Travis Mcgee Mysteries
7 primary works • 19 total works
Book 1
Travis McGee is a self-described beach bum who won his houseboat in a card game. He’s also a knight-errant who’s wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out, and his rule is simple: He’ll help you find whatever was taken from you, as long as he can keep half.
“John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
McGee isn’t particularly strapped for cash, but how can anyone say no to Cathy, a sweet backwoods girl who’s been tortured repeatedly by her manipulative ex-boyfriend Junior Allen? What Travis isn’t anticipating is just how many women Junior has torn apart and left in his wake. Enter Junior’s latest victim, Lois Atkinson.
Frail and broken, Lois can barely get out of bed when Travis finds her, let alone keep herself alive. But Travis turns into Mother McGee, giving Lois new life as he looks for the ruthless man who steals women’s spirits and livelihoods. But he can’t guess how violent his quest is soon to become. He’ll learn the hard way that there must be casualties in this game of cat and mouse.
Features a new Introduction by Lee Child
Book 3
Travis McGee’s taking his retirement in installments while he’s still young enough to enjoy it. But sooner or later, his money runs out and he has to work. This time McGee’s lured out West to a strangely secretive meeting with a woman in trouble, in a place whose beauty hides some ugly, dangerous secrets.
“John D. MacDonald created a staggering quantity of wonderful books, each rich with characterization, suspense, and an almost intoxicating sense of place.”—Jonathan Kellerman
Mona is in love with a poor, young college professor and married to a wealthy man whom she is convinced is stealing from her trust fund. So she does what any self-respecting girl would do: She hires someone to steal her money back so she can run away with the love of her life.
Travis isn’t sure he wants to help out until he sees Mona getting shot and killed out on the cliffs near her cabin. Now he’s a lead suspect in a plot to help her escape, and to clear his name, he needs to get to the bottom of things. But the murders just keep mounting, and for Travis, even working with Mona’s husband doesn’t seem to help matters. Will he be able to uncover the complex plot in time to save his own skin?
Features a new Introduction by Lee Child
Book 13
Travis McGee is unnerved when he receives an unexpected guest—real estate developer Harry Broll, who is convinced that McGee is hiding his missing wife. Angry and jealous, Harry gets off a shot before McGee can wrestle his gun away. The thing is, McGee hasn’t seen or heard from Mary Broll in three years, and it isn’t like her to keep troubles to herself—if she’s alive to tell them.
“As a young writer, all I ever wanted was to touch readers as powerfully as John D. MacDonald touched me.”—Dean Koontz
McGee is a heartbeat away from crisis. He’s getting older, Lady Jillian Brent-Archer is trying to make him settle down, and he’s just been shot without fair warning. Nervous that he’s losing his touch, McGee decides to get Harry off his case and prove he’s still in top form all in one fell swoop.
McGee’s search for Mary takes him to Grenada, where he’s soon tangling with con artists and terrifying French killers, not to mention a slew of mixed motives. No longer wallowing in self-pity, McGee has more pressing concerns—like saving his own skin.
Features a new Introduction by Lee Child
Book 15
Book 16
Around four in the morning, Travis McGee is jarred awake by a breathless ghost from his past: an old flame who needs a place to stash a package full of cash. What’s in it for McGee? Ten grand and no questions asked. Two weeks later, she’s dead.
“The Travis McGee novels are among the finest works of fiction ever penned by an American author.”—Jonathan Kellerman
Carolyn Milligan was only aboard McGee’s boat for one night. She came to drop off a hundred grand for safekeeping. What Carrie really needed was someone to keep her safe. She said she’d be back in a month. Instead Carrie is killed in a dubious roadside accident. Now McGee is left with a fortune—and a nagging conscience.
So McGee takes a trip to the seedy little town of Bayside, Florida, to look into Carrie’s life before she showed up on his boat. What McGee finds only pushes him further into the corrupt world of drugs and blood that Carrie was trying to escape. McGee is used to high stakes, but when the bodies start piling up, even he may be in over his head.
Features a new Introduction by Lee Child
Book 17
Asking for help is something a proud man like Van Harder would never do. So when he shows up at the Busted Flush, Travis McGee knows that he must be the man’s last resort. What Harder wants salvaged is his reputation. After a long career as a seaman, he was piloting a boat the night his employer fell overboard. Harder is certain he’s been set up, but to help him, McGee must prove that a dead man is actually alive.
