Vintage International
31 total works
In search of the unpublished manuscript of a martyred Yiddish writer, American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament marked by an institutionalised oppression that is rather different from his own. He also discovers, among the subjugated writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism.
The Prague Orgy, consisting of entries from Zuckerman's notebooks recording his sojourn among these outcast artists, completes the trilogy and epilogue Zuckerman Bound. It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art.
Like Rip Van Winkle returning to his hometown to find that all has changed, Nathan Zuckerman comes back to New York, the city he left eleven years before. Alone on his New England mountain, Zuckerman has been nothing but a writer: no voices, no media, no terrorist threats, no women, no news, no tasks other than his work and the enduring of old age. Walking the streets like a revenant, he quickly makes three connections that explode his carefully protected solitude. One is with a young couple with whom, in a rash moment, he offers to swap homes. They will flee post-9/11 Manhattan for his country refuge, and he will return to city life. But from the time he meets them, Zuckerman also wants to swap his solitude for the erotic challenge of the young woman, Jaime, whose allure draws him back to all that he thought he had left behind: intimacy, the vibrant play of heart and body. The second connection is with a figure from Zuckerman's youth, Amy Bellette, companion and muse to Zuckerman's first literary hero, E.I. Lonoff.
The once irresistible Amy is now an old woman depleted by illness, guarding the memory of that grandly austere American writer who showed Nathan the solitary path to a writing vocation. The third connection is with Lonoff's would-be biographer, a young literary hound who will do and say nearly anything to get to Lonoff's "great secret". Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities. Haunted by Roth's earlier works - the melancholy comedy of "The Ghost Writer", the counterpoint of the imaginary and the real in "The Counterlife", the distinctive dialogues of "Deception" - "Exit Ghost" is a reminder of Roth's incomparable style and themes and an amazing leap into yet another phase in this great writer's insatiable commitment to fiction.
The once irresistible Amy is now an old woman depleted by illness, guarding the memory of that grandly austere American writer who showed Nathan the solitary path to a writing vocation. The third connection is with Lonoff's would-be biographer, a young literary hound who will do and say nearly anything to get to Lonoff's "great secret". Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities. Haunted by Roth's earlier works - the melancholy comedy of "The Ghost Writer", the counterpoint of the imaginary and the real in "The Counterlife", the distinctive dialogues of "Deception" - "Exit Ghost" is a reminder of Roth's incomparable style and themes and an amazing leap into yet another phase in this great writer's insatiable commitment to fiction.
The Facts is the unconventional autobiography of a writer who has reshaped our idea of fiction--a work of compelling candor and inventiveness, instructive particularly in its revelation of the interplay between life and art. Philip Roth concentrates on five episodes from his life: his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the "girl of my dreams" Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy's Complaint. The book concludes surprisingly--in true Rothian fashion--with a sustained assault by the novelist against his proficiencies as an autobiographer.
WINNER OF THE PEN/FAULKNER AWARD • NATIONAL BESTSELLER • A candidly intimate yet universal story of loss, regret, and stoicism. The Pulitzer Prize–winning author of American Pastoral and “our most accomplished novelist” (The New Yorker) turns his attention to one man's lifelong skirmish with mortality.
The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes. The terrain of this powerful novel is the human body. Its subject is the common experience that terrifies us all.
The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes. The terrain of this powerful novel is the human body. Its subject is the common experience that terrifies us all.
Soon to be a major motion picture based on Philip Roth's outstanding novel Indignation, starring Sarah Gadon, Logan Lerman and Ben Rosenfield, and adapted for the screen by James Schamus. During the second year of the Korean War in 1951, studious, law-abiding Marcus Messner is beginning his sophomore year on the conservative campus of Ohio's Winesburg College. Marcus has fled from his hometown of Newark, New jersey, trying to escape his father's oppressive love - a love that is also a mad fear of the dangers of adult life soon to face his son. Whilst at college, Marcus has to traverse an American world that isn't his own: facing off against ardent Christian, Dean Cauldwell, and falling in love with the beautiful Olivia Hutton. Indignation gleams with narrative muscle, as it twists and turns unpredictably, and extends - shockingly - beyond the confines of natural life.
The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the Great Books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E. I. Lonoff.
At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life.
The first volume of the trilogy and epilogue Zuckerman Bound, The Ghost Writer is about the tensions between literature and life, artistic truthfulness and conventional decency—and about those implacable practitioners who live with the consequences of sacrificing one for the other.
At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life.
The first volume of the trilogy and epilogue Zuckerman Bound, The Ghost Writer is about the tensions between literature and life, artistic truthfulness and conventional decency—and about those implacable practitioners who live with the consequences of sacrificing one for the other.
