Series:

Bollingen Series (General)

1 primary work • 17 total works

Book 75

Cover of Collected Works of Samuel Taylor Coleridge
First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

Cover of The Collected Works of Samuel Taylor Coleridge, Volume 11

Volume 2 of 2. Coleridge's Shorter Works and Fragments brings together a number of substantial essays that were not long enough to require volumes to themselves, among them his "Theory of Life," "Essays on the Principles of Genial Criticism," "Treatise on Method," "Confessions of an Inquiring Spirit," "On the Passions," and "On the Prometheus of Aeschylus." To these are added more than four hundred other pieces, some of them fragementary, many of them previously unpublished, ranging in date from school essays of the early 1790s to a discussion of the bullion controversy in 1834. As might be expected, the subject matter includes literature and language, theology, philosophy, politics, and science, but in many less predicatble topics (such as child labor laws, marriage, suicide, church history, the abolition of slavery, the state of the colonies) also appear. By gathering this material and presenting it in chronological order, Shorter Works and Fragments reveals the development and major characteristics of Coleridge's seemingly inexhaustible variety.
H.J. Jackson and J.R. de J. Jackson, Professors of English at the University of Toronto, are the editors of Coleridge's Marginalia and Logic, respectively, in the Collected Works of Samuel Taylor Coleridge.
Bollingen Series LXXV

Originally published in 1995.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Cover of The Collected Works of Samuel Taylor Coleridge, Volume 14

Volume 1 of 2. Coleridge's nephew, son-in-law, and first editor, Henry Nelson Coleridge, began at the end of 1822 a record of Coleridge's remarks as a way of preparing an anthology of the interests and thought of the great poet and critic. His manuscripts, gathered to form the major text of his new edition, include passages on relatives, friends, and various censorable topics omitted from the Table Talk of 1835 and unpublished until now. These two volumes also contain talk recorded by other listeners from 1798 until Coleridge's death in 1834. Some of these records have not been previously published; some are published from manuscripts that differ from versions previously known. Also included are previously unpublished remarks by Wordsworth. Along with a bibliography of earlier editions of Table Talk and other useful appendixes, Carl Woodring's edition reprints the second edition (1836), which differs from the manuscripts more extensively than the edition of 1835.
THis is the first fully annotated edition of a work that long remained more popular in the United Kingdom than any of the works in prose published by Coleridge himself. The two volumes make a convenient encyclopedia of his ideas and interests.
Carl Woodring is George Edward Woodberry Professor of Literature Emeritus at Columbia University.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Cover of The Collected Works of Samuel Taylor Coleridge, Volume 15

The Opus Maximum gathers the last major body of unpublished prose writings by Samuel Taylor Coleridge. Consisting primarily of fragments dictated to Joseph Henry Green, probably between 1819 and 1823, these writings represent all that exists of what Coleridge considered to be "the principal Labour" and "the great Object" of his life, which he called variously the Logosophia and Magnum Opus.


Dedicated to "the reconcilement of the moral faith with the Reason," Coleridge's envisioned Magnum Opus was supposed to "reduce all knowledges into harmony." While such a synthesis finally eluded him, and the Magnum Opus remained unfinished, the surviving fragments nonetheless bear powerful witness to Coleridge's engagement with theology, moral philosophy, natural philosophy, and logic, among other disciplines. Among the subjects that will particularly interest readers are Coleridge's criticisms of Epicureanism, pantheism, and German Naturphilosophie; his attempt to ground reason in faith; and his reflections on personhood (especially in the relationship between mother and child), on will, on language, and on the Logos.


Previously unknown to all but a handful of scholars, the manuscripts presented here provide valuable insight into a crucial period of Coleridge's intellectual development, as he became increasingly dissatisfied with Naturphilosophie and struggled to affirm Trinitarian Christianity on a rational basis. With this volume, The Collected Works of Samuel Taylor Coleridge, begun forty years ago under the sponsorship of the Bollingen Foundation and the editorship of the late Kathleen Coburn, is now complete.