“John D. MacDonald is a shining example for all us in the field. Talk about the best.”—Mary Higgins Clark
The fateful ride started with Harder at the helm of Hubbard Lawless’s luxury cruiser. It ends with him coming to, fuzzy and disoriented, and Hub lost to the water. Now everyone is saying that Harder got drunk, passed out, and is negligent in his boss’s death. The thing is, Van’s not a drinker . . . at least, not anymore.
Who would want to frame the good captain, and to what end? Dead or alive, Lawless is worth a lot of money. People are always eager to get a piece of that action—including some, as McGee soon finds, who are willing to take a piece out of anyone who gets in their way.
Features a new Introduction by Lee Child
Book 20
In the Florida Keys, a houseboat explodes in a giant white flash, instantly killing the honeymooners onboard. Travis McGee’s best friend, Meyer, loses not only his home and every single thing in it but his last living relative. Now he wants answers. And he and McGee plan to get them—or die trying.
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
If Travis McGee hadn’t arranged a lecture tour for his friend, Meyer would be dead. As it was, Meyer lent the John Maynard Keynes to his just-married niece, Norma, and her husband, Evan, hoping to give them the perfect honeymoon. Instead: tragedy. When a group of Colombian terrorists take responsibility for the brutal act, Meyer and McGee travel to Mexico to seek justice. Or payback.
Once south of the border, Meyer and McGee discover many things: Evan’s seedy past, a beautiful local named Barbara, a lethal drug cartel, and, perhaps, even Meyer’s long lost courage. But does Meyer, always content in McGee’s shadow, have what it takes to avenge the killing of the person he loved most?
Features a new Introduction by Lee Child
Travis McGee’s permanent address is the Busted Flush, Slip F-18, Bahia Mar, Lauderdale, and there isn’t a hell of a lot that compels him to leave it. Except maybe a call from an old army buddy who needs a favor. If it wasn’t for him, McGee might not be alive. For that kind of friend, Travis McGee will travel almost anywhere, even New York City. Especially when there’s a damsel in distress.
“As a young writer, all I ever wanted was to touch readers as powerfully as John D. MacDonald touched me.”—Dean Koontz
The damsel in question is his old friend’s kid sister, whose fiancé has just been murdered in what the authorities claim was a standard Manhattan mugging. But Nina knows better. Her soon-to-be husband had been digging around, finding scum and scandal at his real estate investment firm. And this scum will go to any lengths to make sure their secrets don’t get out.
Travis is determined to get to the bottom of things, but just as he’s closing in on the truth, he finds himself drugged and taken captive. If he’s being locked up in a mental institution with a steady stream of drugs siphoned into his body, how can Travis keep his promise to his old friend? More important, how can he get himself out alive?
Features a new Introduction by Lee Child
With an Introduction by Lee Child
When Travis McGee picks up the phone and hears a voice from his past, he can’t help it: He has to meddle. Especially when he has the chance to reunite Sam Taggart, a reckless, restless man like himself, with the woman who’s still waiting for him. But what begins as a simple matchmaking scheme soon becomes a bloody chase that takes McGee to Mexico, a beautiful country from which he hopes to return alive.
Deception. Betrayal. Heartbreak. When Sam left his girlfriend, Nora, and vanished from Fort Lauderdale, no one was surprised. But when he shows up three years later lying in a pool of his own blood, people start to ask questions. And his old friend Travis McGee is left to find answers.
But all he has to go on are a gold Aztec idol and a very angry ex-girlfriend. Is that enough to find his friend’s killer? And when the truth is as terrifying as this, does he really want answers after all?
Praise for A Deadly Shade of Gold
“Travis McGee is the last of the great knights-errant: honorable, sensual, skillful, and tough. I can’t think of anyone who has replaced him. I can’t think of anyone who would dare.”—Donald Westlake
“John D. MacDonald is a shining example for all of us in the field.”—Mary Higgins Clark
Travis McGee has known his share of beautiful girls, but true love always passed him by—until Gretel. Life aboard the Busted Flush has never been so sweet. But suddenly, Gretel dies of an unidentified illness—or so he’s told. Convinced that the woman who stole his heart has been murdered, McGee finds himself pursuing a less-than-noble cause: revenge.
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
McGee has lost not only the love of his life but also his last hope for stability. Soon grief turns to blinding rage. So when he finds the people responsible for Gretel’s death, McGee goes off the rails—and off the grid, three thousand miles from home.
McGee emerges in the California woods as Tom McGraw, a fisherman looking for his long-lost daughter. This mysterious newcomer starts knocking off targets one by one. But as he pursues his single-minded crusade for justice, he becomes more and more unhinged. McGee has spent his life saving other people, but now he’ll need to find the strength to save himself—before he loses his mind.
