Lady and Lady's Maid Mystery
6 primary works • 7 total works
Book 3
In the sobering yet hopeful years following the First World War, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, find their summer plans marred by an instance of murder . . .
Phoebe and her sister Julia are eager for a summer getaway at High Head Lodge, the newly purchased estate of their cousin Regina. But they are not the only houseguests. Regina's odd friend, Olive, is far from friendly, and Regina's mother and brother—bitter over the unequal distribution of her father's inheritance—have descended on the house to confront Regina.
In addition to the family tension, Eva is increasingly suspicious of Lady Julia's new maid—wondering why she left her former employer so suddenly. And why does Regina seem ill at ease around the maid, as if they were previously acquainted? But things go from tense to tragic when their hostess meets an untimely end—murdered in her bed with no signs of struggle. Now, with suspects in every room, Lady Phoebe and Eva must uncover secrets hidden behind closed doors—before a killer ensures they never leave High Head Lodge . . . alive.
“An unusual twist rooted in the recent horrors of World War I adds interest to a typical country-house mystery.”
—Kirkus Reviews
Phoebe and her sister Julia are eager for a summer getaway at High Head Lodge, the newly purchased estate of their cousin Regina. But they are not the only houseguests. Regina's odd friend, Olive, is far from friendly, and Regina's mother and brother—bitter over the unequal distribution of her father's inheritance—have descended on the house to confront Regina.
In addition to the family tension, Eva is increasingly suspicious of Lady Julia's new maid—wondering why she left her former employer so suddenly. And why does Regina seem ill at ease around the maid, as if they were previously acquainted? But things go from tense to tragic when their hostess meets an untimely end—murdered in her bed with no signs of struggle. Now, with suspects in every room, Lady Phoebe and Eva must uncover secrets hidden behind closed doors—before a killer ensures they never leave High Head Lodge . . . alive.
“An unusual twist rooted in the recent horrors of World War I adds interest to a typical country-house mystery.”
—Kirkus Reviews
Book 4
Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, are preparing for a wedding, but it may not be the happy occasion everyone hopes for . . .
Since the Great War, some family fortunes have suffered, including those of the Renshaws. Despite being the granddaughter of an earl, Julia Renshaw is under pressure to marry for money—and has settled for Gilbert Townsend, a viscount and a wealthy industrialist. He is decades older than Julia, and it’s clear to her sister Phoebe—and to Eva, who has been like a surrogate mother to the girls—that this is not a love match. Nevertheless, the wedding takes place—and in a hurry.
At the reception aboard the groom’s yacht, there appears to be tension between Gil and several guests: his best man, a fellow veteran of the Boer War; his grouchy spinster sister; and his current heir, a nervous young cousin named Ernest. The bride is also less than pleased when she discovers that her honeymoon will be more crowded than expected—with Gil’s pretty secretary, among others, coming along.
That very night, Julia pounds on her sister’s door, brandishing a bandaged hand and reporting a hot-tempered outburst on her new husband’s part. Julia is feeling doubt and regret about her hasty decision, but returns to the boat. Then the next morning, before the yacht can depart the harbor, Gil’s body is found in the water below—and Phoebe and Eva must discover who pushed him over . . . before the Renshaws’ social standing is irreparably stained by Julia’s arrest for his murder . . .
Since the Great War, some family fortunes have suffered, including those of the Renshaws. Despite being the granddaughter of an earl, Julia Renshaw is under pressure to marry for money—and has settled for Gilbert Townsend, a viscount and a wealthy industrialist. He is decades older than Julia, and it’s clear to her sister Phoebe—and to Eva, who has been like a surrogate mother to the girls—that this is not a love match. Nevertheless, the wedding takes place—and in a hurry.
At the reception aboard the groom’s yacht, there appears to be tension between Gil and several guests: his best man, a fellow veteran of the Boer War; his grouchy spinster sister; and his current heir, a nervous young cousin named Ernest. The bride is also less than pleased when she discovers that her honeymoon will be more crowded than expected—with Gil’s pretty secretary, among others, coming along.
