Corto Maltese
6 primary works • 11 total works
Book 1
Book 4
Book 5
Book 6
Book 7
Book 12
A premonition hovers over the entire dreamlike story, as if fate had decided in advance that this would be Corto Maltese's last adventure. The feeling is underscored by the return of most of the major characters seen throughout the long-running saga, like actors giving their final curtain call: Gold Mouth, Morgana, Tristan Bantam, Levi Colombia, Professor Steiner, "the Monk," Cain Groovesnore, Soledad, and (of course) Rasputin...each with their own reason to find the mythical realm. Thus, the circle closes.
This EuroComics edition features new translations from Pratt's original Italian scripts by Dean Mullaney, the Eisner and Harvey Award-winning editor of the Library of American Comics, and Simone Castaldi, Associate Professor of Romance Languages and Literatures at Hofstra, and the author of Drawn and Dangerous: Italian Comics of the 1970s and 1980s (University Press of Mississippi).
With this book Pratt leaves behind the short story form he’d used for twenty-one interrelated tales and presents a truly epic graphic novel. In the aftermath of the Russian Revolution and the First World War, Corto Maltese is engaged by the Red Lanterns—a Chinese secret society made up entirely of women—to find an armored train laden with gold that belonged to the last Russian Tsar, Nicholas II. They aren’t the only ones lusting after the treasure. The adventure, which shifts from the hidden courts of Venice to the mysterious alleys of Hong Kong, from Shanghai to Manchuria and Mongolia to Siberia, also attracts regular and irregular armies, as well as revolutionaries and counter-revolutionaries. The sweeping plot allows Pratt to fully investigate the complicated and competing motivations of his cast that includes the return of Rasputin and the introduction of the cold and dangerous Duchess Marina Seminova, the enigmatic warrior/spy named Shanghai-Lil, and historical figures such as the "Mad Baron" Roman Ungern-Sternberg, a Russian general who who sees himself as the modern-day Genghis Khan!
Treasure hunter, sailor, and adventurer, Corto Maltese remains one of the most popular characters from graphic literature in Europe and maintains a devoted cult following among American readers and creators. Originally published in 1967, Corto Maltese: The Ballad of the Salt Sea introduces our hero for the first time. The story begins with Corto Maltese adrift at sea in the Pacific during World War I. He is picked up by a Russian pirate/privateer named Rasputin. The graphic novel follows Corto and the adventure that ensues.
Corto Maltese: The Ballad of the Salt Sea is sure to appeal to fans of swashbuckling action-packed tales and sophisticated readers seeking elegant stories alike.
Originally serialized beginning in 1967, this book is universally acknowledged as Hugo Pratt's masterpiece, in which he introduces Corto Maltese to the world. Corto is but one of a strong ensemble cast of characters whose lives permeate the entire 12-book series. It is here that we also meet the young and beautiful Pandora, her brother Cain, the mysterious criminal mastermind Monk, the grim and ferocious Rasputin, Lieutenant Slutter of the German Navy, and the natives Skull and Tarao. The Ballad of the Salty Sea is also hailed as the first example of the literary comic strip. Pratt was inspired by Conrad, Stevenson, and London, but even more directly by Henry de Vere Stacpool's Blue Lagoon, from which the author got the idea of a small island in the Pacific which he named "Escondida."
The action begins in November 1913 in the South Seas as feelings of the Great War were already looming but the romantic ideals of the nineteenth century were still alive. The pace of the narrative and the drawings are very modern and Pratt permeates the adventure with an extraordinary atmosphere of the great outdoors. The story captures the imagination of the reader from the opening pages with a tight, compelling storyline that can be interpreted on different levels.
This EuroComics edition features new translations from Pratt's original Italian scripts by Dean Mullaney, the Eisner and Harvey Award-winning editor of the Library of American Comics, and Simone Castaldi, Associate Professor of Romance Languages and Literatures at Hofstra, and the author of Drawn and Dangerous: Italian Comics of the 1970s and 1980s (University Press of Mississippi).
His investigation brings him up against an organized crime syndicate known as the "Warsavia," crooked police officials, small-time crooks, investigative journalists, a worldwide prostitution ring, and--manipulating the events from above--the far-reaching arm of the Argentine oligarchy. Guiding his way through this labyrinth of deceit and intrigue is an old acquaintance from a long ago Patagonian escapade: the legendary outlaw Butch Cassidy, who, with the Sundance Kid, headed the notorious Wild Bunch and has been presumed dead for two decades!
Just as Fable of Venice was Pratt's homage to his hometown, Tango is a nod to Buenos Aires, where the cartoonist lived during his earliest creative successes in the late 1940s and 1950s. The atmosphere of the story is steeped in the sensual music of the tango, whose melodies almost seem to emerge from the artwork, with close-ups of the dance steps framed by Pratt with extraordinary effectiveness. The first English-language translation of Hugo Pratt's graphic novel set in Argentina.
Set in the years 1921-22, the action leaps from Turkey, to Azerbaijan, and to the Caspian Sea, tracing the path of the legendary Silk Road, as Corto hunts for the fabled treasure of Alexander the Great.
A parade of interesting characters ensues, including the Whirling Dervishes, Joseph Stalin (with whom Corto is on a first-name basis), the Hashinin sect of assassins, the Turkish general Enver Pasha, and the return of Venexiana Stevenson and the witch-tongued Rasputin (who has just escaped from the dreaded prison known as "The Golden House of Samarkand.")
Pratt further explores the theme of dual personality, as Corto tries to evade his doppelganger, the Turkish revolutionary Timur Chevket, always mindful of his mother's warning that coming face to face with his look-alike would mean disaster.