflin is too distracted to notice, and Gilbert has no choice but to take the young woman’s safety into his own hands. Her life—and the Mifflins’—may depend on it.
With a deep respect for the art of bookselling, and as much flair for drama as romance, Christopher Morley has crafted a lively, humorous tale for book lovers everywhere.
I imagined him in his beloved Brooklyn, strolling in Prospect Park and preaching to chance comers about his gospel of good books.
"When you sell a man a book," says Roger Mifflin, the sprite-like book peddler at the center of this classic novella, "you don't sell him just twelve ounces of paper and ink and glue—you sell him a whole new life." In this beguiling but little-known prequel to Christopher Morley's beloved Haunted Bookshop, the "whole new life" that the traveling bookman delivers to Helen McGill, the narrator of Parnassus on Wheels, provides the romantic comedy that drives this charming love letter to a life in books.
The Art of The Novella Series
Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
"When you sell a man a book," says Roger Mifflin, the sprite-like book peddler at the center of this classic novella, "you don't sell him just twelve ounces of paper and ink and glue—you sell him a whole new life." In this beguiling but little-known prequel to Christopher Morley's beloved Haunted Bookshop, the "whole new life" that the traveling bookman delivers to Helen McGill, the narrator of Parnassus on Wheels, provides the romantic comedy that drives this charming love letter to a life in books.
The Art of The Novella Series
Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.