Nicholas Bracewell
17 total works
He had the power to assume a pleasing shape, but would he take to the stage . . . ?
The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered.
Before the curtain rose again, Lord Westfield's Men would suffer the sermons of a puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they'd never known it before . . .
The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered.
Before the curtain rose again, Lord Westfield's Men would suffer the sermons of a puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they'd never known it before . . .
His name was Will Fowler, an actor in the esteemed theatrical company called Lord Westfield's Men, a vibrant young man flushed from the success of a recent performance at the Queen's Head theatre. So exuberant was he that he persuaded the resourceful manager of the company, Nicholas Bracewell, to quaff a pint or two at a nearby pub.
Alas, it was to be Will's last taste of beer. A tavern brawl left him dead - but not before he gasped for Nicholas to find his fast-fleeting, red-bearded murderer and administer a just revenge.
Yet finding Will's murderer in London's dark, crowded streets was a seemingly impossible task - not to mention the fact that Lord Westfield's Men were just commanded to appear at the court of Elizabeth I - an honour one dare not refuse. . .
Alas, it was to be Will's last taste of beer. A tavern brawl left him dead - but not before he gasped for Nicholas to find his fast-fleeting, red-bearded murderer and administer a just revenge.
Yet finding Will's murderer in London's dark, crowded streets was a seemingly impossible task - not to mention the fact that Lord Westfield's Men were just commanded to appear at the court of Elizabeth I - an honour one dare not refuse. . .
For Lord Westfield's Men, every high road leads to death.
When the deathly horrors of the Black Plague decimate the audiences in London's theatres, the acclaimed troupe of players called Lord Westfield's Men take to the high road to seek out fresh audiences. But wherever they go, they are thwarted by misfortune, and are baffled by mysteries. Their scripts are stolen, their players abducted. A dead man walks, and a beautiful woman hears the voice of God.
Only one man is clever enough to match swords with the troupe's burgeoning troubles. Upon Nicholas Bracewell, the company's bookholder and mainstay, falls the burden that may cost him his life - as they head for an ancient inn called the Trip to Jerusalem, where the last act of a bloody drama is about to begin.
When the deathly horrors of the Black Plague decimate the audiences in London's theatres, the acclaimed troupe of players called Lord Westfield's Men take to the high road to seek out fresh audiences. But wherever they go, they are thwarted by misfortune, and are baffled by mysteries. Their scripts are stolen, their players abducted. A dead man walks, and a beautiful woman hears the voice of God.
Only one man is clever enough to match swords with the troupe's burgeoning troubles. Upon Nicholas Bracewell, the company's bookholder and mainstay, falls the burden that may cost him his life - as they head for an ancient inn called the Trip to Jerusalem, where the last act of a bloody drama is about to begin.
A vicious rivalry threatens to cause chaos for Lord Westfield's Men when the onstage duels between Owen Elias and Sebastian Carrick become ever more realistic. However, it is an axe that splits open Sebastian's head one night in a Clerkenwell alley.
Company book holder Nicholas Bracewell, accustomed to damage control, begins to investigate the victim's death and learns that in life, he was prone to make enemies from his weakness for women and his unwillingness to settle his debts. A web of deception has in fact been spun that stretches from lowly to high ranking courtesans, all the way to the Virgin Queen.
Company book holder Nicholas Bracewell, accustomed to damage control, begins to investigate the victim's death and learns that in life, he was prone to make enemies from his weakness for women and his unwillingness to settle his debts. A web of deception has in fact been spun that stretches from lowly to high ranking courtesans, all the way to the Virgin Queen.
The fiery star of the company of players called Lord Westfield's Men, Laurence Firethorn, is hot for a lady, wife of the Lord Mayor elect. A tryst at London's Nine Giants Inn is arranged. Meanwhile, the lugubrious landlord of the actors' home base is laid even lower by a plot to take over ownership of the inn. A young apprentice actor is subjected to a horrible assault and a waterman pulls a mangled corpse from the Thames.
