Metropolitan Museum of Art (MAA) (YUP)
2 total works
My Soul Has Grown Deep
by Cheryl Finley, Randall R Griffey, Amelia Peck, and Darryl Pinckney
Published 24 July 2018
A new consideration of extraordinary art created by Black artists during the mid-20th century
My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists working throughout the southeastern United States. These paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profound assemblages of Thornton Dial to the renowned quilts of Gee’s Bend. Nearly 60 remarkable examples are illustrated alongside insightful texts that situate them in the history of modernism and the context of African American experience in the 20th-century South. This remarkable study simultaneously considers these works on their own merits while also making connections to mainstream contemporary art.
Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists’ interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant works of art.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists working throughout the southeastern United States. These paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profound assemblages of Thornton Dial to the renowned quilts of Gee’s Bend. Nearly 60 remarkable examples are illustrated alongside insightful texts that situate them in the history of modernism and the context of African American experience in the 20th-century South. This remarkable study simultaneously considers these works on their own merits while also making connections to mainstream contemporary art.
Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists’ interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant works of art.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule:
The Metropolitan Museum of Art
(05/22/18–09/23/18)
Marsden Hartley's Maine
by Randall R Griffey, Donna Cassidy, Richard Deming, and Elizabeth Finch
Published 21 March 2017
Marsden Hartley (1877-1943) was a well-traveled American modernist painter, poet, and essayist, but it is his life-long artistic engagement with his home state of Maine that defines his career. Maine served as a creative springboard, a locus of memory and longing, a refuge, and a means of communion with other artists, such as Winslow Homer, who painted there. This is the first book to look at the artist's complex relationship with the Pine Tree State, providing a nuanced understanding of Hartley's impressive range in over 80 works, from the early Post-Impressionist interpretations of seasonal change to the late depictions of Mount Katahdin, the most dramatic and enduring series in his oeuvre.