Crime and Punishment

by Fyodor Dostoyevsky

Published 1 February 1968

Crime and Punishment is the story of a brutal double murder and its aftermath. Raskolnikov, a poor student, kills a pawnbroker and her sister, and then has to face up to the moral consequences of his actions. The novel is compelling and rewarding, full of meaning and symbolism, and raises profound questions about the individual and society, and the nature of free will.

Translated by Constance Garnett, with an Afterword by Oliver Francis.


Poor Folk

by Fyodor Dostoyevsky

Published 13 July 1905

The Underground Man became a common character type in many of the works that followed the novella. He is present in Leo Tolstoy's Anna Karenina in the milder form of the character Constantin Levin, in Anton Chekhov's Ward No. 6, Ralph Ellison's Invisible Man, Joseph Heller's Catch-22 as Yossarian the 28-year-old Army Air Corps Captain, as Sergio, in Edmundo Desnoes' "Memories of Underdevelopment" and in Richard Wright's short story The Man Who Lived Underground. Like many of Dostoyevsky's novels, Notes from Underground was unpopular with Soviet literary critics due to its explicit rejection of utopian socialism and its portrait of humans as irrational, uncontrollable, and uncooperative. His claim that human needs can never be satisfied, even through technological progress, also goes against Marxist beliefs. Many existentialist critics, notably Jean-Paul Sartre, considered the novel to be a forerunner of existentialist thought and an inspiration to their own philosophies.

The Idiot

by Fyodor Dostoyevsky

Published 1 February 1969
The most autobiographical novel by the author of Crime and Punishment and The Brothers Karamazov—and the namesake of Elif Batuman’s debut novel, The Idiot
 
Returning to St Petersburg from a Swiss sanatorium, the gentle and naïve epileptic Prince Myshkin— known as the “idiot”—pays a visit to his distant relative General Yepanchin and proceeds to charm the General and his family. But his life is thrown into turmoil when he chances on a photograph of the beautiful Nastasya Filippovna. Utterly infatuated, he soon finds himself caught up in a love triangle and drawn into a web of blackmail, betrayal, and finally, murder. In Prince Myshkin, Dostoyevsky portrays the purity of “a truly beautiful soul” and explores the perils that innocence and goodness face in a corrupt world.
 
David McDuff's translation brilliantly captures the novel's idiosyncratic and dream-like language and the nervous, elliptic flow of the narrative. This edition also contains an introduction by William Mills Todd III, which is a fascinating examination of the pressures on Dostoyevsky as he wrote the story of his Christ-like hero.

The Brothers Karamazov

by Fyodor Dostoyevsky

Published 1 January 1958
The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in every language have since accepted Dostoevsky's own evaluation of this work and have gone further by proclaiming it one of the few great novels of all ages and countries.

The House of the Dead

by Fyodor Dostoyevsky

Published 26 September 1985
‘Here was the house of the living dead, a life like none other upon earth’

In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he recounts his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange ‘family’ of boastful, ugly, cruel convicts. Yet The House of the Dead is far more than a work of documentary realism: it is also a powerful novel of redemption, describing one man’s spiritual and moral death and the miracle of his gradual reawakening.

This edition includes notes and an introduction discussing the circumstances of Dostoyevsky’s imprisonment, the origins of the novel in his prison writings, and the character of Aleksandr Petrovich.


The Double

by Fyodor Dostoyevsky

Published 1 February 2000


The Eternal Husband

by Fyodor Dostoyevsky

Published 1 April 2005
The most monstrous monster is the monster with noble feelings.

This remarkably edgy and suspenseful tale shows that, despite being better known for his voluminous and sprawling novels, Fyodor Dostoevsky was a master of the more tightly-focused form of the novella.

The Eternal Husband may, in fact, constitute his most classically-shaped composition, with his most devilish plot: a man answers a late-night knock on the door to find himself in a tense and puzzling confrontation with the husband of a former lover—but it isn’t clear if the husband knows about the affair. What follows is one of the most beautiful and piercing considerations ever written about the dualities of love: a dazzling psychological duel between the two men over knowledge they may or may not share, bringing them both to a shattering conclusion.

The Art of The Novella Series

Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.