Shire Library
6 primary works • 9 total works
Book 230
Misericords, the ledges or 'mercy seats' provided for the comfort of the clergy while they sang the divine offices of the medieval Church, and the benches installed in parish churches in the later middle ages are the objects of a large proportion of the surviving medieval woodcarving in Britain. The subject matter of these carvings is not merely concerned with religion and religious symbolism. This book outlines the history of church seating, considers the status of the craftsmen and the influences on their work, and then explains the subject matter of the carvings.
Book 593
Green men are figures or heads that were carved in churches, abbeys and cathedrals from the twelfth to the sixteenth centuries. Inspired by the illustrations in book margins where heads were used to terminate trails of foliage, they were usually carved in the form of human masks, cats' or demons' heads. The earliest architectural green men are found in the churches of the wealthy and influential, such as Henry-I's private chapel in Derbyshire but they were still produced in lesser numbers into the nineteenth century. Richard Hayman discusses the origins and definitions of these fascinating figures and traces their many declines and revivals throughout history - a valuable guide for any church history enthusiast.
Book 818
The Reformation transformed England forever. From peasants in the lanes and fields to the court of Henry VIII, no life was left untouched as the Roman Catholic Church was replaced as the centre of the nation’s religious life. Emerging from a dense mesh of European ecclesiastical and political controversy and Tudor dynastic ambition, the English Reformation ended with the Pope supplanted as the head of the national church, the great monasteries – owners of much of the country’s land – disbanded and destroyed, the Latin Mass replaced by vernacular services and the colourful wall paintings of parish churches whitewashed. This is a fully illustrated introduction that looks at the main players – Thomas Cranmer, Henry VIII, Thomas Cromwell and others – as well as the broad sweep of this era of bitter controversy, brutal persecution and seismic upheaval.
Book 836
Coal heated the homes, fuelled the furnaces and powered the engines of the Industrial Revolution. In the nineteenth and twentieth centuries the coalfields - distinct landscapes of colliery winding frames, slag heaps and mining villages - made up Britain's industrial heartlands. Coal was known as 'black gold' but it was only brought to the surface with skill and at considerable risk, with flooding, rock falls and gas explosions a constant danger. Coal miners became a recognised force in British political life, forming a vociferous and often militant lobby for better working conditions and a decent standard of living. This beautifully illustrated guide to Britain's industrial heritage covers not just the mines, but the lives of the workers away from the pits, with a focus on the cultural and religious life of mining communities.
Book 841
Illuminated manuscripts are among the most beautiful, precious and mysterious works of Western art. Before the printing press was invented, books were produced by hand and their illustration using brightly coloured pigments and gold embellishments was a labour of love and an act of piety in itself. The results are stunning. The works emanating from the scriptoria of monasteries were mainly religious texts, including illuminated bibles, psalters, and works for private devotion known as books of hours. Illuminated Manuscripts describes the origin and history of illumination in the Middle Ages, covering the artists and their techniques, and the patrons who commissioned them. It explains the subject matter found in medieval works, such as saints and Bible stories and the use of ornamental flourishes, and is illustrated with many fine examples of the genre including the Lindisfarne Gospels and the Book of Kells.
Book 851
The rood screen was the visual focus of the medieval parish church, dividing the nave from the chancel. Most were built of wood and were adorned with intricate carved decoration painted in bright colours, often with images of saints. Defaced and often dismantled during the Reformation in the mid-sixteenth century, most surviving screens have been restored to their former glory since the nineteenth century and are now among the most prized treasures of our parish churches. This fully illustrated book explains the symbolic and practical significance of rood screens and describes the ways in which they were constructed and decorated. There is also an extensive list of churches in England and Wales where screens can be found.
Chinoiserie, a decorative style inspired by the art of the Far East, gripped Britain from the late seventeenth to the early nineteenth century. Despite taking its name from the French word for ‘Chinese’, the style also incorporated influences from other Asian countries, helping to shape the period’s popular fantasy of the ‘exotic Orient’. Wealthy consumers jostled to obtain imported wallpaper, lacquered cabinets and hand-painted porcelain, while domestic manufacturers such as Royal Worcester and Chippendale met demand with mass-produced items of their own. Though interest in the style waned as the Gothic Revival took hold, many examples of Chinoiserie have been preserved.
In this beautifully illustrated book, Richard Hayman tells the story of this fascinating phenomenon, and explores the profound impact of Chinoiserie on the material culture of the West.
In this beautifully illustrated book, Richard Hayman tells the story of this fascinating phenomenon, and explores the profound impact of Chinoiserie on the material culture of the West.
The iron industry was the catalyst for the Industrial Revolution, producing a vital source of iron without which none of the great engineering achievements of the Victorian age would have been possible. This book charts the growth of iron making from the Middle Ages, covering the importation of blast-furnace methods in the fifteenth century, the adoption of coke as a fuel in the eighteenth century, and the invention of mass-produced steel in the nineteenth century. The developing techniques of iron making, all explained in a non-technical style, make a story in their own right, but combined with the experiences of the masters and workmen who laboured at the furnaces and forges, this volume offers a truly comprehensive account of one of the most important industries of recent centuries.
Wrought iron has been used as a decorative element in architecture since the eleventh century. Initially used to strengthen and embellish doors, the material was soon adopted for free-standing screens and railings in churches and cathedrals. Towards the end of the seventeenth century iron screens, gates and railings became a fashionable element of country and town houses, resulting in the most creative period of decorative ironwork. Though the cheaper technique of casting led to a subsequent decline in wrought iron, the latter underwent a revival at the end of the nineteenth century, encouraged by its use in the designs of influential architects such as William Burges and Charles Rennie Mackintosh. This book provides an introductory guide to decorative wrought iron, describing how it was made, its context in architectural history and where fine examples remain extant today.