The drama comes to a climax at the annual Lord Mayor's show as his barge moves grandly down the river....
The drama comes to a climax at the annual Lord Mayor's show as his barge moves grandly down the river....
When fire destroys their London theatre, Lord Westfield's players must seek out humbler venues in the countryside. But company manager Nicholas Bracewell is distracted by a shocking tragedy: a mysterious messenger from his native Devon is murdered by poison. Though the messenger is silenced, Nicholas understands what he must do: return to his birthplace and reconcile some unfinished business of the past.
The rest of Westfield's Men, penniless and dejected, ride forth with him on a nightmare tour that will perhaps become their valedictory, dogged as they are by plague, poverty, rogues, and thieves. And among the sinister shadows that glide silently with them toward Devon is one who means Nicholas never to arrive . . .
The rest of Westfield's Men, penniless and dejected, ride forth with him on a nightmare tour that will perhaps become their valedictory, dogged as they are by plague, poverty, rogues, and thieves. And among the sinister shadows that glide silently with them toward Devon is one who means Nicholas never to arrive . . .
For Lord Westfield's men, sometimes murder takes centre stage...The reign of Elizabeth I has seen a flowering of English theatre. The esteemed theatrical company called Lord Westfield's Men have enjoyed many a success but it falls to Nicholas Bracewell, the company's bookholder and mainstay, to save his beloved actors when they are threatened by fierce rivals, assassins, plague and much more. Includes the first three instalments in the Nicholas Bracewell series: The Queen's Head, The Merry Devils and The Trip to Jerusalem.
Theatre troupe Westfield's Men take on a new actor, Francis Quilter, after reaching new heights of success. But with the new member, brings new trouble. Quilter's father, Gerard, is on trial for the murder of an enemy, but he denies the charge and Nicholas Bracewell sets about proving his innocence. However, Bracewell's loyalty to Francis drives a wedge between the players. Who will clear the Quilter family name? On their quest for the truth, they stumble across an unlikely ally, who may just hold the answers they're looking for.
Alexander Marwood, the cantankerous landlord of the Queen's Head is away, leaving the Westfield's Men theatre troupe free to play. Marwood's replacement, Adam Crowmere, is a welcome change and Westfield's Men being to dread their landlord's return. But strange occurrences begin to take place within the company and book holder Nicholas Bracewell fears something sinister is afoot. Then the company's costumes are stolen from a locked cabinet and they are forced to perform without them. Nick delves deeper into the mysterious events happening around London because for Westfield's Men, the show must go on.
The mysterious Simon Chaloner appears at the Queen's Head Pub following a performance by Lord Westfield's Men, a leading Elizabethan company of players. Then Chaloner follows producer Nicholas Bracewell and playwright Edmund Hoode home and gives them each a manuscript called The Roaring Boy, a drama based on events surrounding the murder of a mathematician. When Bracewell and Hoode stage the play, the performance causes a riot, sending Hoode to prison. In order to save his men, Bracewell must solve two murders - one being that on which the play is based. Brimful of period and theatrical detail, this seventh - in - series novel won a 1996 Edgar Allan Poe Award nomination.
When plague strikes London, Lord Westfield's Men count themselves fortunate they've been invited to perform as part of the wedding celebrations for Sophia Magdalena, the fair maid of Bohemia. The long journey across Europe is a daunting prospect but stage manager Nicholas Bracewell is confident they will arrive safely, and confident the mission Lord Westfield sets them - to deliver secret documents to Talbot Roydon, an English alchemist at the Imperial Court - will go without a hitch. En route, murder strikes one of the actors during their first performance at Flushing. It's the first of many setbacks. Once in Prague, Holy Roman Emperor Rudolph II proves a madcap host. Worse, not only do attacks on the players continue as the royal wedding day approaches, but someone kidnaps Nicholas' sweetheart Anne Henrik...
