Peculiar Crimes Unit
17 primary works • 18 total works
Book 1
A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer’s identity, May finds his old friend’s notes of their very first case and becomes convinced that the past has returned . . . with a killing vengeance.
It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits—and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant’s unorthodox techniques and John May’s dogged police work to catch a criminal whose ability to escape detection seems almost supernatural—a murderer who even decades later seems to have claimed the life of one of them . . . and is ready to claim the other.
Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.
Book 2
Book 3
'The newspapers referred to it as the case of the seventy-seven clocks. There was quite a fuss at the time. We got into terrible trouble. Dear fellow, it was one of our most truly peculiar cases. I remember as if it was yesterday.' In fact, Arthur Bryant remembers very little about yesterday, but he does remember the oddest investigation of his career...
It was late in 1973. As strikes and blackouts ravaged the country during Edward Heath's 'Winter of Discontent', sundry members of a wealthy, aristocratic family were being disposed of in a variety of grotesque ways - by reptile, by bomb, by haircut. As the hours of daylight diminish towards Christmas, Bryant & May, the irascible detectives of London's controversial Peculiar Crimes Unit, know that time is the key - and time is running out for both the family and the police. Their investigations lead them into a hidden world of class conflict, craftsmanship and the secret loyalties of big business. But what have seventy seven ticking clocks to do with it?
Now the full story can at last be revealed, in this most eerie of adventures that features Arthur Bryant at his rudest, John May at his most exasperated and a gallery of colourful, bizarre characters who could only make their home in a city like London...
Book 4
A controversial artist is found dead in her own art installation inside a riverside gallery with locked doors and windows - the only witness is a small boy who insists the murderer was a masked man on a horse. A television presenter is struck by lightning while indoors... Two seemingly impossible crimes that only Arthur Bryant and John May of the Met's Peculiar Crimes Unit might be able to solve. But Bryant has lost his nerve following a disastrous public appearance, and May is fighting to keep the unit from closure. Worse still, the case of the Leicester Square Vampire, an unsolved mystery from the past that changed both their lives, has returned to haunt them.
With a sinister modern-day highwayman bringing terror to the London streets in a series of crimes each more puzzling than the last, the elderly detectives track their suspect to an exclusive private school and a deprived housing estate. But just when they need all the help they can get to uncover a new breed of criminal, the highwayman is hailed a national hero, and the public turns against them...
Bryant & May are back on the case in an adventure that explores the dark side of celebrity, the conflicts of youth, age and class, and the peculiar myths of old London.
Book 5
The unthinkable has happened at London's Peculiar Crimes Unit. In the bitter depths of winter, a member of the team has been murdered, and everyone who works there is a suspect. With the exception of Arthur Bryant and John May that is, for the eccentric detectives who run London's strangest crime division are stranded on a desolate snowbound road somewhere in the West Country on their way to a spiritualists' convention. As the snows worsen, Bryant & May attempt to solve the crime long distance. And their situation is about to get much. much worse. Unknown to the elderly detectives, an obsessed killer has travelled from the Riviera to Dartmoor, and is stalking the stranded vehicles, searching for one particular victim and edging ever closer with each passing minute...
Two murderers, two incapacitated detectives, just six hours to solve two crimes and save the unit. Armed only with their wits, woolly coats, a mobile phone with a fading battery and some dubious veal and ham pies, Bryant & May are bracing themselves for a strange and very dangerous day...
Book 6
One night, Arthur Bryant witnesses a drunk middle-aged lady coming out of a pub in a London backstreet. The next morning, she is found dead at the exact spot where their paths crossed. Even more disturbing, the pub has vanished. Bryant is convinced that he saw them as they were over a century before, but the elderly detective has already lost the funeral urn of an old friend. Could he be losing his mind as well?
Then it becomes clear that a number of women have met their ends in London pubs. It seems a silent, secret killer is at work, striking in full view...and yet nobody has a clue how, or why - or where he'll attack next. The likeliest suspect seems to be a mental patient with a reason for killing. But knowing who the killer is and catching him are two very different propositions.
As their new team at the Peculiar Crimes Unit goes in search of a madman, the octogenarian detectives ready themselves for the pub crawl of a lifetime, and come face to face with their own mortality...
