American Indian Literature and Critical Studies

5 total works

Chancers

by Gerald Vizenor

Published 31 December 2000

Possessed by the demonic windigoo spirit, a group of Native American students commits various atrocities while seeking to resurrect Indian remains housed in a museum, while the Round Dancers--another group--challenge them on their own turf.

Narrative Chance

by Gerald Vizenor and James E Seaver

Published 15 September 1993

Focusing on published works by novelists N. Scott Momaday, Leslie Marmon Silko, D'Arcy McNickle, Louise Erdrich, Gerald Vizenor, and other Native American authors, the critical essays in this collection examine translation and representation in tribal literatures, comic and tragic world views, and trickster discourse.

The Trickster of Liberty

by Gerald Vizenor

Published 28 February 2005

Inventive, provocative, and ultimately affirmative, The Trickster of Liberty has become a classic in the repertoire of celebrated author Gerald Vizenor. A series of related stories, the novel follows the lives of seven mixedblood trickster siblings who began their lives on a reservation in northern Minnesota. Behaving in unpredictable ways, these siblings defy any attempt to fit them within stereotypical notions of the Indian.

 

 

Dead Voices

by Gerald Vizenor

Published 30 March 1994

Gerald Vizenor gives life to traditional tribal stories by presenting them in a new perspective: he challenges the idyllic perception of rural life, offering in its stead an unusual vision of survival in the cities-the sanctuaries for humans and animals. It is a tribal vision, a quest for liberation from forces that would deny the full realization of human possibilities. In this modern world his characters insist upon survival through an imaginative affirmation of the self.

In Dead Voices Vizenor, using tales drawn from traditional tribal stories, illuminates the centuries of conflict between American Indians and Europeans, or ""wordies."" Bagese, a tribal woman transformed into a bear, has discovered a new urban world, and in a cycle of tales she describes this world from the perspective of animals-fleas, squirrels, mantis, crows, beavers, and finally Trickster, Vizenor's central and unifying figure. The stories reveal unpleasant aspects of the dominate culture and American Indian culture such as the fur trade, the educational system, tribal gambling, reservation life, and in each the animals, who represent crossbloods, connect with their tribal traditions, often in comic fashion.

As in his other fiction, Vizenor upsets our ideas of what fiction should be. His plot is fantastic; his story line is a roller-coaster ride requiring that we accept the idea of transformation, a key element in all his work. Unlike other Indian novelists, who use the novel as a means of cultural recovery, Vizenor finds the crossblood a cause for celebration.

Summer in the Spring

by Gerald Vizenor

Published 15 March 1993

The Anishinaabe, otherwise named the Ojibwe or Chippewa, are famous for their lyric songs and stories, particularly because of their compassionate trickster, naanabozbo, and the healing rituals still practiced today in the society of the Midewiwin. The poems and tales, interpreted and reexpressed here by the distinguished Anishinaabe author Gerald Vizenor, were first transcribed more than a century ago by pioneering ethnographer Frances Densmore and Theodore Hudson Beaulieu, a newspaper editor on the White Earth Reservation in northern Minnesota.

This superb anthology, illustrated with tribal pictomyths and helpfully annotated, includes translations and a glossary of the Anishinaabe words in which the poems and stories originally were spoken.