Bond Plays: 7

by Edward Bond

Published 1 January 2009

Bond Plays: 8

by Edward Bond

Published 28 October 2013

Bond Plays: 5

by Edward Bond

Published 4 December 2013

Bond Plays: 2

by Edward Bond

Published 1 January 2009

Bond Plays: 9

by Edward Bond

Published 1 October 2011
Edward Bond Plays:9 brings together recent work by the writer of the classic stage plays Saved, Lear, The Pope's Wedding, and Early Morning. The volume comprises five new plays and a comprehensive introduction by the author exploring theories of writing and theatre.

Innocence is the final play in The Paris Pentad, a dramatic epic stretching from the 1940s to the end of the twenty-first century. The conflicts at the heart of civilisation have erupted into violence, and the characters in Innocence must seek refuge in each other to escape the cruelty of war.

Window, Tune, Balancing Act and The Edge are plays commissioned by The Big Brum Theatre. With themes of drug use, violence, suicide, and mother-son relations, the plays focus on problems directly aimed at modern youth culture. Ideally suited to students, performers and particularly university showcases, they are short, interesting and powerful pieces.

This edition also includes some of Bond's previously unpublished Theatre Poems.

Bond Plays: 1

by Edward Bond

Published 22 January 2014

Bond Plays: 6

by Edward Bond

Published 10 December 2013

Bond Plays: 6

by Edward Bond

Published 8 September 1977
Plays Six includes some of the most acclaimed work of Edward Bond, one of Britain's greatest living contemporary dramatists, who is widely studied by schools and colleges. The collection includes a commentary by the author. The collection includes The War Plays and Choruses from After the Assasinations. In The War Plays (Red Black and Ignorant, The Tin Can People, Great Peace): "Bond particularises daunting themes and subjects, but examines them within the context of every day life. His platform is a trilogy of plays that deal with the aftermath of a nuclear holocaust. The first, - a quick, telling chronicle of a life destroyed before it ever got lived - puts forth Bond's notions of contemporary cultural corruption and conditioning. In play two the demoralised inheritors of a ravaged earth try to rationalise an existence predicated on death. The third play enlarges the issues by focussing on a post-apocalyptic Mother Courage for whom schizoid suffering becomes a survival technique." (Time Out). In Choruses From After The Assassinations, Bond forecasts questions fifty years into the future, in an age of escalating militarism.Edward Bond is "a great playwright - many, particularly in continental Europe, would say the greatest living English playwright" (Independent)

Bond Plays: 4

by Edward Bond

Published 10 December 2013

Bond Plays: 2

by Edward Bond

Published 20 September 2007
The internationally acclaimed dramatist Edward Bond endures as one of the towering figures of contemporary British theatre. His plays are read at schools and university level. "Edward Bond is the most radical playwright to have emerged from the sixti Lear - "Bond's greatest (and biggest) play ...It is even more topical now and will become more so as man's inhumanity gains subtle sophistication with the twenty-first century's approach" (The Times); The Sea - "It blends wild farce with tragedy and ends with a sliver of hope ...what makes the play fascinating is Bond's bleak poetry and social comedy" (Guardian); Narrow Road to the Deep North - "His best piece so far ...No one else could have written it" (The Times); Black Mass, written for performance at an anti-apartheid demonstration: "A Georg Grosz picture come to life ...the only possible kind of artistic imagery through which to speak of such evil" (Listener); Passion - a play for CND: "Mingles comedy and high anger with absolute sureness." (Guardian)Edward Bond is "one of our outstanding playwrights ...He is already an acknowledged classic" (Plays and Players)

Bond Plays: 10

by Edward Bond

Published 11 January 2018
Bond Plays: 10 brings together recent work by the writer of the classic stage plays Saved, Lear, The Pope's Wedding and Early Morning. The volume comprises four previously unpublished plays, one previously published play and a comprehensive introduction by the author.
Dea, a heroine, has committed a terrible act and has been exiled. When she meets someone from her past, she is forcefully confronted by the broken society that drove her to commit her crimes. In this play, Edward Bond takes from the Greek and Jacobean drama the fundamental classical problems of the family and war to vividly picture our collapsing society. Dea received its premiere at Sutton Theatre in 2016.
The Testament of this Day is Edward Bond's third original radio drama. A young man embarks on two journeys, though he is in control of only one. He soon discovers there is no going back, from either. The play is an arresting drama about the world today and was first produced by BBC Radio 4 in 2016.
The Price of One is set in among city ruins in a war zone. An occupying soldier carries a baby he has rescued from the rubble and dust. He meets a woman carrying a baby of her own. What ensues is a struggle between two enemies demanding justice in the midst of war. A modern tragedy, this play is an exploration of eternity and madness and the supermarket culture. It received its premiere in 2016.
The Angry Roads considers how young people today grow up in a world that their parents never knew. In a flat a teenage boy is sorting through play things from his childhood; he is sorting through his past in search of the truth about an accident that destroyed his family. The Angry Roads was commissioned by Big Brum Theatre Company and premiered in 2015.
The Hungry Bowl is a portrait of a a ghost town. Outside a harsh wind rattles the windows. Inside, people go hungry and start boarding up their homes. When a young girl insists on feeding her imaginary friend, a bitter struggle for a future ensues for the power of the imagination to transform lives. The play is a moving and audacious modern fable that explores the impact of hard times on family life, commissioned by Big Brum and premiered in 2012.

The volume features an introduction by the author that looks at theatre and culture in a post-Brexit referendum, post-truth and post-Trump era.