Silk in Africa

by Chris Spring and Julie Hudson

Published 1 July 2002

The rich and diverse range of silk textiles from Africa are an unexpected revelation. This book focuses on over 30 pieces from the British Museum's spectacular collection, bringing together for the first time the highly distinctive traditions of silk weaving and embroidery from throughout the African continent. These range from textiles commissioned by royalty and high-ranking officials, such as the striking cloths of the Asante from Ghana or gowns from Ethiopia encrusted with gold, to less prestigious but no less glorious pieces, such as a multicolored Merina burial shroud from Madagascar. As a pattern source the book provides inspiration for striking color and tonal combinations as well as myriad ideas for using stripes, geometrics, and stylized figurative motifs.

In their stimulating introduction the authors discuss who made the textiles, how ideas traveled across the continent, and the significance of pattern and symbolism. In addition, all the principal techniques are explained, while brief commentaries highlight the design features.

Chris Spring and Julie Hudson have both traveled in Africa and are the joint authors of North African Textiles. They are curators in the Department of Ethnography at the British Museum.


Highlights from all nine volumes of the highly successful Fabric Folios series to create the essential single-volume textile and design sourcebook Praise for the Fabric Folios series ‘Lovers of textiles are sure to find a place for these reasonably priced books on their shelves ... turning each page is a surprise and a pleasure’ Joss Graham, The World of Interiors ‘Fabric Folios are gorgeous designer sourcebooks exploring the variety of colour and pattern in textiles worldwide. Each book is a treasure trove of design and information.’ Traveller Magazine Sales points • Showcases textiles from countries and regions of the world renowned for their rich textile and design heritage • Includes various techniques of production: embroidery, weaving, printing and dyeing • Shows each individual textile in full through a series of detailed photographs, allowing design enthusiasts and experts alike to get close-up and find inspiration for their own work • Each section opens with a brief introduction by an expert in the field to provide a context for appreciating the superb designs

Embroidery from Palestine

by Shelagh Weir

Published 29 November 2006

This book focuses on the spectacular embroidery that flourished in rural Palestine in the nineteenth century and the first half of the twentieth. During this period Arab village women embellished their ceremonial costumes with a variety of materials and techniques: lustrous silk floss embroidery, intricate cord couching, and taffeta and satin patchwork. Embroidery styles varied throughout the country, so that each garment was both a work of art and an expression of village and regional identity. Shelagh Weir outlines the cultural context in which this beautiful work was produced, describes the main types of ornamentation, and explains how and why fashions changed through time. Over twenty pieces are illustrated in full and in detail, with captions identifying their provenances and highlighting their most important aesthetic features. Also provided are a glossary of terms and suggestions for further reading. Designers and artists cannot fail to be inspired by the striking colors and patterns of this superb example of human creativity.


Textiles from the Balkans

by Diane Waller

Published 8 February 2010
This book presents the first published overview of the fascinating textiles from this region, setting the techniques for making them within their historical and geographical context. The author’s personal experience collecting many of the pieces in the field allows her to offer completely new insights into the highly decorated textiles produced by the various ethnic, clan and religious groups of the area. The items range from everyday to festive clothing and also include accessories and textiles for the home. The makers employed a wide range of materials and techniques, including a particularly skilful use of couched embroidery and different ways of weaving. The author also explores the elements of garment shape, colour, motif and symbolism.