Pocket Poets
3 total works
These classic Kerouac meditations, zen koans, and prose poems express the poet's beatific quest for peace and joy through oneness with the universe. "The Scripture of the Golden Eternity is fueled by Kerouac's discerning meditation on the nature of impermanence & consciousness, subtle like the dharma it invokes. We're here to disappear, therefore let's be as vivid & generous as we can. The intelligence & compassion behind this text is still alive." -Anne Waldman, The Jack Kerouac School of Disembodied Poetics The Scripture of the Golden Eternity is Jack Kerouac's statement of confidence in his oneness with the universe of energy and form, a confidence to which his whole being swelled. His was not the search for the ecstasy of the mystic or psychedelic or the Artaud-mad. He sought a recognition in philosophy of his early sense that his body participated in the universal forms of energy with a quality of exuberance-that "serious exuberance" which he so accurately called jazz." -Eric Mottram, Introduction Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure.
His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and The Scripture of the Golden Eternity (City Lights).
His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and The Scripture of the Golden Eternity (City Lights).
The original manuscript of this book, written between 1954 and 1965, has been in the safekeeping of City Lights all the years since Kerouac's death in 1969. Reaching beyond the scope of his Mexico City Blues, here are pomes about Mexico and Tangier, Berkeley and the Bowery. Mid-fifties road poems, hymns and songs of God, drug poems, wine poems, dharma poems and Buddhist meditations. Poems to Beat friends, goofball poems, quirky haiku, and a fine, long elegy in "Canuckian Child Patoi Probably Medieval ...an English blues." But more than a quarter of a century after it was written, Pomes of All Sizes today would seem to be more than a sum of it parts, revealing a questing Kerouac grown beyond the popular image of himself as a Beat on the Road. "Here is a treasure, in the mainstream of American Literature ...lovely familiar classic Kerouacism's, nostalgic gathas from 1955 Berkeley cottage days, pure sober tender Kerouac of your yore, pithy exquisite later drunken laments and bitter nuts and verses ...to be appreciated by cognoscenti and literate strangers alike ..." --from the Introduction by Allen Ginsberg "Underlying this volume ...is the drama of Kerouac the mystic, with his urge toward control, at odds with Kerouac the freewheeling Beat and, on a personal level, Kerouac the alcoholic.
Yet as Ginsberg observes in his introduction, division--the sense of life as "both real and dream"--is the pervasive "spiritual intelligence" of the Beats. Given that, this is a perhaps ironically representative volume." --Publishers Weekly "Here in Pomes All Sizes you discover the contemplative Kerouac, musing on the quiet meaning of things or thinking of friends in other places, casting his thoughts into "little short lines" and stopping exactly where the first thought stopped. There is delight to be gained here, poetic delight and a fuller picture of the great Kerouac persona which has relentlessly been reduced over the years to the well-known caricature of the graceless drunken beatnik lout. Bullshit! Kerouac, my friends, was full of grace, and a 'great creator of forms that ultimately find expression in mores and what have you.'" --John Sinclair Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, and a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).
Yet as Ginsberg observes in his introduction, division--the sense of life as "both real and dream"--is the pervasive "spiritual intelligence" of the Beats. Given that, this is a perhaps ironically representative volume." --Publishers Weekly "Here in Pomes All Sizes you discover the contemplative Kerouac, musing on the quiet meaning of things or thinking of friends in other places, casting his thoughts into "little short lines" and stopping exactly where the first thought stopped. There is delight to be gained here, poetic delight and a fuller picture of the great Kerouac persona which has relentlessly been reduced over the years to the well-known caricature of the graceless drunken beatnik lout. Bullshit! Kerouac, my friends, was full of grace, and a 'great creator of forms that ultimately find expression in mores and what have you.'" --John Sinclair Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, and a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).
Spontaneous poetry by the author of On the Road, gathered from underground and ephemeral publications; including "San Francisco Blues," the variant texts of "Pull My Daisy" and "American haiku." HERE DOWN ON DARK EARTH before we all go to Heaven VISIONS OF AMERICA All that hitchhikin All that railroadin All that comin back to America --Jack Kerouac Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, and a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights) and Scripture of the Golden Eternity (City Lights).