Cover of The Notebooks of Samuel Taylor Coleridge, Volume 4

During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 through 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the readers. Included here are drafts and full versions of the later poems. Many passages reflect the technological interests that led to Coleridge's writing of Aids of Reflection, later to become an important source for the Transcendentalists.
Another development in this volume is the startling expansion of Coleridge's interest in "the theory of life" and in chemistry--the laboratory chemistry of the Royal Institution of Great Britain and the theoretical chemistry of German transcendentalists such as Okea, Steffens, and Oersted. Also contained in this volume is an important section on the meaning of marriage.
Kathleen Coburn is Professor Emeritus at Victoria College of the University of Toronto. Merton Christensen was Professor of English at the University of Delaware.
Bollingen Series L:4.

Originally published in 1990.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Cover of The Collected Works of Samuel Taylor Coleridge, Vol. 12, Part 5
In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The Princeton edition of the Marginalia, of which this is the fifth volume, will bring together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The present volume comprises annotations on more than sixty books (from Sherlock to "Unidentified"), including well-known works by Sir Philip Sidney, Southey, Spinoza, Swift, and Tennyson. There are extensive notes on texts by Heinrich Steffens, Emanuel Swedenborg, and Jeremy Taylor; on two histories of philosophy by Thomas Stanley and W. G.
Tennemann; and also on the writings of St. Teresa of Avila. The subjects addressed range from literature and philosophy through religion, politics, history, and biography, to travel-writing and science.

Cover of The Collected Works of Samuel Taylor Coleridge, Volume 7

Biographia Literaria has emerged over the last century as a supreme work of literary criticism and one of the classics of English literature. Into this volume poured 20 years of speculation about the criticism and uses of poetry and about the psychology of art. Following the text of the 1817 edition, the editors offer the first completely annotated edition of the highly allusive work.

Cover of The Notebooks of Samuel Taylor Coleridge, Volume 2
Nearly 1,400 entries, throwing light on a little-known period: Coleridge's voyage from England to the Mediterranean, his government service in Malta, and his travels in Sicily and Italy. Together with his metrical experiments, studies of Italian poetry and language, and attempts at writing cipher, there are revealing glimpses into such intimate matters as his addiction to opium and his love for Sara Hutchinson.

Cover of The Notebooks of Samuel Taylor Coleridge, Volume 3

This third volume covers the period from Coleridge's first lectures on poetry, at the Royal Institution, and the inception of The Friend, to his last lecture in 1819. It is, therefore, the period of his various courses of lectures on Shakespeare and other literary subjects, and on philosophy, of the Biographia Literaria, and the Lay Sermons. During this time, Coleridge's close friendship with Wordsworth deteriorated, ending in an estranging quarrel. His drug addiction was deepest during these years of his life, until he finally found haven in Dr. Gillman's house at Highgate.

Cover of The Notebooks of Samuel Taylor Coleridge, Volume 1

Some 1,800 entries, representing the "annus mirabilis" of 1797-1798, descriptions of the Lake Country, and notes on Coleridge's travels in Germany.

Cover of The Collected Works of Samuel Taylor Coleridge, Vol. 16, Part 3
Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. Coleridge's plays form a vital part of his poetic achievement. This part covers all of them--twelve altogether, including collaborations, adaptations, and plays left unrevised or in note form. It considers his drama translations as well. Coleridge's practical engagement with theater over a span of twenty years influenced his approach to other, lyric forms as well as, for example, his assessments of Shakespeare and of public taste.
As in the first and second parts, all known manuscript, printed, and annotated versions have been collated to produce reading texts, and much new information, historical as well as textual, is presented in the commentary. The index covers proper names and prominent themes and features of all three parts. The presentation of four plays is of particular interest. Coleridge's translations of Schiller's Piccolomini and Death of Wallenstein are accompanied by facing texts of the German originals (the first reconstructed by Joyce Crick, the second from a manuscript authorized by Schiller himself) so that, for the first time, Coleridge's practice as translator can be properly assessed. Secondly, Remorse is presented in stage and printed-text versions; the former demonstrates how Coleridge's play evolved in the course of the rehearsal process and during performance, how it was received and how it enjoyed an afterlife in contemporary theatres, whereas the printed-text version developed quite differently. This authoritative volume offers a revealing and comprehensive portrait of Coleridge's work in the dramatic form.

