Snippy and Snappy

by Wanda Gag

Published July 1967
Brother and sister field mice narrowly escape a trap when they follow their mother's ball of yarn far from their cozy hay field home.

The Funny Thing

by Wanda Gag

Published December 1962
The Funny Thing is an "aminal" who eats nothing but dolls until the good little man of the mountains gets him to taste the jum jills.

Nothing at All

by Wanda Gag

Published December 1967
Left alone when his two visible brothers are chosen as pets by a little girl and boy, an invisible puppy tries to find a way to become a dog that everyone can see and love.

The ABC Bunny

by Wanda Gag

Published 18 September 1933
Follows a little bunny as it scampers through the alphabet.

Tales from Grimm

by Wanda Gag

Published 1 September 1981
Renowned children’s book author Wanda Gág presents these classic Grimm tales, accompanied by whimsical illustrations. Drawing on her peasant heritage and childlike sense of wonder, Gág translated the fairy tales in a uniquely American vernacular tongue. In Tales from Grimm we find her touch on timeless stories like “Hansel and Gretel,” “The Musicians of Bremen,” “Rapunzel,” and others. No other editions of Grimm’s fairy tales for children can match Gág’s richness of prose and the humor, beauty, and sheer magic of her pictorial interpretation. Best known for her Newbery Honor winner Millions of Cats, Wanda Gág (1893–1946) was a pioneer in children’s book writing, integrating text and illustration. Born in New Ulm, Minnesota, she rose to international acclaim. In recognition of her artistry, she was posthumously awarded the 1958 Lewis Carroll Shelf Award for Millions of Cats and the 1977 Kerlan Award for her body of work.

Snow White and the Seven Dwarfs

by Wanda Gag

Published 1 January 2004
'Oh, please, dear hunter, have mercy! If you will let me go, I'll gladly wander away, far away into the wildwood and I'll never come back again.' "The huntsman was glad enough to help the sweet innocent girl, so he said, 'Well, run away then, poor child, and may the beasts of the wood have mercy on you.' As a token he brought back the heart of a wild boar, and the wicked Queen thought it was Snow White's. She had it cooked and ate it, I am sorry to say, with salt and great relish." Wanda Gag interjects her own humor and adorable illustrations into this classic tale of the Brothers Grimm.

More Tales from Grimm

by Wanda Gag and Wanda Gbag

Published 1 December 1947
Renowned children's book author Wanda Gag presents these classic Grimm tales, accompanied by whimsical illustrations. Drawing on her peasant heritage and childlike sense of wonder, Gag translated the fairy tales in a uniquely American vernacular tongue. More Tales from Grimm contains over thirty more, including "The Golden Key," "The Seven Swabians," and "The Wolf and the Fox," as well as almost one hundred illustrations. No other editions of Grimm's fairy tales for children can match Gag's richness of prose and the humor, beauty, and sheer magic of her pictorial interpretation. Best known for her Newbery Honor winner Millions of Cats, Wanda Gag (1893-1946) was a pioneer in children's book writing, integrating text and illustration. Born in New Ulm, Minnesota, she rose to international acclaim. In recognition of her artistry, she was posthumously awarded the 1958 Lewis Carroll Shelf Award for Millions of Cats and the 1977 Kerlan Award for her body of work.

Gone Is Gone

by Wanda Gag

Published December 1936

The classic illustrated folktale by the author of Millions of Cats—now back in print after nearly thirty years!

Gone Is Gone addresses an age-old question between couples—who works harder? This long-out-of-print children’s book is based on a charming Bohemian tale recited to Wanda Gág when she was a child, and is now once again available to enchant audiences of all ages. The tale’s sly peasant humor and conversational style combined with Gág’s expressive black-and-white illustrations made the book an instant classic.

In this delightful story we meet Fritzl, who lives on a farm with his wife Liesi and their baby. Fritzl works hard in the fields every day. Liesi works hard all day, too, but Fritzl somehow feels that he works harder. When he complains about how hard he works and how easy Liesi has it, doing nothing but “putter and potter about the house a bit,” Liesi calls his bluff and suggests they trade places.

The hilarious outcomes of Fritzl’s calamitous day at home are portrayed in Gág’s singular illustrations. In the end Fritzl admits that Liesi’s work is “none too easy” and begs to return to his fields and not do housework another day. “Well then,” says Liesi, “if that’s how it is, we surely can live in peace and happiness for ever and ever.”