Longlisted For The Portico Prize.

Potter down to The Corner of Arundel Lane and Charles Street and find a strange landscape opening up before you: the city's dishevelled edge of huts and fallen fences slides towards a sullen and uncanny countryside.

Elegant, intelligent, charming and accessible, these poems reinvent the pastoral for dark times. They peddle dreams and nightmares, hollow laughter, elegy and joy, and use a spectrum of forms and tones from the prosaic to the metrical, from wry cynicism to high rhetoric.

Meet botanists, bastards, predators and prayers, the feckless and the dead, a lecherous Polish priest and Prospero as a game old bird, cigar in hand, mourning the proliferation of oiks like you. Pop in for a drink at the pub of the rural damned, dodge deranged farmers and deluded incomers, and make for the county town with its closed cinema and publicly-owned Scotch eggs. Find an eyeball in a wooden box. Discover the moral character of sand and gravel, play a quick hand of piquet and lie awake all night listening to the Dark shagging in the garden of a city terrace.

The poems in The Corner of Arundel Lane and Charles Street are original and allusive, serious and funny. Their wit and charm plot new routes through familiar landscapes.


Hawthorn City

by Tony Williams

Published 15 November 2019

Gardens, grotesqueries, historical landscapes, destruction and darkness, all collide in Tony Williams’ explosive new collection

Tony Williams is roaming the earth. The poems in Hawthorn City record the tales we tell ourselves to make a home in the lives we find ourselves living. They are songs to family, to stone and outlawry and refusal, and to the fevered memory which reaches back beyond birth, past early modern witches and shepherds’ songs, past medieval chronicles and Icelandic sagas, to the ancient city-states, homely and hellish, which part of the modern imagination still inhabits. Travelling darker and deeper towards the state which is both origin and grave, this grotesque comedy of a book intensifies into a bizarre, baroque vision of the world and our place in it.