That very night, Julia pounds on her sister’s door, brandishing a bandaged hand and reporting a hot-tempered outburst on her new husband’s part. Julia is feeling doubt and regret about her hasty decision, but returns to the boat. Then the next morning, before the yacht can depart the harbor, Gil’s body is found in the water below—and Phoebe and Eva must discover who pushed him over . . . before the Renshaws’ social standing is irreparably stained by Julia’s arrest for his murder . . .
Book 5
As England recovers from its costly involvement in the Great War, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, find the steady comforts of their lives unsettled by a local case of murder . . .
Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her.
When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police—including Eva's beau, Constable Miles Brannock—suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder—and Eva fears her sister was with him.
If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .
Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her.
When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police—including Eva's beau, Constable Miles Brannock—suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder—and Eva fears her sister was with him.
If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .
Book 6
In the Alyssa Maxwell's sixth delightful A Lady and Lady's Maid Mystery set after World War I, a trip to Staffordshire for Lady Phoebe Renshaw and her lady's maid, Eva Huntford, leads to murder in a famed pottery works...
Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary.
The two leading designers at the illustrious china manufacturer offer competing patterns. But when one of them is found dead--his body crushed in a grinding pan and his design pattern book missing--his rival is immediately suspected. The police are also suspicious of the dead designer's resentful young son, a schoolmate of Phoebe's fifteen-year-old brother Fox. When Fox gets involved to help his friend, Phoebe begins to investigate the rival artist.
At the same time, Eva is enlisted to go undercover at the works so she can gain the confidence of the female employees, who are only allowed to paint, not design, which may have led to a grudge against the victim. Pursuing a killer who has no compunction about using a kiln as a coffin, Phoebe and Eva take their lives into their hands to discover the shattering truth...
Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary.
The two leading designers at the illustrious china manufacturer offer competing patterns. But when one of them is found dead--his body crushed in a grinding pan and his design pattern book missing--his rival is immediately suspected. The police are also suspicious of the dead designer's resentful young son, a schoolmate of Phoebe's fifteen-year-old brother Fox. When Fox gets involved to help his friend, Phoebe begins to investigate the rival artist.
At the same time, Eva is enlisted to go undercover at the works so she can gain the confidence of the female employees, who are only allowed to paint, not design, which may have led to a grudge against the victim. Pursuing a killer who has no compunction about using a kiln as a coffin, Phoebe and Eva take their lives into their hands to discover the shattering truth...
Book 7
Set among the landed gentry of post-WWI England and perfect for fans of Downton Abbey, Alyssa Maxwell’s latest historical mystery finds sleuthing duo Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, hunting a killer after the decision to open Foxwood Hall for guided tours turns deadly...
“Agatha Christie meets Downton Abbey…exemplary.”
—Publishers Weekly
To make ends meet, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, have decided to open up Foxwood Hall to guided public tours. Not everyone is pleased about it—even to the point of committing murder…
The lean times following the Great War continue to require creative solutions for England's noble class. But Lady Phoebe’s proposal to open up the Renshaw estate to guided tours for additional income strikes many in the family as a “vulgar enterprise.” Phoebe’s grandfather, the Earl of Wroxly, however, reluctantly concedes the necessity.
Their first tour group consists of members of the Historical Society, a magazine writer, and a flock of students. It’s a large group for Phoebe, her sister Amelia, and Eva to manage, and when the widow Arvina Bell goes missing, Eva goes in search of her—only to find her in the library, strangled with a silken drapery cord.
The schoolchildren are promptly sent home, but the members of the Historical Society—many of whom also wandered off at times—remain for interrogation. There is also, curiously, a framed photo missing from the library. As the police hastily zero in on a suspect, Phoebe and Eva weigh the clues. Does the crime have to do with rumors of hidden treasure at Foxwood Hall? But they must make haste to solve the widow’s murder—before someone else becomes history…
“Agatha Christie meets Downton Abbey…exemplary.”
