Old Masters

by Thomas Bernhard

Published 1 May 1989
In this exuberantly satirical novel, the tutor Atzbacher has been summoned by his friend Reger to meet him in a Viennese museum. While Reger gazes at a Tintoretto portrait, Atzbacher--who fears Reger's plans to kill himself--gives us a portrait of the musicologist: his wisdom, his devotion to his wife, and his love-hate relationship with
art. With characteristically acerbic wit, Bernhard exposes the pretensions and aspirations of humanity in a novel at once pessimistic and strangely exhilarating.

"Bernhard's . . . most enjoyable novel."--Robert Craft, New York Review of Books.

"Bernhard is one of the masters of contemporary European fiction."--George Steiner


Victor Halfwit

by Thomas Bernhard

Published 27 May 2011

One night in the middle of winter, as deep snow covers the mountains and forests, a doctor is crossing the ridge in Austria from Traich to Föding to see a patient. He stumbles over a body in the darkness and fears it is a corpse. But it’s not a corpse at all. In fact, it’s wooden-legged Victor Halfwit, collapsed, but still very much alive. So begins this simultaneously absurd and tragic tale by celebrated Austrian playwright, novelist, and poet Thomas Bernhard. Combining the darkly comic voice and vision of Bernhard with the lush and beautiful collages of Indian designer Sunandini Banerjee, Victor Halfwit is a unique and collectible artist’s book. Illustrated in color throughout, this edition imaginatively presents Bernhard’s fable in a distinctive and unconventional style. It is the perfect gift book that will be cherished by fans of Bernhard’s other works and will inspire new interest among visual artists.


Goethe Dies

by Thomas Bernhard

Published 29 April 2016
This collection of four stories by the writer George Steiner called “one of the masters of European fiction” is, as longtime fans of Thomas Bernhard would expect, bleakly comic and inspiringly rancorous. The subject of his stories vary: in one, Goethe summons Wittgenstein to discuss the Tractatus Logico-Philosophicus; “Montaigne: A Story (in 22 Installments)” tells of a young man sealing himself in a tower to read; “Reunion,” meanwhile, satirizes that very impulse to escape; and the final story rounds out the collection by making Bernhard himself a victim, persecuted by his greatest enemy—his very homeland of Austria. Underpinning all these variously comic, tragic, and bitingly satirical excursions is Bernhard’s abiding interest in, and deep knowledge of, the philosophy of doubt.

Bernhard’s work can seem off-putting on first acquaintance, as he suffers no fools and offers no hand to assist the unwary reader. But those who make the effort to engage with Bernhard on his own uncompromising terms will discover a writer with powerful comic gifts, penetrating insight into the failings and delusions of modern life, and an unstinting desire to tell the whole, unvarnished, unwelcome truth. Start here, readers; the rewards are great.

Prose

by Thomas Bernhard

Published 10 August 2010
The Austrian playwright, novelist, and poet Thomas Bernhard (1931-89) is acknowledged as one of the major writers of our time. The seven stories in this collection capture Bernhard's distinct darkly comic voice and vision - often compared to Kafka and Musil - commenting on a corrupted world. First published in German in 1967, these stories were written at the same time as Bernhard's early novels "Frost", "Gargoyles", and "The Lime Works", and they display the same obsessions, restlessness, and disarming mastery of language. Martin Chalmers' outstanding translation, which renders the work in English for the first time, captures the essential personality of the writing. The narrators of these stories lack the strength to do anything but listen and then write, the reader in turn becoming a captive listener, deciphering the traps laid by memory - and the mere words, the never-ending words with which we try to pin it down. Words that are always close to driving the narrator crazy, yet, as Bernhard writes, 'not completely crazy'.

Collected Poems

by Thomas Bernhard

Published 24 October 2017
Beloved Austrian writer Thomas Bernhard (1931 89) began his career in the early 1950s as a poet. Over the next decade, Bernhard wrote thousands of poems and published four volumes of intensely wrought and increasingly personal verse, with such titles as On Earth and in Hell, In Hora Mortis, and Under the Iron of the Moon. Bernhard's early poetry, bearing the influence of Georg Trakl, begins with a deep connection to his Austrian homeland. As his poems saw publication and recognition, Bernhard seemed always on the verge of joining the ranks of Ingeborg Bachmann, Paul Celan, and other young post-war poets writing in German. During this time, however, his poems became increasingly more obsessive, filled with an undulant self-pity, counterpointed by a defamatory, bardic voice utterly estranged from his country, all of which resulted in a magisterial work of anti-poetry one that represents Bernhard's own harrowing experience with his leitmotif of success and failure, which makes his fiction such a pleasure.
For all of these reasons, Bernhard's Collected Poems, translated into English for the first time by James Reidel, is a key to understanding Bernhard's irascible black comedy found in virtually all of his writings even down to his last will and testament. There is much to be found in these pages for Bernhard fans of every stripe.

A collection of six Bernhard plays, all in English for the first time.

Save Yourself if You Can is a collection of six plays that span the entirety of Thomas Bernhard’s career as a dramatist. The plays collected in this long-awaited addition to Bernhard’s oeuvre in English—The Ignoramus and the Madman, The Celebrities, Immanuel Kant, The Goal Attained, Simply Complicated, and Elizabeth II—traverse somber lyricism and misanthropy to biting satire and glorious slapstick. They explore themes that will be familiar to longtime readers of Bernhardt, but here they are presented in a subtly different register, attuned to the needs of the stage.
 

The Rest Is Slander

by Thomas Bernhard

Published 8 October 2024
A collection of previously untranslated stories from a master of twentieth-century Austrian literature, Thomas Bernhard.

“The cold increases with the clarity,” said Thomas Bernhard while accepting a major literary prize in 1965. That clarity was the postwar realization that the West’s last remaining cultural reference points were being swept away by the ever-greater commodification of humankind. Collecting five stylistically transitional tales by Bernhard, all of which take place in sites of extreme cold, this volume extends that bleak vision of the master Austrian storyteller.
 
In “Ungenach,” the reluctant heir of an enormous estate chooses to give away his legacy to an assortment of oddballs as he discovers the past of his older brother, who was murdered during a career in futile colonialist philanthropy. In “The Weatherproof Cape,” a lawyer tries to maintain a sense of familial solidarity with a now-dead client with the help of an unremarkable piece of clothing. “Midland in Stilfs” casts a jaundiced eye on the laughable efforts of a cosmopolitan foreigner to attain local authenticity on a moribund Alpine farmstead. In “At the Ortler,” two middle-aged brothers—one a scientist, the other an acrobat—meditate on their unusual career paths while they climb a mountain to reclaim a long-abandoned family property. And in “At the Timberline,” the unexpected arrival of a young couple in a mountain village leads to the discovery of a scandalous crime that casts a shadow on the personal life of the policeman investigating it.