New Mermaid Anthology
5 total works
Renaissance comedy. Complete text, modernized English, critical and explanatory notes and Introduction. From the Yale ben Jonson edition.
This collaborative masterpiece of hilarious city comedy was performed by the Children of the Revels at the Blackfriars playhouse in 1605. The story is of an allegorical simplicity that lends itself to satire of civic mores and traditions as well as to parody of the sentimental, idealising London comedy presented at the amphitheatres in the suburbs: Goldsmith Touchstone, an upright London citizen, has one modest and one ambitious daughter, one righteous and one disreputable apprentice; virtue is rewarded, ruthlessness comes to grief - and receives a drenching in the muddy Thames. The introduction to this edition discusses various methods of establishing authorship and highlights the irony of the collaborators' comic vision of contemporary London life.
Ben Jonson's comedy "Bartholomew Fair", which, after holding the stage for over a century, is now less well known, is offered here in an edition, based on the text of the first edition, which affords help to the modern producer and reader. In this play, written and acted in 1614, Jonson produced his first comedy since "The Alchemist" in 1610. Both that play and "Volpone" (1605) had presented an extraordinary variety of corrupt energies withing an intricate moral and aesthetic structure. To some critics, the looser construction and the less trenchant satire of "Bartholomew Fair" have seemed to show Jonson returning to the "loose multiplicity" of his earlier works. Horsman reconsiders this notion, illustrating how Jonson fills the play with "varied humours", which preserve the appearance of freedom while never actually losing control.
Jonson's comic masterpiece, recently revived at the National Theatre with Simon Callow in the title role.
