Vintage International
3 total works
Brilliant, inspired, and gloriously erudite, Literature and the Gods is the culmination of Roberto Calasso’s lifelong study of the gods in the human imagination. By uncovering the divine whisper that lies behind the best poetry and prose from across the centuries, Calasso gives us a renewed sense of the mystery and enchantment of great literature.
From the banishment of the classical divinities during the Age of Reason to their emancipation by the Romantics and their place in the literature of our own time, the history of the gods can also be read as a ciphered and splendid history of literary inspiration. Rewriting that story, Calasso carves out a sacred space for literature where the presence of the gods is discernible. His inquiry into the nature of “absolute literature” transports us to the realms of Dionysus and Orpheus, Baudelaire and Mallarmé, and prompts a lucid and impassioned defense of poetic form, even when apparently severed from any social function. Lyrical and assured, Literature and the Gods is an intensely engaging work of literary affirmation that deserves to be read alongside the masterpieces it celebrates.
From the banishment of the classical divinities during the Age of Reason to their emancipation by the Romantics and their place in the literature of our own time, the history of the gods can also be read as a ciphered and splendid history of literary inspiration. Rewriting that story, Calasso carves out a sacred space for literature where the presence of the gods is discernible. His inquiry into the nature of “absolute literature” transports us to the realms of Dionysus and Orpheus, Baudelaire and Mallarmé, and prompts a lucid and impassioned defense of poetic form, even when apparently severed from any social function. Lyrical and assured, Literature and the Gods is an intensely engaging work of literary affirmation that deserves to be read alongside the masterpieces it celebrates.
It is the essence of Roberto Calasso's particular genius to have evolved a unique way of reconstructing the imaginative heart of some of the world's greatest cultures. In The Marriage of Cadmus and Harmony it was the 'Greekness' of classical culture; in Ka he gives us the 'Indianness' of the mind of India, but in an Indian way. He does not describe or explain this mental world: he regenerates it through its stories and customs.
Who is Ka? And who is the immense eagle who asks this question, filling the sky, an elephant and a giant turtle in his claws? How can he be the child of woman? Who are these tiny folk he eats? The first impact of Ka is one of tremendous strangeness, bewilderment, disorientation. Slowly, however, the strange becomes familiar and - as Ka folds and enfolds the world of the Deva and the Seven Seers, of Siva, Brahma and Visnu, the wars of the Mahabharata, and finally the advent of the Buddha - we are amazed at our own recognition. These stories lie so close to the grain of our own experience that they confirm, or for the first time articulate, our own deepest perceptions about our condition.
Who is Ka? And who is the immense eagle who asks this question, filling the sky, an elephant and a giant turtle in his claws? How can he be the child of woman? Who are these tiny folk he eats? The first impact of Ka is one of tremendous strangeness, bewilderment, disorientation. Slowly, however, the strange becomes familiar and - as Ka folds and enfolds the world of the Deva and the Seven Seers, of Siva, Brahma and Visnu, the wars of the Mahabharata, and finally the advent of the Buddha - we are amazed at our own recognition. These stories lie so close to the grain of our own experience that they confirm, or for the first time articulate, our own deepest perceptions about our condition.
From the internationally acclaimed author of The Marriage of Cadmus and Harmony comes one of the most significant books in recent years on a writer of perennial interest–a virtuoso interpretation of the work of Franz Kafka.
What are Kafka’s fictions about? Are they dreams? Allegories? Symbols? Countless answers have been offered, but the essential mystery remains intact. Setting out on his own exploration, Roberto Calasso enters the flow, the tortuous movement, the physiology of Kafka’s work to discover why K. and Josef K.–the protagonists of The Castle and The Trial–are so radically different from any other character in the history of the novel, and to determine who, in the end, is K. The culmination of Calasso’s lifelong fascination with Kafka’s work, K. is also an unprecedented consideration of the mystery of Kafka himself.
What are Kafka’s fictions about? Are they dreams? Allegories? Symbols? Countless answers have been offered, but the essential mystery remains intact. Setting out on his own exploration, Roberto Calasso enters the flow, the tortuous movement, the physiology of Kafka’s work to discover why K. and Josef K.–the protagonists of The Castle and The Trial–are so radically different from any other character in the history of the novel, and to determine who, in the end, is K. The culmination of Calasso’s lifelong fascination with Kafka’s work, K. is also an unprecedented consideration of the mystery of Kafka himself.