New York Review Books Classics
6 total works
Brimming with gluttony, booze and lust, Roger Micheldene is loose in America. Supposedly visiting Budweiser University to make deals for his publishing firm in England, Roger instead sets out to offend all he meets and to seduce every woman he encounters. But his American hosts seem made of sterner stuff. Who will be Roger's undoing? Irving Macher, the young author of an annoyingly brilliant first novel? Father Colgate, the priest who suggests that Roger's soul is in torment? Or will it be his married ex-lover Helene? One thing is certain - Roger is heading for a terrible fall.
Outrageously funny and irreverent, One Fat Englishman (1963) is a devastating satire on Anglo-American relations.
Douglas Yandell, a young-ish music critic, is enlisted by Kitty Vandervane to keep an eye on her roving husband - the eminent conductor and would-be radical Sir Roy - as he embarks on yet another affair. Roy, meanwhile, wants Douglas as an alibi for his growing involvement with Sylvia, an unsuitably young woman who loves nothing more than to shock and provoke. Life soon becomes extremely complicated as Douglas finds himself caught up in a frantic, farcical tangle of relationships, rivalry and scandal.
Girl, 20 is a merciless send-up of 1970s London's permissive society from a master of uproarious comedy.
'A brilliantly and preposterously funny book' Guardian
'A flawless comic novel ... I loved it then, as I do now. It has always made me laugh out loud' Helen Dunmore, The Times
Jim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons - as long as Jim can stave off the unwelcome advances of fellow lecturer Margaret, survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand. Inspired by Amis's friend, the poet Philip Larkin, Jim Dixon is a timeless comic character, adrift in a hopelessly gauche and pretentious world, in a witty campus novel that skewers the hypocrisies and vanities of 1950s academic life.
With an introduction by David Lodge
