Plays and Playwrights
3 total works
Brecht on Theatre is a seminal work that has remained the classic text for readers and students wanting a rich appreciation of the development of Brecht's thinking on theatre and aesthetics. First published in 1964 and on reading lists ever since, it has now been wholly revised, re-edited and expanded with additional texts, illustrations and editorial material, and new translations. The resulting work is a far fuller and more accurate volume that will provide readers with a clearer and more rewarding understanding of Brecht's work and writings.
This updated third edition features:
* Clearer layout and organisation of the text to facilitate study
* New translations of many of the Brechtian texts featured
* Over 40 new, previously untranslated essays
* Essay titles now correspond to the German originals
* A revised selection of illustrations
This selection of Bertolt Brecht's critical writing charts the development of his thinking on theatre and aesthetics over four decades. The volume demonstrates how the theories of Epic Theatre and Verfremdung evolved, and contains notes and essays on the staging of The Threepenny Opera, Mahagonny, Mother Courage, Puntila, Galileo and many others of his plays. Also included is 'Short Organon for the Theatre', Brecht's most complete statement of his revolutionary philosophy of the theatre.
This updated third edition features:
* Clearer layout and organisation of the text to facilitate study
* New translations of many of the Brechtian texts featured
* Over 40 new, previously untranslated essays
* Essay titles now correspond to the German originals
* A revised selection of illustrations
This selection of Bertolt Brecht's critical writing charts the development of his thinking on theatre and aesthetics over four decades. The volume demonstrates how the theories of Epic Theatre and Verfremdung evolved, and contains notes and essays on the staging of The Threepenny Opera, Mahagonny, Mother Courage, Puntila, Galileo and many others of his plays. Also included is 'Short Organon for the Theatre', Brecht's most complete statement of his revolutionary philosophy of the theatre.
This selection of Bertolt Brecht's critical writing charts the development of his thinking on theatre and aesthetics over four decades. The volume demonstrates how the theories of Epic Theatre and Alienation evolved, and contains notes and essays on the staging of The Threepenny Opera, Mahagonny, Mother Courage, Puntila, Galileo and many others of his plays. Also included is A Short Organum for the Theatre, Brecht's most complete statement of his revolutionary philosophy of the theatre. With over 32 pages of photographs of Brecht's productions and workshops, this is a key volume for Literature and Theatre Studies alike. "Admirably translated and annotated ...this book is a source of instruction, enlightenment, even fun" - New York Times
A key critical work bringing relevance to Brecht's poetry in the 21st century Brecht is increasingly recognised as one of the most important lyric voices of the 20th century. Alongside Rilke he is honoured as Germany's greatest modern poet. Yet his poetry is relatively little known in the English speaking world. This title takes its cue from an allegorical poem about the artist's legacy and looks at how poets and translators might read Brecht today.The volume arises from a seminar held at Oxford University in 1998 to mark the centenary of Brecht's birth and includes seminal contributions from experts. It sheds new light on individual poems as well as giving an overview of Brecht's poetry from the earliest days to the GDR years. There are also Brecht poems in parallel translation as well as translations by major British poets such as Tom Paulin, Seamus Heaney, Jamie McKendrick, Michael Morley, Derek Mahon, and David Constantine.Contributors include: Ronald Speirs, Hans-Harald Muller, Tom Kindt, Robert Habeck, Hilda Brown, David Midgley, Elizabeth Boa, Anthony Phelan, David Constantine, Ray Ockenden, Erdmut Wizisla.