Sabbath's Theater is a comic creation of epic proportions, and Mickey Sabbath is its gargantuan hero. Once a scandalously inventive puppeteer, Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his long-time mistress—an erotic free spirit whose adulterous daring surpassed even his own—Sabbath embarks on a turbulent journey into his past. Bereft and grieving, besieged by the ghosts of those who loved and hated him most, he contrives a succession of farcical disasters that take him to the brink of madness and extinction.
Everything is over for Simon Axler, the protagonist of Philip Roth's startling new book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent and his assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, 'are melted into air, into thin air'. When he goes on stage he feels like a lunatic and looks like an idiot. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else. 'Something fundamental has vanished'. His wife has gone, his audience has left him, his agent can't persuade him to make a comeback. Into this shattering account of inexplicable and terrifying self-evacuation bursts a counterplot of unusual erotic desire, a consolation for the bereft life so risky and aberrant that it points not towards comfort and gratification but to a yet darker and more shocking end. In this long day's journey into night, told with Roth's inimitable urgency, bravura and gravity, all the ways that we persuade ourselves of our solidity, all our life's performances - talent, love, sex, hope, energy, reputation - are stripped off.
Following the dark meditations on mortality and endings in "Everyman" and "Exit Ghost", and the bitterly ironic retrospect on youth and chance in "Indignation", Roth has written another in his haunting group of late novels. "The Humbling" is Roth's thirtieth book.
Following the dark meditations on mortality and endings in "Everyman" and "Exit Ghost", and the bitterly ironic retrospect on youth and chance in "Indignation", Roth has written another in his haunting group of late novels. "The Humbling" is Roth's thirtieth book.
In 'the stifling heat of equatorial Newark', a terrifying epidemic is raging, threatening the children of the New Jersey city with maiming, paralysis, life-long disability, even death. This is the startling and surprising theme of Roth's wrenching new book: a wartime polio epidemic in the summer of 1944 and the effect it has on a closely-knit, family-oriented Newark community and its children. At the centre of Nemesis is a vigorous, dutiful, twenty-three-year old playground director, Bucky Cantor, a javelin thrower and a weightlifter, who is devoted to his charges and disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. Focusing on Cantor's dilemmas as polio begins to ravage his playground - and on the everyday realities he faces - Roth leads us through every inch of emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering, and the pain.
Moving between the smouldering, malodorous streets of besieged Newark and Indian Hill, a pristine children's summer camp high in the Poconos - whose 'mountain air was purified of all contaminants' - Roth depicts a decent, energetic man with the best intentions struggling in his own private war against the epidemic. Roth is tenderly exact at every point about Cantor's passage into personal disaster and no less exact about the condition of childhood. Through this story runs the dark question that haunts all four of Roth's late short novels, "Everyman", "Indignation", "The Humbling", and now, "Nemesis": what choices fatally shape a life? How powerless is each of us up against the force of circumstances?
Moving between the smouldering, malodorous streets of besieged Newark and Indian Hill, a pristine children's summer camp high in the Poconos - whose 'mountain air was purified of all contaminants' - Roth depicts a decent, energetic man with the best intentions struggling in his own private war against the epidemic. Roth is tenderly exact at every point about Cantor's passage into personal disaster and no less exact about the condition of childhood. Through this story runs the dark question that haunts all four of Roth's late short novels, "Everyman", "Indignation", "The Humbling", and now, "Nemesis": what choices fatally shape a life? How powerless is each of us up against the force of circumstances?
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD • "A tough-minded, beautifully written memoir" (San Francisco Chronicle) about a son watching his elderly father battle with the brain tumor that will kill him—from the Pulitzer Prize–winning author of American Pastoral.
Patrimony, a true story, touches the emotions as strongly as anything Philip Roth has ever written. Roth watches as his eighty-six-year-old father—famous for his vigor, charm, and his repertoire of Newark recollections—fights the brain tumor that will kill him. The son, full of love, anxiety, and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long, stubborn engagement with life.
Patrimony, a true story, touches the emotions as strongly as anything Philip Roth has ever written. Roth watches as his eighty-six-year-old father—famous for his vigor, charm, and his repertoire of Newark recollections—fights the brain tumor that will kill him. The son, full of love, anxiety, and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long, stubborn engagement with life.
Philip Roth's bestselling alternate history novel--the chilling story of what happens to one family when America elects a charismatic, isolationist president--is now an HBO limited series.
In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial "understanding" with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.
For one boy growing up in Newark, Lindbergh's election is the first in a series of ruptures that threaten to destroy his small, safe corner of America-and with it, his mother, his father, and his older brother.
In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial "understanding" with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.
For one boy growing up in Newark, Lindbergh's election is the first in a series of ruptures that threaten to destroy his small, safe corner of America-and with it, his mother, his father, and his older brother.