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Gertrude Stein's work is co-opted and re-seen in an attempt to unpack the relationship between love and war; Walt Whitman makes a command performance in dismembered bits of forced formal verse; and 'The Exorcist' and 'The Devil in Miss Jones' are sutured together in an attempt to locate the horror of desire. Fusing pornography and postfeminist theory, transcript and tell-all, these playful, penetrating poems and stories reach off the page in search of what it is to be known, both to the masses and to the 'Other.'