Book 7
Book 8
Book 9
For the crew of the New Strand Theatre, the play The Two Murderers seems less performance than prophecy when a cast party ends in the shocking death of the theater owner’s son. The crime scene is most unusual, even for Bryant and May. In a locked bedroom without any trace of fingerprints or blood, the only sign of disturbance is a gruesome life-size puppet of Mr. Punch laying on the floor. Everyone at the party is a suspect, including the corrupt producer, the rakish male lead, the dour set designer, and the assistant stage manager, who is the wild daughter of a prominent government official.
It’s this last fact that threatens the Peculiar Crimes Unit’s investigation, as the government’s Home Office, wary of the team’s eccentric methods, seeks to throw them off the case. But the nimble minds of Bryant and May are not so easily deterred. Delving into the history of the London theater and the disturbing origins of Punch and Judy, the detectives race to find the maniacal killer before he reaches his even deadlier final act.
Whip-smart and endlessly entertaining, The Memory of Blood is an ingeniously intricate mystery from the deliciously inventive Christopher Fowler.
Praise for The Memory of Blood
“[The Memory of Blood] breathes new life into the locked-room mystery. . . . Spiced with a little screwball-comedy dialogue and a touch of the occult.”—The Washington Post
“Great fun.”—The Seattle Times
Book 11
Romain Curtis sneaks into St. George’s Gardens one evening with his date, planning to show her the stars. A centuries-old burial ground, the small, quiet park is the perfect place to be alone. Yet the night takes a chilling turn when the two teenagers spy a strange figure rising from among the tombstones: a corpse emerging from the grave. Suffice it to say that wherever there’s a dead man walking, Bryant and May and the Peculiar Crimes Unit are never far behind.
As the PCU investigates the sighting, a second urgent matter requires their unusual brand of problem-solving. Seven ravens have gone missing from their historic home in the Tower of London, and legend has it that when the ravens disappear, England will fall. Bryant has been tasked with recovering the lost birds, but when Romain is suddenly found dead, the two seemingly separate mysteries start to intertwine and point to a plot more sinister than anyone could ever imagine.
Soon Bryant and May find themselves immersed in London’s darkest lore, from Victorian-era body snatchers, to arcane black magic, to the grisly myth behind Bleeding Heart Yard, a courtyard long associated with murder. And as the body count spikes and more coffins are unearthed, they will have to dig deep to catch a killer and finally lay these cases to rest.
Darkly funny and fast-paced, Bryant & May and the Bleeding Heart is a brilliantly twisting puzzle, conjured from the inventive mind of Christopher Fowler.
Praise for Bryant & May and the Bleeding Heart
“Let’s talk about guilty pleasures. . . . A historic burial ground like St. George’s Garden, scene of the unfortunate incident of resurrection, is right up [Arthur Bryant’s] dark alley. And mine.”—Marilyn Stasio, The New York Times Book Review
“Delectably droll . . . criminally underappreciated . . . guaranteed to amuse . . . [Bryant & May are] endearing throwbacks to a time when this genre was brainy and pure. They are the last of a breed and they know it. . . . Their very credibility puts quaint old Bryant & May in a class of their own.”—Janet Maslin, The New York Times
“Fans of the series will enjoy the continuing travails of these two long-suffering octogenerian friends and their fellow officers. Newcomers will appreciate the twists and turns of the case as well as the many details from the odd corners of one of the world’s great cities.”—Library Journal
“Endearingly eccentric . . . intriguing.”—Publishers Weekly
“Hilarious . . . a charming and intriguing mystery mixed with marvelous characters. [Christopher] Fowler’s snarky writing elevates what could be dull or routine and makes it a true joy to read.”—RT Book Reviews
“Make Bryant & May and the Bleeding Heart the next book you read. . . . These stories are witty, challenging, engrossing, informative and incredibly well written. . . . Picture a television series that is a rough mash-up of Law & Order, The X-Files and Monty Python’s Flying Circus. . . . I sensed Sir Arthur Conan Doyle, Ed McBain and Agatha Christie nodding in approval. . . . [Fowler’s] latest book contains some of his best writing.”—Bookreporter
Book 12
In the week before Guy Fawkes Night, London’s peaceful streets break out in sudden unrest. Enraged by a scandal involving a corrupt financier accused of insider trading, demonstrators are rioting outside the Findersbury Private Bank, chanting, marching, and growing violent. But when someone hurls a Molotov cocktail at the bank’s front door, killing a homeless man on its steps, Bryant, May, and the rest of the Peculiar Crimes Unit is called in. Is this an act of protest gone terribly wrong? Or a devious, premeditated murder?