Jonas Applegarth is a brilliant but belligerent playwright. When his play, The Misfortunes of Marriage, is performed by Lord Westfield's Men, it causes an uproar. All of Applegarth's enemies attack the company. Nicholas Bracewell defends the playwright loyally, but alas, Applegarth is soon found hanged by the neck. It is only the first of many mysteries that Nicholas has to solve. Lord Westfield's Men are furious when they are satirized by a rival children's theater company at the Blackfriars playhouse. A second attack by the killer - laughing hangman - throws the actors in further disarray. Nicholas is under enormous pressure, not least because he is trying to rekindle his romance with Anne Hendrik by helping her to fend off an aggressive suitor. His beloved company is under threat as never before, and he has to call on all of his resources to rescue them. "Marston's wit and vivid evocation of Elizabethan London's sights and smells provide a delightfully ribald backdrop for this clever series." - Publishers Weekly "A delightfully dazzling period piece suffused with humor, wit and atmospheric drama." - Booklist
Murder, mayhem, fire, riot and ruination!' Westfield's men are in dire straights, and their playwright appears to be suffering from a lack of creative inspiration. Thankfully, the company is offered a new play, The Malevolent Comedy, which they believe will drag them out of their rut and put on a spectacle enough to rival Banbury's Men, preventing them from stealing their audiences. However, during the play's opening performance, one of the cast members is struck down after being poisoned, making it his first and last appearance on stage. Suspicion is rife and Nicolas Bracewell, the trusty book keeper, refuses to let the crime go unpunished. Given the nature of the murder, subsequent plots to sabotage Westfield's Men during their performances and the theft of the only copy of The Malevolent Comedy, all signs appear to point to the company's rivals on the other side of the river
In the final installment of the series, our beloved book keeper, Nicholas Bracewell takes his final bow as the curtain closes on Westfield's Men; but not before he solves just one more crime. Following a disastrous fire that burns down The Queen's Head, the players must take their talents elsewhere. Their newly widowed patron, Lord Westfield plans to marry again and sets his sights on a princess of Denmark after seeing a miniature painting of her. With her uncle being a fan of Westfield's Men, the troupe are invited to join their patron in his travels to go and wed his beautiful bride in Elsinore. Bracewell and his fellows face perils on the sea as they head for Denmark. But as always for Westfield's Men, trouble seems to follow them wherever they go and when a body is discovered, questions need to be answered.
In the tenth installment of this dramatic Elizabethan series, Westfield's Men are flying high after a celebrated performance of The Insatiate Duke at the Queen's Head. However, victory is bittersweet as the company is soon faced with dissolution and the loss of their theatre; were it not for one of the company's rising stars. After acquiring a new benefactor, the company plan to build their own theatre. However, before they have the chance to find out who this guardian angel is, one of the group is found brutally murdered. Cue Nicholas Bracewell to uncover not one, but two hidden identities, of both the murderer and the anonymous benefactor, before the company gets disbanded.
Winter, Witchcraft and Devilish Deceit. Faced with the austerities of a bitterly cold English winter, the theatre is deserted and Westfield's Men find themselves out of work. Fortuitously, the company is invited to perform at a country home in Essex; welcome news to the disgruntled players. The company decide it's the perfect opportunity to trial their new play, The Witch of Colchester. However, when the group's leading actor begins to fall mysteriously ill, the company fear witchcraft might be involved. Then on the performance night, an audience member inexplicably collapses and dies, paving the way for Nicholas Bracewell to uncover the cause of the strange events taking place in Silvermere.
When unexpected disaster strikes Lord Westfield's Men during a packed performance, Nicholas Bracewell, the theatre company's stage manager and all-around performer of miracles, must save the day once again. A melee caused by men in disguise is brought under control, but before the troupe can lament their destroyed set, Nick discovers a body in the stands with a knife sticking out of its back.