Cover of The Collected Works of Samuel Taylor Coleridge, Vol. 12, Part 6
In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The Princeton edition of the Marginalia, of which this is the sixth volume, brings together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The present volume comprises annotations on more than fifty books and manuscripts (from Valckenaer to Zwick, plus Addenda), including comments on Wordsworth's "Benjamin the Waggoner," "The Prelude," and "Translation of Virgil's Aeneid," as well as on William Godwins's verse drama "Abbas."
A key-word index to the six volumes of Marginalia, provided here, will give readers ready access to Coleridge's ideas on subjects ranging from literature and philosophy through religion, politics, history, biography, and science.

Cover of The Collected Works of Samuel Taylor Coleridge, Volume 8
During the winter of 1818-1819, Samuel Taylor Coleridge gave fourteen lectures on the history of philosophy. A shorthand writer took down twelve of them in the most detailed version of Coleridge's lectures known to exist. The transcriptions are imperfect and inaccurate in various ways, but, when they are combined with Coleridge's own notes, as in this edition, the result is a coherent and largely complete whole. The lectures contain Coleridge's interpretation of the history of philosophy. He opposed the idea, widely accepted at the time, that the philosophy of the Enlightenment had advanced by conquering religion. He believed that this view had doomed philosophy to the low esteem in which it was held in Britain, and he wanted to counter it by showing that the philosophy of the Enlightenment was largely derivative and that neither philosophy nor religion could stand alone. This series of lectures was his most systematic attempt to survey the relationship of philosophy to religion from Thales to Kant.
The edition presents a fully annotated and indexed text of the lecture series, and it provides in addition the complete texts of the shorthand reports and of Coleridge's own notes (which were omitted from the Coleridge Notebooks), along with newspaper and manuscript reports by people who attended the lectures. The volume includes an appendix by Owen Barfield, which is drawn from his incomplete manuscript edition of the lectures.

Cover of The Collected Works of Samuel Taylor Coleridge, Vol. 16, Part 1
Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. The first part presents the reading texts of 706 poems in chronological sequence. Its blend of newly discovered and newly collected poems, presented in light of all known evidence and where practicable in unrevised forms, offers a fresh and original Coleridge: less inhibited by Victorian ideas about what poetry should be, moving easily and productively between genres and levels of seriousness. In texts that remained fluid and exploratory to the end, Coleridge alternates between lyric and satire, prophecy and conversation, symbol and allegory.
Each poem is accompanied by a headnote and commentary that together provide its historical-biographical context and offer key textual variants. The book opens with an introduction and chronological tables. The three appendixes position individual poems in the contexts in which they appeared during Coleridge's lifetime. Illustrations such as contemporary scenes and portraits bring this rich collection, like the companion volumes, all the more to life.

