Vol 86

German Radio Plays

by Becker, Eich, Handke, and Et Al

Published 31 December 1997

Vol 30

The German Library is a new series of the major works of German literature and thought from medieval times to the present. The volumes have forewords by internationally known writers and introductions by prominent scholars. Here the English-speaking reader can find the broadest possible collection of poetic and intellectual achievements in new as well as great classic translations. Convenient and accessible in format, the volumes of The German Library will form the core of any growing library of European literature for years to come.

Vol 50


Vol 39


Vol 61

German sociology--indeed sociology as a discipline--belongs to modern times. This unusual anthology includes works by Theodor W. Adorno, Uta Gerhardt, Jnrgen Habermas, Max Horkheimer, Karl Ulrich Mayer, Georg Simmel, Roberto Michels, Max Weber, Hans Gerth, Hans Speier, Alfred Schutz, Alfred Weber, Karl Mannheim, Theodor Geiger, Ralf Dehrendorf, Rene Konig, Renate Mayntz, Reinhard Bendix, Claus Offe, and Stephan Leibfried. A substantive introductioni by Uta Gerhardt and detailed biographical sketches of the contributors will aid the general reader, student, and scholar alike.

Vol 43

Up to the end of the nineteenth century, Germany largely perceived itself as "the nation of poets and philosophers." But with the enormous popularity of Schubert and Wagner, this began to change. Suddenly, composers also began to play a greater role in theories of national identity, and music theory became and important element of German thought. The essays in this volume reflect this, and are by a range of writers: Adorno, Bloch, Thomas Mann, Wachenroder, Herder, E. T. A. Hoffmann, Hegel, Bettina von Arnim, Nietzsche, Max Weber, Brecht, and others.

Vol 49


Vol 66

German Expressionist Plays

by Benn, Kaiser, Toller., and Et Al

Published 1 December 1997

Vol 53

German Songs

by Luther, Heine, Brecht, and Et Al

Published 1 December 1997
This collection of German songs contains two strains of tradition: the political song and the folk song. It is not always clear where the distinction between the two can be drawn, since many political songs become folk songs due to their popularity, and many folk songs have a clear, emancipatory - and thus political - dimension. But the main criterion for inclusion in this anthology is the popularity a song has enjoyed, either down through the centuries or more recently, in German-speaking or non-German-speaking countries. The addition of scores is another plus, offering an opportunity to recognize the songs musically.