Bison Frontiers of Imagination
5 total works
A comet rushes toward the earth, a deadly, glowing orb that soon fills the sky and promises doom. But mankind is too busy hating, stealing, scheming, and killing to care. As luminous green trails of cosmic dust and vapor stream across the heavens, blood flows beneath: nations wage all-out war, bitter strikes erupt, and jealous lovers plot revenge and murder. The earth slips past the comet by the narrowest of margins, but all succumb to the gases in its tail. When mankind wakes up, everyone is completely and profoundly different. In the Days of the Comet is H. G. Wells's classic tale of the last days of the old earth and the extraterrestrial Change that becomes the salvation of the human race. An ill-fated romance between Willie Leadford and Nettie Stuart unfolds in a world buried in misery and bent on its own destruction. After the earth passes through the comet's tail, suffering, pettiness, and injustice melt away. Willie, Nettie, and everyone around them are reborn. They now see themselves and their world in a dramatically new and wonderful way.
The Sleeper Awakes is H. G. Wells's wildly imaginative story of London in the twenty-second century and the man who by accident becomes owner and master of the world. In 1897 a Victorian gentleman falls into a sleep from which he cannot be waked. During his two centuries of slumber he becomes the Sleeper, the most well known and powerful person in the world. All property is bequeathed to the Sleeper to be administered by a Council on his behalf. The common people, increasingly oppressed, view the Sleeper as a mythical liberator whose awakening will free them from misery.
The Sleeper awakes in 2100 to a futuristic London adorned with wondrous technological trappings yet staggering under social injustice and escalating unrest. His awakening sends shock waves throughout London, from the highest meetings of the Council to the workers laboring in factories in the bowels of the city. Daring rescues and villainous treachery abound as workers and capitalists fight desperately for control of the Sleeper.
At the beginning of the twentieth century the invention of the airplane revolutionizes warfare and precipitates a devastating world war. Nations race to build armadas of airships; cities across the globe are bombed; flying navies clash above the Alps and India. The United States is invaded from the east and the west. German and American airships duel over the Atlantic, and New York is bombarded by German flying machines. Confederation of Eastern Asia airships soar above the Rockies, soon engaging in deadly dogfights with the German air fleet above Niagara Falls. In The War in the Air, the astonishingly prophetic vision of H. G. Wells reveals how one invention can change the world. Before the World Wars, Wells predicted that airplanes would be used for bombing, that urban areas would become especially vulnerable to aerial attacks, that dogfights and stealth attacks by air fleets would become a normal part of warfare, and that distance and the expanse of oceans no longer would be guarantors of safety for America or other countries. Visionary in its time and chillingly relevant a century later, The War in the Air continues to remind us that humankind's greatest evil lies in devices of its own making.
Something is horribly wrong in the remote English village of Cainsmarsh. An elderly woman stiffens in dread at her own shadow; a terrified farmer murders a scarecrow; food prepared by others is eyed with suspicion; family pets are bludgeoned to death; loving couples are devoured by rage and violence. A spirit-corrupting evil pervades the land, infesting the minds of those who call Cainsmarsh home. Is this vision real, or a paranoid fantasy generated by an even darker, worldwide threat? And is the call to resist the danger itself a danger? These are questions that disturb the calm of an indolent croquet player who happens to hear the tale of the unlucky village. H. G. Wells's ambiguous story of horror is a modern classic, a prophetic, disturbing glimpse of the primitive distrust and violence that gnaw at the heart of the modern world.
"From nearly two hundred centres, and every week added to their number, roared the unquenchable crimson conflagrations of the atomic bombs. The flimsy fabric of the world's credit had vanished, industry was completed disorganised, and every city, every thickly populated area was starving or trembled on the verge of starvation. Most of the capital cities of the world were burning; millions of people had already perished, and over great areas government was at an end." The Last War erupts in Europe, rapidly escalating from bloody trench warfare and vicious aerial duels into a world-consuming, atomic holocaust. Paris is engulfed by an atomic maelstrom, Berlin is an ever-flaming crater, the cold waters of the North Sea roar past Dutch dikes and sweep across the Low Countries. Moscow, Chicago, Tokyo, London, and hundreds of other cities become radioactive wastelands. Governments topple, age-old cultural legacies are destroyed, and the stage is set for a new social and political order. The Last War is H. G. Wells's chilling and prophetic tale of a world gone mad with atomic weapons and of the rebirth of human-kind from the rubble. Written long before the atomic age, Wells's novel is a riveting and intelligent history of the future that discusses for the first time the horrors of the atomic bomb, offering a startling vision of humanity purged by a catastrophic atomic war.