Their investigation heats up when a second victim is reported dead in similar fiery circumstances. May discovers the latest victim has ties to the troubled bank, and Bryant refuses to believe this is mere coincidence. As the riots grow more intense and the body count climbs, Bryant and May hunt for a killer who’s adopting incendiary methods of execution, on a snaking trail of clues with roots in London’s history of rebellion, anarchy, and harsh justice. Now, they’ll have to throw themselves in the line of fire before the entire investigation goes up in smoke.
Suspenseful, smart, and wickedly funny, Bryant & May and the Burning Man is a brilliantly crafted mystery from the beloved Christopher Fowler.
Praise for Bryant & May and the Burning Man
“Fabulously unorthodox . . . [Fowler] takes delight in stuffing his books with esoteric facts; together with a cast of splendidly eccentric characters [and] corkscrew plots, wit, verve and some apposite social commentary, they make for unbeatable fun.”—The Guardian
“Winningly eccentric . . . The books are set in a skillful synthesis of a phantasmagorical earlier era and the modern age.”—Financial Times
“The most delightfully, wickedly entertaining duo in crime fiction . . . Fowler’s tale is a rich mix of laugh-out-loud lines, acerbic wit, obscure British history and a wonderfully puzzling story. Grade: A”—The Plain Dealer
“Fowler is even better than usual at getting readers to care about his squad of misfits.”—Publishers Weekly
“Not even Arthur Bryant’s alarming behavior can dampen the twelfth installment in the most joyously inventive mystery series of our time.”—Kirkus Reviews
“Fascinating and intriguing . . . This book is definitely a standalone novel that keeps the reader absorbed in the story, and will make everyone want to go back and read them all. . . . This is a very solid story and a great addition to Fowler’s long-running series. The mystery is fascinating and readers will definitely want to know what happens next. And for newcomers to the series, this will be an excellent place to start.”—Suspense Magazine
“Fans of the Bryant and May series will welcome this latest installment with plenty of obscure historical details mixed with outré crimes and the banter of the PCU members. Newcomers will find plenty to enjoy as well without finding the amount of details included from earlier outings overwhelming.”—Library Journal
“Witty with a dry sense of humor . . . finely plotted . . . complex and funny.”—RT Book Reviews
“A fascinating investigation with lots of false leads and a plethora of historical factoids.”—Mystery Scene
Book 13
The river Thames is London’s most important yet neglected artery. When a young woman is found chained to a post in the tide, no-one can understand how she came to be drowned there. At the Peculiar Crimes Unit, Arthur Bryant and John May find themselves dealing with an impossible crime committed in a very public place.
Soon they discover that the river is giving up other victims, but as the investigation extends from the coast of Libya to the nightclubs of North London, it proves as murkily sinister as the Thames itself. That’s only part of the problem; Bryant’s rapidly deteriorating condition prevents him from handling the case, and he is confined to home. To make matters worse, May makes a fatal error of judgement that knocks him out of action and places everyone at risk.
With the PCU staff baffled as much by their own detectives as the case, the only people who can help now are the battery of eccentrics Bryant keeps listed in his diary, but will their arcane knowledge save the day or make matters even worse? Soon there’s a clear suspect in everyone’s sights – the only thing that’s missing is any scrap of evidence.
As the detectives’ disastrous investigation comes unstuck, the whole team gets involved in some serious messing about on the river. In an adventure that’s as twisting as the river upon which it’s set, will there be anything left of the Peculiar Crimes Unit when it’s over?
Book 14
Our story begins at the end of an investigation, as the members of London's Peculiar Crimes Unit race to catch a killer near London Bridge Station in the rain, not realising that they’re about to cause a bizarre accident just yards away from the crime scene. And it will have repercussions for them all…
One year later, in an exclusive London crescent, a woman walks her dog – but she’s being watched. When she’s found dead, the Peculiar Crimes Unit is called in to investigate. Why? Because the method of death is odd, the gardens are locked, the killer had no way in - or out - and the dog has disappeared.
So a typical case for Bryant & May. But the hows and whys of the murder are not the only mysteries surrounding the dead woman - there's a missing husband and a lost nanny to puzzle over too. And it seems very like that the killer is preparing to strike again.
As Arthur Bryant delves in to the history of London’s ‘wild chambers’ - its extraordinary parks and gardens, John May and the rest of the team seem to have caused a national scandal. If no-one is safe then all of London’s open spaces must be closed…
With the PCU placed under house arrest, only Arthur Bryant remains at liberty – but can a hallucinating old codger catch the criminal and save the unit before it’s too late?
