European Art Cinema

by John White

Published 14 October 2016

European art cinema includes some of the most famous films in cinema history. It is elite filmmaking that stands in direct opposition to popular cinema; and yet, it also has an intimate relationship with Hollywood.

This guidebook sketches successive phases of art cinema in Europe from its early beginnings of putting Shakespeare’s plays on the screen, through movements such as Expressionism and Surrealism, to the New Waves of the 1960s and more recent incarnations like Dogme 95. Using film examples, John White examines basic critical approaches to art cinema such as semiotics and auteur theory, as well as addressing recurring themes and ideas such as existentialism and Christian belief. The different levels of political commitment and social criticism, which appear in many of these films, are also discussed.

The book includes case studies of eight representative films:

The Cabinet of Dr Caligari (Wiene, 1920)

Earth (Dovzhenko, 1930)

A Man Escaped (Bresson, 1956)

Hiroshima mon amour (Resnais, 1959)

Aguirre, Wrath of God (Herzog, 1972)

Comrades (Douglas, 1986)

Le Quattro Volte (Frammartino, 2010)

Silence (Collins, 2012).


Westerns

by John White

Published 1 January 2010

It is a common assertion that the history of America is written in its Westerns, but how true is this?

In this guidebook John White discusses the evolution of the Western through history and looks at theoretical and critical approaches to Westerns such as genre analysis, semiotics, representation, ideology, discourse analysis, narrative, realism, auteur and star theory, psychoanalytical theory, postmodernism and audience response. The book includes case studies of 8 key westerns:

  • Stagecoach
  • My Darling Clementine
  • Shane
  • The Good, The Bad and the Ugly
  • McCabe and Mrs Miller
  • Unforgiven
  • Brokeback Mountain
  • The Assassination of Jesse James by the Coward Robert Ford

Including a chronology of significant events for the Western genre, a glossary and further reading, this introduction to an important genre in film studies is a great guide for students.