The stories in this Violet Fairy Book, as in all the others of the series, have been translated out of the popular traditional tales in a number of different languages. These stories are as old as anything that men have invented. They are narrated by naked savage women to naked savage children. They have been inherited by our earliest civilised ancestors, who really believed that beasts and trees and stones can talk if they choose, and behave kindly or unkindly. The stories are full of the oldest ideas of ages when science did not exist, and magic took the place of science. Anybody who has the curiosity to read the 'Legendary Australian Tales,' which Mrs. Langloh Parker has collected from the lips of the Australian savages, will find that these tales are closely akin to our own. Who were the first authors of them nobody knows--probably the first men and women. Eve may have told these tales to amuse Cain and Abel...
In this epistolary work, Lang has presented spoof letters that he wrote to various deceased authors. While he generously praises them for their genius and manner of expression, he also addresses the shortcomings of some of these authors. His power of literary appreciation and beauty of expression are evident from this work.
Andrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of "Psychical Research," and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).
The Orange Fairy Book is one of collection which written by Andrew Lang also known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors - are a series of twelve collections of fairy tales, published between 1889 and 1910. In all, 437 tales from a broad range of cultures and countries are presented.
An illustrated 1903 collection of more than thirty fairy tales from around the world, including "The Prince and the Dragon," "Little Wildrose," and "The Magic Kettle."
The tales in the Grey Fairy Book are derived from many countries- -Lithuania, various parts of Africa, Germany, France, Greece, and other regions of the world. They have been translated and adapted by Mrs. Dent, Mrs. Lang, Miss Eleanor Sellar, Miss Blackley, and Miss hang. 'The Three Sons of Hali' is from the last century 'Cabinet des Fees,' a very large collection. The French author may have had some Oriental original before him in parts; at all events he copied the Eastern method of putting tale within tale, like the Eastern balls of carved ivory.
Andrew Lang's Fairy Books or Andrew Lang's "Coloured" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d'Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories.
From the book:What cases are you engaged in at present?' 'Are you stopping many teeth just now?' 'What people have you converted lately?' Do ladies put these questions to the men - lawyers, dentists, clergymen, and so forth - who happen to sit next them at dinner parties? I do not know whether ladies thus indicate their interest in the occupations of their casual neighbours at the hospitable board. But if they do not know me, or do not know me well, they generally ask 'Are you writing anything now?' (as if they should ask a painter 'Are you painting anything now?' or a lawyer 'Have you any cases at present?'). Sometimes they are more definite and inquire 'What are you writing now?' as if I must be writing something - which, indeed, is the case, though I dislike being reminded of it. It is an awkward question, because the fair being does not care a bawbee what I am writing; nor would she be much enlightened if I replied 'Madam, I am engaged on a treatise intended to prove that Normal is prior to Conceptional Totemism' - though that answer would be as true in fact as obscure in significance. The best plan seems to be to answer that I have entirely abandoned mere literature, and am contemplating a book on 'The Causes of Early Blight in the Potato,' a melancholy circumstance which threatens to deprive us of our chief esculent root.
Andrew Lang (31 March 1844 - 20 July 1912) was a Scots poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him
The stories in this Fairy Book come from all quarters of the world. For example, the adventures of 'Ball-Carrier and the Bad One' are told by Red Indian grandmothers to Red Indian children who never go to school, nor see pen and ink. 'The Bunyip' is known to even more uneducated little ones, running about with no clothes at all in the bush, in Australia. You may see photographs of these merry little black fellows before their troubles begin, in 'Northern Races of Central Australia,' by Messrs.
Andrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of "Psychical Research," and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).
The Blue Fairy Book: Illustrated by Andrew Lang. The first edition consisted of 5000 copies, which sold for 6 shillings each. The book assembled a wide range of tales, with seven from the Brothers Grimm, five from Madame d'Aulnoy, three from the Arabian Nights, and four Norse stories, among other sources. This 1921 Cornell's version of The Blue Fairy Book, the first in the series and originally published in 1889, has lovely high-colour and black and white illustrations, and includes the following stories: The Bronze Ring / Prince Hyacinth and the Dear Little Princess / East of the Sun and West of the Moon / The Yellow Dwarf / Little Red Riding Hood / The Sleeping Beauty in the Wood / Cinderella or the Little Glass Slipper / Aladdin and the Wonderful Lamp / The Tale of a Youth Who Set Out to Learn What Fear Was / Rumpelstiltskin / Beauty and the Beast / The Master Maid / Why the Sea Is Salt / The Master Cat or Puss in Boots / Felicia and the Pot of Pinks / The White Cat / The Water-lily, etc...
A belief that modern Christmas fiction is too cheerful in tone, too artistic in construction, and too original in motive, has inspired the author of this tale of middle-class life. He trusts that he has escaped, at least, the errors he deplores, and has set an example of a more seasonable and sensational style of narrative.