Features a new Introduction by Lee Child
She’s the opposite of a damsel in distress: a famous movie star, very beautiful, very much in control of her life. She’s just made one little mistake and now she needs Travis McGee to set it right. The money is good and Travis’s funds are in need of replenishing. But that’s not the only reason he takes the case. There is the movie star’s assistant—efficient and reserved, with a sadness underneath that makes McGee feel he’d brave any danger to help her.
“John D. MacDonald is a shining example for all us in the field. Talk about the best.”—Mary Higgins Clark
Sultry movie star Lysa Dean has gotten herself into a spot of blackmail, posing for naked photos while participating in a debauched party near Big Sur. If the pictures get out, Lysa’s engagement to her rich, strait laced fiancé doesn’t stand a chance. Enter Travis McGee, who’s agreed to put a stop to the extortion, working alongside Lysa’s assistant, Dana Holtzer.
They begin by tracking down everyone associated with the lurid evening, and soon enough they’re led on a chase across the nation as murder after murder piles up. Further complicating matters, Travis and Dana’s relationship soon turns steamy. And just when he thinks he knows exactly where things are headed, one big twist shakes McGee’s life to the very foundation.
Features a new Introduction by Lee Child
He was rich, mean, and slowly succumbing to cancer—until someone hastened the inevitable by beating him to death at a Florida truck stop. Now Ellis Esterland’s son wants Travis McGee to find out who killed his estranged father. The why seems obvious: Esterland’s multimillion-dollar estate.
“The Travis McGee novels are among the finest works of fiction ever penned by an American author.”—Jonathan Kellerman
Though he had been reassured that he would receive a substantial inheritance, Ron Esterland was disowned by his wealthy father years ago. But upon dear old Dad’s conveniently timed murder, the family fortune winds up in the hands of Ellis’s ex-wife instead.
The quest to recover Ron’s money takes McGee from Hollywood to the Midwest, where he confronts prostitution rings and drug deals gone wrong. In the haze of violence surrounding him, McGee starts to lose sight of who he really is. But one thing remains crystal clear: McGee is on the trail of a killer conjured from his worst nightmares.
Features a new Introduction by Lee Child
Travis McGee’s old football buddy Tush Bannon is resisting pressure to sell off his floundering motel and marina to a group of influential movers and shakers. Then he’s found dead. For a big man, Tush was a pussycat: devoted to his wife and three kids and always optimistic about his business—even when things were at their worst. So even though his death is ruled a suicide, McGee suspects murder . . . and a vile conspiracy.
“As a young writer, all I ever wanted was to touch readers as powerfully as John D. MacDonald touched me.”—Dean Koontz
Tush Bannon was in the wrong spot at the wrong time. His measly plot of land just so happened to sit right in the middle of a rich parcel of five hundred riverfront acres that big-money real estate interests decided they simply must have.
It didn’t matter that Tush was a nice guy with a family, or that he never knew he was dealing with a criminal element. They squashed him like a bug and walked away, counting their change. But one thing they never counted on: the gentle giant had a not-so-gentle friend in Travis McGee. And now he’s going to make them pay.
Features a new Introduction by Lee Child
Travis McGee’s getting lazy. Drinking Boodles on the Busted Flush has become a full-time job. But when he hears that six figures’ worth of rare stamps have wandered off, McGee finds himself back in the salvage business. To deliver on this case, McGee will have to be suspicious of everyone he meets—because what he’s looking for is property of the mob.
“The Travis McGee novels are among the finest works of fiction ever penned by an American author.”—Jonathan Kellerman
Hirsh Fedderman has misplaced an extremely valuable commodity: the stamp collection of mobster Frank Sprenger. Assessed at around four hundred thousand dollars, these are no ordinary stamps, and Sprenger’s no ordinary collector: He’s liable to break some fingers if he doesn’t get what he’s owed.
Lucky for Hirsh, he’s got a friend in Travis McGee. Soon McGee is hot on the trail of the missing collection—not to mention hot for a voluptuous stamp expert by the name of Mary Alice. Only it’s not McGee’s heart that’s in danger. He soon realizes that he’s run afoul of a vicious syndicate, and neither rain, nor sleet, nor gloom of night will keep them from collecting McGee’s head.
Features a new Introduction by Lee Child
Travis McGee could never deny his old friend anything. So before Meyer even says please, McGee agrees to accompany him to Mexico to reconstruct the last mysterious months of a young woman’s life—on a fat expense account provided by the father who has lost touch with her. They think she’s fallen in with the usual post-teenage misfits and rebels. What they find is stranger, kinkier, and far more deadly.
