Chiasma
6 primary works
Book 2
Contemporary French Women Poets offers the first full-length study, divided into two volumes, of a wide range of women's poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.
Book 3
Contemporary French Women Poets offers the first full-length study, divided into two volumes, of a wide range of women's poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvrard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.
Book 12
A wide-ranging study of Prevert's promethean imagination and creativity in the interwoven realms of theatre, film, poetry, art, photography, and song, Michael Bishop's Jacques Prevert seeks to demonstrate the originality of a genial fabricator of image and word whose essential focus, unpretentious yet urgently felt, unintellectualised yet buoyantly and wittily intelligent, ever remains the quality of our daily being-in-the-world, the possibility of our self-transformation, the stunning availability - should we truly will it, and despite all that can weigh upon existence, above all ideologically - of joy and love and freedom.
Book 22
The Endless Theory of Days: The Art and Poetry of Gerard Titus-Carmel seeks to set forth the case for the special, multiple genius of a man who, despite the experience of a biting melancholy resulting from loss, despite an 'indefectible feeling of estrangement from the world', despite, too, the corrosive sense of art's, of languages's, deceptiveness, has never lost sight of a curious duty to the shadows that haunt and that, with now a strangeness that smiles, yet beckon toward 'the very place, finally clarified and recognised, of pure evidence. [The place,] that is, where beauty is named'. This place, Gerard Titus-Carmel may feel, lies no doubt impossibly beyond the strict locus of his art and his writing, but it is a place he has struggled with dignity and unceasingly deployed energy to bring to a semblance of incarnation in a vast plastic and poetical oeuvre that has stirred, and will continue to stir, the minds and hearts of all those - from Derrida and Bonnefoy, Alain Robbe-Grillet and Pascal Quignard to Jacques Dupin and Marie-Claire Bancquart, and countless others - who have witnessed its exquisitely solemn unfolding over, today, more than forty years.
Book 34
Rene Depestre, Claude Esteban, Esther Tellermann, Bernard Noel, Gaston Puel, Ananda Devi, Gerard Titus-Carmel, Jean-Paul Michel, Heather Dohollau, Pierre Dhainaut, Christian Hubin, Beatrice Bonhomme, Hermenegilde Chiasson, Bernard Vargaftig, Eugene Guillevic, Yves Bonnefoy: seize grandes voix poetiques de nos jours, francaises et francophones, seize poet(h)iques distinctives, seize manieres puisant dans le stock des options formelles infinies afin d'installer leurs fourmillantes specificites locutoires, seize etudes, tantot embrassant la totalite d'une /uvre, tantot centrees sur un seul recueil emblematique, permettant toutes de penetrer dans des mondes hautement individualises, des visions a la fois coherentes et constamment complexifiees et paradoxales du poetique et de tout ce qui, fatalement, en excede les signes.
Book 44
In Earth and Mind : Dreaming, Writing, Being Michael Bishop examines the very recent work of nine major contemporary French and Francophone writers : Yves Bonnefoy, Jacqueline Risset, Salah Stetie, Venus Khoury-Ghata, Tahar Ben Jelloun, Andre Velter, Marie-Claire Bancquart, Jean-Claude Pinson and Jacques Dupin. The issue of writing's complex relation to the experience of the earth is of central pertinence, involving questions of dreaming, voice, figurativity, emotion, desire, revolt, metaphysics, meaning, poiein and being. Discussion entails close reading of works as well as broad contextualisation and a sensitivity to interrelevancies from writer to writer. Bishop's book is intended as a companion to his 2014 Dystopie et poiein, agnose et reconnaissance. Seize etudes sur la poesie francaise et francophone contemporaine.