French List Series

We defy augury. There’s a special providence in the fall of a sparrow. If it be now, ’tis not to come … the readiness is all. Under the sign of Hamlet’s last act, Hélène Cixous, in her eightieth year, launched her new book—and the latest chapter in her Human Comedy, her Search for Lost Time. Surely one of the most delightful, in its exposure of the seams of her extraordinary craft, We Defy Augury finds the reader among familiar faces. In these pages we encounter Eve, the indomitable mother; Jacques Derrida, the faithful friend; children, neighbors; and always the literary forebears: Montaigne, Diderot, Proust, and, in one moving passage, Erich Maria Remarque. We Defy Augury moves easily from Cixous’s Algerian childhood, to Bacharach in the Rhineland, to, eerily, the Windows on the World restaurant atop the World Trade Center, in the year 2000. In one of the most astonishing passages in this tour-de-force performance of the art of digression, Cixous proclaims: “My books are free in their movements and in their choice of routes […] They are the product of many makers, dreamed, dictated, cobbled together.” This unique experience, which could only have come from the pen of Cixous, is now available in English, and readers are sure to delight in this latest work by one of France’s most celebrated writer-philosophers.

Tomb(e)

by Helene Cixous

Published 11 November 2014

'In 196869 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides,' wrote Hlne Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous's life and spirit and a secret book, the first book she ever authored. Originally written in 1970, Tomb(e) is a Homerian recasting of Shakespeare's Venus and Adonis in the thickets of Central Park, a book Cixous provocatively calls the 'all-powerful-other of all my books, it sparks them off, makes them run, it is their Messiah'.

Masterfully translated by Laurent Milesi, Tomb(e) preserves the sonic complexities and intricate wordplay at the core of Cixous's writing, and reveals the struggles, ideas, and intents at the centre of her work. With a new prologue by the author, this is a necessary document in the development of Cixous's aesthetic as a writer and theorist, and will be eagerly welcomed by readers as a crucial building block in the foundation of her later work.

Mdeilmm

by Helene Cixous

Published 5 June 2025

Weaving together history, literature, and personal experience, this recent book from a master of literature crafts a mesmerizing exploration of language, loss, and the enduring power of the spirit world.

The strange word “Mdeilmm” was reported to have been uttered by the spirit of Shakespeare when called up during a séance in 1854 at the instigation of the French poet Victor Hugo. Hugo was then living in exile on the island of Jersey where he took part in several such séances. Hélène Cixous weaves this scene into a rich tapestry that draws from many corners of her world, both real and fictional: Dostoevsky’s Idiot, Hugo’s Last Day of a Condemned Man, Poe’s story “The Gold Bug,” but also film footage of the assassination of Itzhak Rabin and many layers of memories of her Algerian childhood. Transcribed communications from spirits of the departed, her father and grandfather among them, provide a fascinating glimpse into past spiritual practices.

Cixous’s unique narrative style enhances the book’s enchanting quality, ensuring that readers are not only engaged by the content but also captivated by the beauty of the prose. Meanwhile, the reader falls under the spell of the author’s incomparable “mole speech,” the language in which poets communicate.