World of Art
2 total works
The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as ‘primitive’, mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the peoples of the Pacific.
In this revised edition with a completely new chapter on globalization and contemporary art, he shows how each region is characterized by certain art forms and practices – among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia – while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text – from those that evoke deep-rooted customs to ones that address contemporary political issues, now illustrated in colour throughout.
In this revised edition with a completely new chapter on globalization and contemporary art, he shows how each region is characterized by certain art forms and practices – among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia – while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text – from those that evoke deep-rooted customs to ones that address contemporary political issues, now illustrated in colour throughout.
Body art, practised across all world cultures and throughout history, is the most intimate art form, linking the self, the senses, and the social and political. In recent years, it has proliferated in an unprecedented way, borrowing motifs and practices from many different traditions. What is it that these new and borrowed body arts do, and what do they tell us about the global culture that we now inhabit? Nicholas Thomas explores these questions and many more in this wide- ranging survey of body arts from prehistoric origins to the present. He illuminates their role in expressing cultural identity; their associations with ritual, theatricality, criminality and beauty; and their recent resurgence via the Modern Primitive movement and in the work of contemporary artists. More than 180 illustrations chronicle the diversity of body arts, from painting and scarification to footbinding, Russian prison tattoos, Harlem drag balls and the inked designs worn by celebrities such as Tupac Shakur and David Beckham. For everyone with any interest in the subject, Body Art offers an intelligent celebration of this quintessentially human art form.