Cover of The Notebooks of Samuel Taylor Coleridge, Volume 5
This final volume of Bollingen Series L covers the material Coleridge wrote in his notebooks between January 1827 and his death in 1834. In these years, Coleridge made use of the notebooks for his most sustained and far-reaching inquiries, very little of which resulted in publication in any form during his lifetime. Twenty-eight notebooks are here published in their entirety for the first time; entries dated 1827 or later from several more notebooks also appear in this volume. Following previous practice for the edition, notes appear in a companion volume. Coleridge's intellectual interests were wide, encompassing not only literature and philosophy but the political crises of his time, scientific and medical breakthroughs, and contemporary developments in psychology, archaeology, philology, biblical criticism, and the visual arts. In these years, he met and conversed with eminent writers, scholars, scientists, churchmen, politicians, physicians, and artists.
He planned a major work on Logic (still unpublished at his death), and an outline of Christian doctrine, also unfinished, though his work toward this project contributed to On the Constitution of the Church and State (1830) and the revised Aids to Reflection (1831). The reader of these notebooks has the opportunity to see what one of the most admired minds of the English-speaking world thought on several issues--such as race and empire, science and medicine, democracy (particularly in reaction to the Reform Bills introduced in 1831 and 1832), and the authority of the Bible--when he wrote without fear of public disapprobation or controversy.

Cover of The Collected Works of Samuel Taylor Coleridge, Vol. 16, Part 2
Poetry in its many guises is at the center of Coleridge's multifarious interests, and this long-awaited new edition of his complete poetical works marks the pinnacle of the Bollingen Collected Coleridge. The three parts of Volume 16 confirm and expand the sense of the Coleridge who has emerged over the past half-century, with implications for English Romantic writing as a whole. Setting new standards of comprehensiveness in the presentation of Romantic texts, they will interest historians and editorial theorists, as well as readers and students of poetry. They represent a work of truly monumental importance. The second part presents the same 706 poems as the first, in the same chronological sequence, but differently records in each case all known textual information in collated form--allowing for alternative construals of the reading texts. An additional 135 items are inserted into the same sequence, comprising poems mistakenly ascribed to Coleridge or of dubious authenticity and poems that remained only in the planning stage or that are referred to but have not been recovered. The index of titles and first lines incorporates the full range of variants.
All told, the Collected Coleridge variorum sequence collates over a third more additional texts--in more detailed and accurate form--than those found in the previous standard edition, by E.H. Coleridge. The presentation method in this second part will interest editorial theorists as well as those interested primarily in Coleridge and/or the making of poetry. The unusually detailed textual information also reveals changes in such areas as linguistic and grammatical usage, patterns of transcription and circulation among anthologists, and contemporary publishers' house styles.

Cover of The Collected Works of Samuel Taylor Coleridge, Volume 13

The manuscript of Coleridge's Logic is published here in its entirety for the first time, along with the texts of manuscripts that are directly related to it.
Coleridge's plans to write about logic go back at least as far as 1803, but it was not until the 1820s that he undertook to write a book that would be of practical use to young men about to enter "the bar, the pulpit, and the senate." By that time the philosophy course he taught to classes of such young men had given them access to his thoughts, and he in turn benefited from their interest and enthusiasm. Coleridge wished to encourage his readers to think for themselves in a manner that was consistent and self-aware. He hoped to provide them with a system of logic "applied to the purposes of real life."
His Logic differs from earlier English models in its emphasis on the psychology of thought and in its sceptical treatment fo the figures of the syllogism. Here the influence of Kant's Critique of Pure Reason predominates. The Logic is also concerned with the psychology of language--indeed Coleridge thought of calling the book "The Elements of Discourse"--and with the philosophical and theological implications of different semantic theories. Here he was sustained by a vigorous English tradition and aided by his own subtle experience of the relationship between thoughts and words.
The Logic is an introduction to thinking about thought. It touches on a variety of topics--education, the origin of language, the importance of defining terms, subjective and objective truth, the meaning of abstraction, understadning and reason, conception and perception, self-consciousness, intuition, space and time, cause and effect, mathematical evidence, and the mind's emancipation from the senses--and behind these characteristic concerns Coleridge's more comprehensive views may be freshly glimpsed.
J.R. de J. Jackson is Professor of English at the University of Toronto. He is the author of Method and Imagination in Coleridge's Criticism and the editor of Coleridge: The Critical Heritage (both published by Routledge & Kegan Paul).
Bollingen Series LXXV

Originally published in 1981.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.