Book 15
The year is 1969 and ten guests are about to enjoy a country house weekend at Tavistock Hall. But one amongst them is harbouring thoughts of murder. . .
The guests also include the young detectives Arthur Bryant and John May – undercover, in disguise and tasked with protecting Monty Hatton-Jones, a whistle-blower turning Queen’s evidence in a massive bribery trial. Luckily, they’ve got a decent chap on the inside who can help them – the one-armed Brigadier, Nigel ‘Fruity’ Metcalf.
The scene is set for what could be the perfect country house murder mystery, except that this particular get-together is nothing like a Golden Age classic. For the good times are, it seems, coming to an end. The house’s owner – a penniless, dope-smoking aristocrat – is intent on selling the estate (complete with its own hippy encampment) to a secretive millionaire but the weekend has only just started when the millionaire goes missing and murder is on the cards. But army manoeuvres have closed the only access road and without a forensic examiner, Bryant and May can’t solve the case. It’s when a falling gargoyle fells another guest that the two incognito detectives decide to place their future reputations on the line. And in the process discover that in Swinging Britain nothing is quite what it seems…
So gentle reader, you are cordially invited to a weekend in the country. Expect murder, madness and mayhem in the mansion!
Book 16
In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark
On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am.
A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hampstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field.
But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am.
In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn’t seem to exist. But impossibilities are what the Peculiar Crimes Unit does best.
As they explore a night city where all the normal rules are upended, they’re drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy…
Book 17
'The most consistently brilliant, entertaining and educational voice in contemporary British crime fiction, the utterly fabulous Christopher Fowler.' Cathi Unsworth, CRIMESQUAD
It's a Sunday morning, and the outspoken Speaker of the House of Commons has just been crushed under a mountain of citrus fruit . . .
Bizarre accident or something more sinister? The government needs to know because here's a man who knows a thing or two that could compromise its future.
Bryant and May and the Peculiar Crimes Unit should be on the case, however it seems the PCU is no more with one detective is in hospital, the other gone AWOL with the rest of the team having been dismissed.
But events escalate, and soon a series of brutal yet undeniably clever killings linked to an old English nursery rhyme threaten society's very foundations and out-of-the-blue the PCU is (temporarily) back in business.
And if the two detectives - 'old men in a woke world' - can set aside their differences and discover why some of London's most influential figures are being threatened, they might not only save the unit but also prevent the city from descending into chaos . . .
Book 18
The brilliant duo of Arthur Bryant and John May uncovers a nefarious plot behind the seemingly innocuous death of an old lady—and when the case leads them to London Bridge, it all comes down on the Peculiar Crimes Unit.
When ninety-one-year-old Amelia Hoffman dies in her top-floor flat on a busy London road, it’s considered an example of what has gone wrong with modern society: she slipped through the cracks in a failing system.
But detectives Arthur Bryant and John May of the Peculiar Crimes Unit have their doubts. Mrs. Hoffman was once a government security expert, though no one can quite remember her. When a link emerges between the old lady and a diplomat trying to flee the country, it seems that an impossible murder has been committed.
Mrs. Hoffman wasn’t the only one at risk. Bryant is convinced that other forgotten women with hidden talents are also in danger. And, curiously, they all own models of London Bridge.
With the help of some of their more certifiable informants, the detectives follow the strangest of clues in an investigation that will lead them through forgotten alleyways to the city’s fabled bridge in search of a desperate killer.
But just when the case appears to be solved, they discover that Mrs. Hoffman was smarter than anyone imagined. There’s a bigger game afoot that could have terrible consequences.
"The best fun is running all over the city with these amiable partners." —The New York Times Book Review, on Bryant & May: The Lonely Hour
It’s getting late. I want to share my knowledge of London with you, if I can remember any of it.
So says Mr. Arthur Bryant. He and John May are the nation’s oldest serving detectives. Who better to reveal its secrets? Why does this rainy, cold, gray city capture so many imaginations? Could its very unreliability hold the key to its longevity?
The detectives are joined by their boss, Raymond Land, and some of their most disreputable friends, each an argumentative and unreliable expert in their own dodgy field.
Each character gives us a short tour of odd buildings, odder characters, lost venues, forgotten disasters, confusing routes, dubious gossip, illicit pleasures, and hidden pubs. They make all sorts of connections and show us why it's almost impossible to separate fact from fiction in London.