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
All Meyer’s friend wants to know is whether his daughter was happy before she died in a car accident south of the border. But when McGee and Meyer step foot in the hippie enclave in Oaxaca that had become Bix Bowie’s last refuge, they get more than they bargained for.
Not only had Bix made a whole group of dangerous, loathsome friends, but she was also mixed up in trafficking heroin into the United States. By the time she died, she was a shell of her former self. And the more McGee looks into things, the less accidental Bix’s death starts to seem.
Features a new Introduction by Lee Child
He had done a big favor for her husband, then for the lady herself. Now she’s dead, and Travis McGee finds that Helena Pearson Trescott had one last request of him: to find out why her beautiful daughter Maureen keeps trying to kill herself. But what can a devil-may-care beach bum do for a young troubled mind?
McGee makes his way to the prosperous town of Fort Courtney, Florida, where he realizes pretty quickly that something’s just not right. Not only has Maureen’s doctor killed herself, but a string of murders and suicides are piling up—and no one seems to have any answers.
Just when it seems that things can’t get any stranger, McGee becomes the lead suspect in the murder of a local nurse. As if Maureen didn’t have enough problems, the man on a mission to save her will have to save himself first—before time runs out.
“The Travis McGee novels are among the finest works of fiction ever penned by an American author.”—Jonathan Kellerman
Featuring a new Introduction by Lee Child
A lovely young thing, wearing little more than a determined look, streaks out of the darkness and into Travis McGee’s headlights. McGee hits the brakes, misses the fleeing soul by inches, and lands upside down in ten feet of water—and right into the heart of a violent mystery.
“To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut
McGee and his old friend Meyer are cruising along on their way back from a wedding when the girl darts in front of their car. They manage to emerge from the wreckage and are limping along the deserted Florida road when someone comes by in an old truck and takes a couple of shots at them. So much for Southern hospitality. McGee and Meyer head to a service station to regroup, but are there arrested and charged with murder.
It turns out a local thug has just been killed, and the lead suspects are Meyer and McGee. Someone’s obviously out to get them—and in this Twilight Zone they’ve found themselves in, they must gather their resources to fight for their lives against a deeply corrupt system.
Features a new Introduction by Lee Child
It only takes one word to get Travis McGee to leave the sunny deck of his houseboat in Ft. Lauderdale for the gray cold of Chicago. The word is help, and it’s uttered by Glory Geis, an old girlfriend of McGee’s and the pretty young widow of world-renowned neurosurgeon Dr. Fortner Geis. The trouble is, the good doctor converted his considerable estate into cash before he died. But where he stashed it, no one knows.
“John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.”—Stephen King
Although everyone from the IRS to Dr. Geis’s greedy grown children suspects that Glory is hiding the lost fortune, she hasn’t a clue as to its whereabouts. To prove her innocence, she must find the money and the culprits who stole it. Enter McGee, for one of the most challenging salvages of his career.
How do you extort $600,000 from a dying man? Someone must have done it very quietly and skillfully. While untangling the mess of Dr. Geis’s last days, McGee makes a startling discovery: Some folks would love nothing better than to bring down the whole family—by any means necessary. But McGee is starting to actually like a few members of the Geis clan—and he vows to bring the guilty to justice.
Features a new Introduction by Lee Child
Travis McGee has luck to thank for his reputation as a first-rate salvager of stolen boats. Now Billy Ingraham, a self-made tycoon, is betting that McGee can locate his $700,000 custom cruiser. McGee isn’t so sure. He knows all too well the dangerous link between Florida boatjackings and the drug trade, and he’s vowed never to swim with the sharks—but if he wants to keep his head (AKA finances) above water, swim he will.
“As a young writer, all I ever wanted was to touch readers as powerfully as John D. MacDonald touched me.”—Dean Koontz
Even though McGee doesn’t feel like sticking out his neck for this case, Billy’s wife, Millis, convinces him to step up to the challenge. Sort of. After a pilot friend leads him to the stolen vessel, McGee immediately regrets not going with his gut. The yacht is no longer an ordinary boat. It’s a slaughterhouse.
After witnessing the sordid scene, McGee realizes he’s knee-deep in the white-hot center of an international cocaine ring. In the midst of this terrifying ordeal and an affair with a very dangerous woman, McGee is shocked by the return of a secret from his past. Over the years, McGee has recovered many wrecks—now he’ll need to salvage his own life.
Features a new Introduction by Lee Child