The Paris Review was founded in 1953 and has published early and important work by Philip Roth, V.S. Naipaul, Jeffrey Eugenides, A.S. Byatt, T.C. Boyle, William T. Vollmann and many other writers who have given us great literature of the past half century. The Paris Review is one of the seminal literary magazines, a groundbreaking publication that has consistently, over six decades, brought great writers together from all over the world. Its legendary interview series alone represents the single most important body of work that celebrates writing about writing. Publishing quarterly, each issue is a tribute to the possibilities of the written word and under Philip Gourevitch's canny editorial leadership it looks set to continue and expand on what it has achieved in its illustrious life to date.') The Paris Review was founded in 1953 and has published early and important work by Philip Roth, V.S. Naipaul, Jeffrey Eugenides, A.S. Byatt, T.C. Boyle, William T. Vollmann and many other writers who have given us great literature of the past half century.

The Paris Review is one of the seminal literary magazines, a groundbreaking publication that has consistently, over six decades, brought great writers together from all over the world. Its legendary interview series alone represents the single most important body of work that celebrates writing about writing. Publishing quarterly, each issue is a tribute to the possibilities of the written word and under Philip Gourevitch's canny editorial leadership it looks set to continue and expand on what it has achieved in its illustrious life to date.

The Paris Review was founded in 1953 and has published early and important work by Philip Roth, V.S. Naipaul, Jeffrey Eugenides, A.S. Byatt, T.C. Boyle, William T. Vollmann and many other writers who have given us great literature of the past half century. The Paris Review is one of the seminal literary magazines, a groundbreaking publication that has consistently, over six decades, brought great writers together from all over the world. Its legendary interview series alone represents the single most important body of work that celebrates writing about writing. Publishing quarterly, each issue is a tribute to the possibilities of the written word and under Philip Gourevitch's canny editorial leadership it looks set to continue and expand on what it has achieved in its illustrious life to date.') The Paris Review was founded in 1953 and has published early and important work by Philip Roth, V.S. Naipaul, Jeffrey Eugenides, A.S. Byatt, T.C. Boyle, William T. Vollmann and many other writers who have given us great literature of the past half century.

The Paris Review is one of the seminal literary magazines, a groundbreaking publication that has consistently, over six decades, brought great writers together from all over the world. Its legendary interview series alone represents the single most important body of work that celebrates writing about writing. Publishing quarterly, each issue is a tribute to the possibilities of the written word and under Philip Gourevitch's canny editorial leadership it looks set to continue and expand on what it has achieved in its illustrious life to date.

The Paris Review was founded in 1953 and has published early and important work by Philip Roth, V.S. Naipaul, Jeffrey Eugenides, A.S. Byatt, T.C. Boyle, William T. Vollmann and many other writers who have given us great literature of the past half century.

The Paris Review is one of the seminal literary magazines, a groundbreaking publication that has consistently, over six decades, brought great writers together from all over the world. Its legendary interview series alone represents the single most important body of work that celebrates writing about writing. Publishing quarterly, each issue is a tribute to the possibilities of the written word and under Philip Gourevitch's canny editorial leadership it looks set to continue and expand on what it has achieved in its illustrious life to date.

The Paris Review is a groundbreaking publication bringing together fiction, poetry and prose from great writers all over the world. Its legendary interview series alone represents the single most
important body of work that celebrates writing about writing.

Publishing quarterly, each issue is a tribute to the possibilities of the written word and under Lorin Stein's canny editorial leadership it looks set to continue and expand on what it has achieved in its illustrious life to date.

The Paris Review Issue 183

by Philip Gourevitch

Published 17 January 2008
Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. From Faulkner's determination that a great novel takes 'ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work', to Gabriel Marquez's observation that 'in the first paragraph you solve most of the problems with your book', The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets and playwrights.

From William Faulkner's famous reply, 'The writer's only responsibility is to his art,' to James Salter's confession 'What is the ultimate impulse to write? Because all this is going to vanish', the Paris Review has elicited many of the most arresting, illuminating, and revealing discussions of life and craft from the greatest writers of our age. Under its original editor, George Plimpton, the Paris Review is credited with inventing the modern literary interview, and more than half a century later the magazine remains the master of the form. By turns intimate, instructive, gossipy, curmudgeonly, elegant, hilarious, cunning, and consoling, the Paris Review interviews have come to be celebrated as classic literary works in their own right.

Now, from the treasure trove of the archives, Paris Review editor Philip Gourevitch has selected twenty of the most essential interviews for the first of a four volume set. The authors are: Dorothy Parker, Truman Capote, Ernest Hemingway, T. S. Eliot, Saul Bellow, Jorge Luis Borges, Kurt Vonnegut, James M. Cain, Rebecca West, Elizabeth Bishop, Robert Stone, Robert Gottlieb, Richard Price, Billy Wilder, Jack Gilbert and Joan Didion.


A second volume of fascinating interviews from one of the world's best loved literary magazines

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. From Faulkner's determination that a great novel takes 'ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work', to Gabriel Márquez's observation that 'in the first paragraph you solve most of the problems with your book', The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets and playwrights. With an introduction by Orhan Pamuk, this volume brings together another rich, varied crop of literary voices, comprising: Graham Greene, James Thurber, William Faulkner, Robert Lowell, Isaac Bashevis Singer, Eudora Welty, John Gardner, Gabriel Garcia Marquez, Philip Larkin, James Baldwin, William Gaddis, Harold Bloom, Toni Morrison, Alice Munro, Peter Carey and Stephen King. 'A colossal literary event' as Gary Shteyngart put it, The Paris Review Interviews vol. 2 is a treasury of wisdom from the world's literary masters.


Vol 2

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From William Faulkner's determination that a great novel takes ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work, to Gabriel Garcia Marquez's observation that in the first paragraph, you solve most of the problems with your book, The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets, and playwrights. With an introduction by Orhan Pamuk, this volume brings together another rich, varied crop of literary voices, including Toni Morrison, Isaac Bashevis Singer, Graham Greene, James Baldwin, Stephen King, Philip Larkin, Eudora Welty, and more. A colossal literary event, as Gary Shteyngart put it, The Paris Review Interviews, II, is an indispensable treasury of wisdom from the world's literary masters.


Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. The magazine has spoken with most of the world's leading novelists, poets and playwrights, and the interviews themselves have come to be recognised as classic words of literature in their own right. The series as a whole is indispensable for all writers and readers.

This new volume in the series builds on the success and acclaim of the first two editions.

The interviews:

Ralph Ellison (1955)
Georges Simenon (1955)
Isak Dineson (1956)
Evelyn Waugh (1963)
William Carlos Williams (1964)
Harold Pinter (1966)
John Cheever (1976)
Joyce Carol Oates (1978)
Jean Rhys (1979)
Raymond Carver (1983)
Chinua Achebe (1994)
Ted Hughes (1995)
Jan Morris (1997)
Martin Amis (1998)
Salman Rushdie (2005)
Norman Mailer (2007)


Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age. Here is the fourth collection of brilliant interviews to be gathered together, 'a bible both for readers and writers, the insider gossip for those who are truly passionate about their prose.' (Observer)

This new edition is introduced by Salman Rushdie and includes interviews with:

William Styron
Marianne Moore
Ezra Pound
E.B. White
P.G. Wodehouse
John Ashbery
Philip Roth
Maya Angelou
Orhan Pamuk
V.S. Naipaul
Stephen Sondheim
Haruki Murakami
David Grossman
Marilynne Robinson