—Publishers Weekly
To make ends meet, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, have decided to open up Foxwood Hall to guided public tours. Not everyone is pleased about it—even to the point of committing murder…
The lean times following the Great War continue to require creative solutions for England's noble class. But Lady Phoebe’s proposal to open up the Renshaw estate to guided tours for additional income strikes many in the family as a “vulgar enterprise.” Phoebe’s grandfather, the Earl of Wroxly, however, reluctantly concedes the necessity.
Their first tour group consists of members of the Historical Society, a magazine writer, and a flock of students. It’s a large group for Phoebe, her sister Amelia, and Eva to manage, and when the widow Arvina Bell goes missing, Eva goes in search of her—only to find her in the library, strangled with a silken drapery cord.
The schoolchildren are promptly sent home, but the members of the Historical Society—many of whom also wandered off at times—remain for interrogation. There is also, curiously, a framed photo missing from the library. As the police hastily zero in on a suspect, Phoebe and Eva weigh the clues. Does the crime have to do with rumors of hidden treasure at Foxwood Hall? But they must make haste to solve the widow’s murder—before someone else becomes history…
Book 8
Set in the Downton Abbey era of post-WW1 England, Alyssa Maxwell’s latest historical mystery finds sleuthing duo Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, investigating a murder at a house party attended by fashion royalty. This evocative, well-crafted historical series appeals to fans of Rhys Bowen, Deanna Raybourn and Victoria Thompson.
Amid the aftermath of the Great War and its hardships, it’s no wonder that many wish to rediscover life’s pleasures—parties, fashion, dancing. Still, Lady Phoebe and Eva are disconcerted when a small gathering at the home of Phoebe’s sister, Julia, becomes a far larger and more glamorous affair . . . Julia has invited her favorite French fashion designer, Gabrielle “Coco” Chanel, and Coco’s current beau, the Earl of Chesterhaven. Coco has brought an entourage of her own, including two models, and intends to use the gardens as a photographic setting for her latest creations. Madame Chanel is as outspoken as she is talented, offering a scathing critique of Phoebe’s fashion sense. There is tense competition between the models as well. When one of the guests is found dead of smoke inhalation, it appears to be a tragic accident. But was a footman really to blame for mistakenly closing the fireplace flue, or is there a more sinister explanation? Phoebe is determined to find out, despite the protestations of her sweetheart, Owen Seabright. Both above and below stairs, Phoebe and Eva uncover myriad motives—career ambition, romantic rivalries, and even deeper betrayals. For despite the surface beauty, there are ugly secrets in the world of Maison Chanel, ones that a killer will risk anything to protect. “Agatha Christie meets Downton Abbey…exemplary.” —Publishers Weekly on A Deadly Endowment
Amid the aftermath of the Great War and its hardships, it’s no wonder that many wish to rediscover life’s pleasures—parties, fashion, dancing. Still, Lady Phoebe and Eva are disconcerted when a small gathering at the home of Phoebe’s sister, Julia, becomes a far larger and more glamorous affair . . . Julia has invited her favorite French fashion designer, Gabrielle “Coco” Chanel, and Coco’s current beau, the Earl of Chesterhaven. Coco has brought an entourage of her own, including two models, and intends to use the gardens as a photographic setting for her latest creations. Madame Chanel is as outspoken as she is talented, offering a scathing critique of Phoebe’s fashion sense. There is tense competition between the models as well. When one of the guests is found dead of smoke inhalation, it appears to be a tragic accident. But was a footman really to blame for mistakenly closing the fireplace flue, or is there a more sinister explanation? Phoebe is determined to find out, despite the protestations of her sweetheart, Owen Seabright. Both above and below stairs, Phoebe and Eva uncover myriad motives—career ambition, romantic rivalries, and even deeper betrayals. For despite the surface beauty, there are ugly secrets in the world of Maison Chanel, ones that a killer will risk anything to protect. “Agatha Christie meets Downton Abbey…exemplary.” —Publishers Weekly on A Deadly Endowment
