Manet to Picasso

by Christopher Riopelle

Published 27 September 2007

This beautiful book provides a brief introduction to Impressionist, Post-Impressionist, and early modern paintings made between 1860 and 1905––a highly innovative and exciting time in the history of art––through 38 masterpieces from the remarkable collections of the National Gallery, London. Among the featured highlights are Manet’s Corner of a Café-Concert, Monet’s Water-Lily Pond, Gallen-Kallela’s Lake Keitele, Cézanne’s Bathers (Les Grandes Baigneuses), Adolph Menzel’s Afternoon in the Tuileries Gardens, and Picasso’s Child with a Dove. Manet to Picasso includes an essay by Christopher Riopelle on the formation of the collection along with concise discussions of each of the featured works––arranged chronologically by artist––offering a look at the genesis and development of modern art.

 

 

 



Published by National Gallery Company/Distributed by Yale University Press

Australia’s Impressionists focuses on the paintings of Tom Roberts, Arthur Streeton, Charles Conder, and John Peter Russell. All were key players in a distinctively Australian art movement that drew on influences ranging from Whistler’s subtle Nocturnes to the European tradition of plein air painting, and revealed Russell (who spent his working life in France, embedded in the avant garde) as one of the outstanding colorists of his time. This beautiful book challenges our preconceptions of what is meant by Impressionism, enriches our understanding of Australian art, and reveals the international nature of art-historical movements and exchanges in the 19th century. The story is framed by unmistakably Australian subjects and locations, by a preoccupation with light and color, and in the context of Australian identity and sense of nationhood. 




Published by the National Gallery Company, London/Distributed by Yale University Press


Exhibition Schedule:

National Gallery, London
(12/07/16–03/26/17)


In 1832, the Norwegian painter Peder Balke (1804–1887) traveled to the far north of Norway to the dramatic coastline of the North Cape. The experience was so profound that he built his career painting isolated Arctic Circle seascapes. His pictures were originally rooted in the 19th-century romanticism of artists such as Caspar David Friedrich and his compatriot, Johan Christian Dahl. Later in his career Balke created improvised seascapes with roughly applied brushwork—sometimes using his hands, a technique that was prescient of early modern expressionism. His profile as an artist had fallen into obscurity outside of Norway, but now this book brings together a group of Balke’s pictures from collections in Europe and the United States, and introduces readers to a unique artist and personality whose works bridged 19th-century romanticism and early modern expressionism. 

Published by National Gallery Company/Distributed by Yale University Press


Exhibition Schedule:

Northern Norway Art Museum, Tromsø
(06/14/14–10/12/14)

National Gallery, London
(11/12/14–04/12/15)